Rollin’, Rollin’, Rollin’ on the River - Margaret McDonald, Executive Director, Mill City Commons

Article by Becky Fillinger, photos provided

Margaret McDonaldMill City Commons has a new Executive Director, Margaret McDonald. I asked Margaret to tell me her thoughts on taking the helm of the innovative organization, programming updates and how to get involved.

Tipping my hat to Creedence Clearwater Revival’s John Fogerty, I don’t claim to be Proud Mary. But there is a part of me that is proud Margaret these days. As the new Executive Director of Mill City Commons, I could not be prouder to represent this dynamic organization. I’ve worked and lived close to our magnificent Mississippi River for several years. But never this close. Today I walk across the river to my office. I work with and serve wonderful people. I walk out of my office and sit by the river and eat lunch. I’m back where I belong! 

“The Mill City Commons Board was impressed with not only Margaret’s extensive experience but also her long-standing commitment to the Rivefront Neighborhoods.”

Pam Berkwitz, MCC Board President

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Since 2002, I’ve chosen to be an active part of the neighborhoods on both sides of the riverfront. I’ve seen the areas transformation from parking lots, rusty railroad ties and abandoned buildings to a dynamic, growing civic minded community with all the amenities to support it.  My husband and I are committed to supporting local businesses and establishments as we are very familiar with the hard work it takes to build and sustain a business.

Since the inception of Mill City Commons in 2008, our mission has been to provide programs and services to our members who are 55+ and live near the Minneapolis riverfront. As a neighborhood community, MCC provides member-driven programs that are educational, relevant, fun, easily accessible and inspiring.

Post-COVID, my vision is not to reinvent the wheel but to re-ignite the element of personal engagement, relevant discussions and fun to all our programs. After these past two years I believe we all need more comradery and good times. It’s time for us all to reconnect.

Scenes from Summer 2022 activities

Our programs fall into four categories: Educational (Great Discussion Series, Current Events and Conversations with Bill); Recreational (River walkers); Social (Men’s Dutch Lunch); and Cultural (Dressed by Nature: Textiles of Japan). In addition, our members strive to be a positive force in our community through volunteerism, civic involvement and supporting local businesses and fundraising activities. Meetings, social events, and discussion groups are frequently held in local restaurants and venues.

Throughout the pandemic most of our programing was delivered on Zoom. We were fortunate to be able to maintain our high-quality programing and membership retention. We even gained new members. My goal is to provide 80% of our programing in person in the coming months. Our new office located at 219 Main Street SE, affords us enough space to hold some events. In addition, many of our members willingly open their residences or party rooms to host programs and social events like our monthly Soiree buffet. For those members who spend their winters in warm climates, most of our programs are archived for future on-line access.

Although the majority of our members live along both sides of the Mississippi River, we have many living in South Minneapolis and surrounding suburbs. Membership is broad and diverse, as is our programing.

In addition, our members support one another with services such as rides to doctor appointments, airports and grocery shopping. Members also network with others through post-hospital stays and rehabilitation. MCC is committed to helping members remain empowered in order to live vibrant lives in this community with friends and family.

To learn more about us, roll on over to our website at http://www.millcitycommons.org. You will find our monthly calendar, pictures of recent events and how to become a member. If you prefer, call us at 612-455-3329.

We look forward to welcoming you to our exciting neighborhood on the river.

SBA Small Business Person of the Year 2022 – Minnesota: Kristen Denzer, Chief Executive Officer and Founder of Tierra Encantada

Article by Becky Fillinger

Kristen Denzler is the CEO and Founder of Tierra Encantada. She was recently honored as SBA Small Business Person of the Year 2022. Her company has been on The Minneapolis St. Paul Business Journal list of the 50 fastest-growing privately held companies in the Twin Cities for a few years. We talked to Kristen to learn more about her business success and perhaps take away a few tips. 

Q:  Congratulations on being awarded SBA Small Business Person of the Year 2022 – Minnesota. In a 2021 Forbes interview, you said, “I think that the only limitations you have as a business owner are those you place on yourself.” Please tell us more about this thought.

A: Many people have great business ideas but hold themselves back because they don't have a degree or experience related to their business idea - and they think that is needed to be successful. While that can certainly help, it shouldn't hold someone back from pursuing an idea they are passionate about. I never worked at a childcare center prior to starting Tierra. I also had never constructed a licensed commercial kitchen and had never worked in construction before Tierra, either. But, by using my resources and being willing to put in the work, I figured it out and opened multiple centers, working as the general contractor for two of them, with no relevant experience/education.

Many people also think you need a business degree to start a business. I don't have one, and I know many successful entrepreneurs and not a single one of them have a business education. If you believe in something, don't hold yourself back with self-created limitations - just go for it. 

Q:  You’re the CEO and Founder of Tierra Encantada. The business features Spanish immersion language skill building and organic food. What led you to put these two features together?

A:  The United States is incredibly behind in language learning, and countries around the globe have children learning multiple languages from a very young age. Knowing first-hand the limitations that come with learning a second language as a teen, I wanted my children to have an opportunity I did not have - to learn at the most critical time for their language development, their first years of life. I also wanted my children to be exposed to a vast array of food that they may not otherwise have - I wanted more for them than chicken nuggets and hot dogs. I didn't have much variety as a child, and tried Brussel sprouts, okra, asparagus, and mushrooms for the first time as an adult. Many parents don't know how to cook some things, like lentils, and some parents simply don't have time. Our culinary program provides fresh-cooked meals designed to expand young palates. 

Q:  You have degrees in Psychology, Political Science, Leadership and Evaluation Studies. Did your education help you become fearless in trying new things? Did your education prepare you for owning a business?

A:  My education provided valuable experiences, connections, and learnings that shaped who I am and how I think about things. Though, I wouldn't say it was instrumental to my entrepreneurial nature nor my sense of adventure. I mean, the very first "club" I joined freshman year at the University of Minnesota was the skydiving club! 🙂 My education was not really related at all to the companies I have started, so did not do much to prepare me for running a successful company. The most relevant I would say was my graduate assistantships, which allowed me the opportunity to see what it was like to work as a consultant for community organizations - which I parlayed into my first business - consulting.

Q:  You’re a Board Member at Women Venture and St. Croix Preparatory Academy. Have these experiences helped you as an entrepreneur? Are you mentoring other business start-ups?

A:  Serving on both boards has been both fulfilling and educational. Seeing how other entities structure things has definitely informed decisions I have made as I have grown Tierra. With Women Venture, I also am on one of the two loan committees. It is very inspiring to see entrepreneurs bring their ideas to be considered for funding, and I feel honored I get to be a small part of their journey to entrepreneurship. I have had a number of entrepreneurs over the past few years that I have shared ideas and guidance with to help support them in growing their business. 

Q:  What are your daily habits? I’m sure that I’m not the only person who wants to know how you accomplish so much in a 24-hour period.

A:  It's a bit hard to get into a routine with how busy I am - though I do try to! I try to get any large projects or tasks completed first thing in the morning and aim to keep my email under 100 if I can. I typically work 12-14 hours a day, so I try to plan ahead with healthy meals when I can and I make it a priority to work out 5 days a week. We have a gym at our corporate office, so that helps! Scaling a company means many long days, but if it is something you are passionate about, then it doesn't feel so much like work!

Q:  We wish you many continued years of business success! How may we stay up to date with your news? 

A:  Thank you! You can follow me on LinkedIn and also Tierra Encantada on Facebook and Instagram.

Tour the Hennepin Energy Recovery Center!

After a hiatus due to COVID-19, Hennepin County is again offering facility tours at the Hennepin County Energy Recovery Center (HERC) waste-to-energy facility. HERC is a waste-to-energy facility where waste is received and burned to generate steam for the downtown district energy system and electricity sold to Xcel Energy. Tours describe how the plant works and fits within the county’s solid waste management system to divert waste from landfills.

• Tour participants must be 14 years of age or older.
• Masks are optional. (Masks are available at HERC for participants that do not bring their own.)

Tours for Groups

Please complete the HERC tour request form to request a tour for a group of five to 16 people. Due to safety precautions related to COVID-19, tours to groups of more than 16 people are not available at this time. Protecting the health of tour participants and HERC’s operating staff is critical to maintaining the waste and energy infrastructure.

Outdoor tour option: to request a tour that is 100% outdoors, list “outdoor tour” when providing your goal for visiting the facility. Note that outdoor tours will not enter the HERC facility. 

Tours for individuals or groups with less than five people

Complete the HERC tour sign up form to sign up for a slot during pre-scheduled tours of the HERC facility. This option should be used for groups of less than five participants. New date options will be added regularly. You will be contacted by a Hennepin County staff person when your slot is confirmed with additional information, including how to access the facility the day of the tour.

Take a virtual tour

Watch a video about HERC (YouTube) to learn more about how waste is managed in the county and how HERC converts waste to energy.

MSP Film Society Presents MSP Iranian Film Festival, August 19-21

Article by Becky Fillinger

Jesse BishopThe 2022 MSP Iranian Film Festival is returning August 19-21 to MSP Film at The Main. The Festival hasn't been in-person since 2019. We are blessed to have independent international cinema available in our community.

There may not be a better way to breakdown misunderstandings between cultures than to take an audience to – in this case, Iran – and show how life really is – how do they love, work and live? We talked to Jesse Bishop, Programming Director, about what we can expect from the lineup of films and other ancillary events. He gave us so many reasons to make the trip to 115 SE Main Street this weekend.

The lineup features 5 new Iranian films that can only be seen at the festival. The program offers moviegoers a chance to see new works by contemporary Iranian filmmakers depicting Iranian society, perspectives, and expressions as created by Iranian artists. Click on the film’s title to purchase tickets. All-access passes are also available. Festival highlights include:

ABSENCE was written, directed and starring Ali Mosaffa and it's a clever and absorbing mystery of family history and political intrigue. It has a classic Cold War era thriller vibe, with great characters, subtle humor and it will keep you guessing.

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THE MAJORITY is a melodramatic and often humorous morality tale that takes place in a rural village in pre-revolution Iran that has been struggling for years. News of the return of a now wealthy former resident sparks hope that she’ll enrich the town, however there's just one very big catch and a sacrifice must be made.

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A MAN OF INTEGRITY is a first-rate dramatic thriller by one of Iran's finest contemporary filmmakers, Mohammad Rasoulof. Rasoulof was recently imprisoned in Iran in a crackdown on artists and filmmakers. A Man of Integrity reveals the corruption and state cronyism at the heart of one of the most powerful and influential regimes in the Middle East.

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NO CHOICE follows three Iranian women from different backgrounds – a sixteen-year-old homeless girl forced into pregnancy, a human rights lawyer, and a physician – as their lives intersect in this powerful social drama from Iranian writer/director Reza Dormishian.

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ASTEROID is the sweetest film in the lineup. It's a tender drama that centers on 12-year-old Ebrahim, breadwinner for his rural Iranian family and their dreams to build a home and a better life. Set against the rich beauty of the desert, Asteroid observes Ebrahim’s wise demeanor amidst moments of childhood joy, and a quiet determination to help others.

The festival is organized in collaboration with the Twin Cities Iranian Culture Collective. 

They are organizing other Iranian events for the Twin Cities in the coming months.

4th Street Reconstruction: Construction is Complete!

The City of Minneapolis has completed reconstruction of 4th St. between 2nd Ave. N. and 4th Ave. S. Planning for the project began in 2017 and construction began in 2021. The purpose of the project was to:

- Replace the aging street infrastructure

- Improve safety, access, and comfort for people walking

- Create a bicycle connection for all ages and abilities

- Collect and treat stormwater runoff using green infrastructure

- Enhance the area with street trees and plantings

- Create a more intuitive street by removing and relocating the contraflow bus lane

  

What Improvements Were Made

- Replaced aging asphalt street with a new concrete street

- Lane reconfiguration

- New trees and planting beds throughout the corridor

- Wider sidewalks and improved crosswalks including curb extensions at all intersections

- A new two-way protected bike lane along the north side of the street

- New traffic signals, lighting, and crosswalk timers throughout the corridor

Replaced aging street infrastructure

• 4th Street was last reconstructed in 1962. It had reached the end of its useful life and was severely cracked and potholed. As part of this project, new concrete pavement, curb and gutter, and storm sewer infrastructure were put in place

New lane configuration

• Three eastbound travel lanes between 2nd Ave. N. and 3rd Ave. S.
• Two eastbound travel lanes between 3rd Ave. S. and 4th Ave. S.
• Parking available between 2nd Ave N. and Marquette Ave., and parking in front of city hall between 3rd Ave S. and 4th Ave S.

Planting beds, rain gardens and boulevard trees

• New planting beds and rain gardens were constructed along 4th Street and include native plantings, perennials, and trees. These new green areas reduce stormwater runoff, capture excess rainwater, and provide shade.

Improved sidewalk and pedestrian crossings

• Wider sidewalks, improved crosswalks and curb extension at all intersections increase safety for people walking, rolling, and biking along 4th St.

Two-way protected bike lane

• A new two-way protected bike lane constructed on the north side of the street. This improves bicycle connection, safety, and access along 4th St.

Traffic signals, lighting, and crosswalk timers

• Traffic signals, lighting, and crosswalk timers at intersections provide updated safety measures for vehicles, bicycles and pedestrians on 4th St. Additional lighting along the corridor improves visibility at night.

Help protect greenspaces on 4th Street

Help keep new plantings and landscaping beds healthy along the 4th Street corridor by reducing your salt use this winter. Overuse of salt permanently pollutes lakes, rivers, and groundwater, and causes costly damage to buildings, vehicles, and plants. Did you know, 78% of salt applied in the metro area ends up in groundwater or local lakes and rivers?

Here are some helpful tips to reduce salt use while also keeping roadways and sidewalks safe.

1. Apply less: More salt does not mean more melting. A coffee mug of salt will cover about 10 sidewalk squares, or a 20-foot driveway.
2. 15 degrees (F) is too cold for salt. Most salts stop working at this temperature. Use sand instead for traction but remember that sand does not melt ice.
3. Shovel: The more snow and ice that can be removed manually, the less salt you will need to use. Do not pile snow on top of planting beds. This can kill plants that have gone dormant over the winter.

For more information see: Salt mini-course

Stay tuned to the City of Minneapolis newsletters and visit the project webpage for more information, hear about upcoming events and see our interactive map: minneapolismn.gov/4thStreet.

Composer Paola Prestini's Opera Edward Tulane to Receive World Premiere at Minnesota Opera, October 8-13

Edward Tulane, a new opera by composer Paola Prestini and librettist Mark Campbell, commissioned by Minnesota Opera, will receive its premiere after a two-year postponement on Saturday, October  8 at 7:30 p.m. at the Ordway Center for the Performing Arts. It is the first work by a woman to be commissioned by Minnesota Opera as part of the company's New Works Initiative. 

The opera is based on the novel The Miraculous Journey of Edward Tulane by two-time Newbery Medalist and #1 New York Times best-selling author Kate DiCamillo. It is the first time one of her works is being adapted for the operatic stage. “I think that [this adaptation] is going to be a visual feat, in addition to a musical one,” DiCamillo said. “It’s a very dramatic tale, so it just seems well-suited for the drama of opera.”

"Edward Tulane continues my love of working on art that brings intergenerational audiences together," said composer Paola Prestini. "The themes found in the DiCamilo novel, woven into a brilliant and unique libretto by Mark Campbell gave me the perfect springboard for an opera about hope and transformation— told through a rabbit's perspective! The opportunity to unleash my imagination into sound worlds for underwater fish, a zany doll shop, and ultimately a cast of characters that guide our leading soul with love and wisdom has been delightful. We all are in need of magic and transformation, and Edward's journey brings it in spades. I’m immensely grateful that Minnesota Opera chose me for this adventure, and hope that this opera brings new audiences to our stages."

The leading cast features several noteworthy house debuts, including those of Minnesota native tenor Jack Swanson, soprano Zulimar López-Hernández, baritone Brian Vu, bass Zachary James, mezzo-soprano Elise Quagliata and baritone Daniel Belcher. Former Minnesota Opera Resident Artists Benjamin Sieverding, Victoria Vargas and Adriana Zabala with current Resident Artists Lisa Marie Rogali, Danielle Beckvermit, Nicholas Davis and Christian Sanders fill out the cast. Russian-American conductor Lidiya Yankovskaya, the music director of Chicago Opera Theater, will lead from the podium.

Postponed for two years due to COVID, the world premiere was preceded in December 2021 by a 40-minute Choral Suite, featuring stop-motion animation by acclaimed artist Erin Pollock:

Lakewood Cemetery 150 Year Anniversary Observance Includes August 21 Garden Party and Much More

Article by Becky Fillinger

Lakewood Memorial Chapel 

Julia GillisWhen you visit Lakewood Cemetery, and you should, you’ll see stunning architecture, including a Byzantine chapel that is listed on the National Register of Historic Places, 250 acres of gorgeous gardens, exquisite examples of cemetery art and you’ll feel an enduring sense of serenity. We talked to Julia Gillis, Director of Marketing & Outreach, about the history of Lakewood Cemetery, events and plans to recognize the milestone anniversary. Keep reading – you don’t want to miss information about The Great Big Garden Party coming up on August 21.

Q: Lakewood Cemetery has been a community gathering place for the last 150 years. Please tell us some of the early history and how the community may interact with Lakewood today.

A: Lakewood is one of the most storied and extraordinary urban cemeteries in America. It was founded by a group of influential Minneapolis leaders in 1871 who had a vision for a grand “garden” style cemetery that is nonprofit and open to all. And for the past 150 years, Lakewood’s park-like grounds have become a fascinating chronicle of local cultures and traditions - a place where countless families have come to honor, remember and reflect in ways that are uniquely personal to them.

Though Lakewood is located in the heart of Minneapolis now, when Lakewood began it was set far outside the city center. Visitors travelled by horse-and-buggy along an unpaved road to get to here. It was often a full day’s trip, and they would spend time here socializing, picnicking and tending to graves. Like many garden-style cemeteries, Lakewood features winding roads, sculpted monuments, water features, beautiful architecture, and of course, gardens! Garden cemeteries, like Lakewood, were designed for the living as much as the dead. They met an emotional need – and Lakewood continues that legacy today.

Tea Ceremony

The Living Memory Tree

Music in the Chapel

Lantern Lighting Celebration

For our 150th anniversary (and beyond), the team at Lakewood has been making an extra effort to make sure the community knows they are welcome here. We are inviting people in to experience the amazing beauty of Lakewood, and we’re also sparking meaningful new conversations and sponsoring a variety of unique experiences and events that go far beyond what you would expect from an institution like ours.

Some of our upcoming events and experiences include: 

• Lantern Lighting Celebration - September 16-18 – a magical night of remembering loved ones
• Music in the Chapel – a monthly concert series held in our historic, must-see mosaic chapel
• The Living Memory Tree – a vibrant tree of ribbons that contain heartfelt messages of remembrance and love
• Grief tea ceremonies
• Sounds baths/meditations
• Lakewood Book Club
• Birding at Lakewood
• Death Cafe – offering a safe space to talk about death
• Trolley tours of Lakewood’s history, art and gardens
• Plus more! In the spring, we have greenhouse tours and a Memorial Day Celebration, we honor Mother’s Day and Father’s Day - and our popular Midsummer Memory Mandalas Community Celebration, which features an amazing earth art installation and a creative practice for honoring grief, takes place in July.

And of course – to celebrate our 150th, we’re inviting everyone to a special event called The Great Big Garden Party on Sunday, August 21, 4-7 p.m. At the event, we are honoring our roots as a garden cemetery and inviting the community to enjoy a picnic on our front lawn. We’ll have live music, raffle giveaways, art activities, carriage rides and more. Register for your box lunch here.

All are welcome to attend any of these events. You do not need to be affiliated with Lakewood in any way. To find out more about all of Lakewood’s events and offerings, visit our website: https://www.lakewoodcemetery.org/events-calendar/.

We’re on Facebook and Instagram, too – please follow us!

August 13 Trip to the Mill City Farmers Market

The first apples of the season arrived at the August 13 Mill City Farmers Market, thanks to Pam at Prairie Hollow Farm. I couldn't wait to get my hands on the sweet peppers from Mhonpaj’s Garden.

Weekly Events at Peavey Plaza August 14 - 20

Green Minneapolis is excited to host these events, free and open to all!

YWCA Minneapolis Yoga on the Plaza

Tuesday, August 16 from 5:30-6:30pm

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Flow into summer with FREE yoga classes at Peavey Plaza (weather permitting). Bring a water, mat and towel. Members and nonmembers are welcome to attend. Nonmembers that attend receive a FREE three-day trial fitness pass to any of our three fitness locations. Plus, join YWCA Minneapolis as a member for just $15! Registration recommended

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MNspin Musician of the Week: Buffalo Galaxy

Thursday, August 18 from 12-1pm 

Dust from the years of performing with many groups and musical styles has coalesced to form Buffalo Galaxy. Each member brings with them a tradition of Bluegrass and American music as their bedrock, together creating moments of energy and intensity that can only be generated by light-speed bluegrass, while also exploring the deep-space between notes and emotions.

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MIRAGE Performing Arts

Thursday, August 18 from 6-6:45pm and again on Saturday, August 20 from 2-2:45pm

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MIRAGE Performing Arts: A performing arts group focused on creating a new and authentic expression of Classical Music and Ballet through innovative collaboration, programing and choreography. The primary goal being the spreading of joy and hope through the arts. Learn more at yukitokuda.com/mirage-performing-arts.

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Children’s Theatre Company Story Theatre 

Saturday, August 20 at 12-12:30pm & 12:30-1pm

Join Children’s Theatre Company for summertime fun at Peavey Plaza! Through imaginative play, collaborative storytelling, music, and family engagement, we’ll explore beloved children’s books together. Laugh, dance, and discover along with your family and friends.

For a complete calendar of Peavey Plaza Performing Arts Series, visit greenminneapolis.org/events.

Full Moon Over University of Minnesota by Ric Rosow

Submitted by Ric Rosow

On the evening of August 11th before the Full Moon rose in the east the skies were cloudy. I expected that I would be unable to see the moon. I took another look at the sky just after the appointed time for the moon to rise and there it was, bright orange, peaking over the horizon partly covered by thin dark clouds. I enjoy when the clouds give the moon a different look. The moon shined through the thin clouds and painted its color on them.

See more of my work ricrosowphotography.com and Tres Leches Art Gallery.

Full Moon Over University of Minnesota

Why Euripides Remains Important Today – A Discussion with Director Marcela Lorca

Article by Becky Fillinger, photos supplied

Marcela LorcaEuripides’ Iphigenia at Aulis will have a short run in the Twin Cities – this is another event not to dawdle on – tickets go on sale August 15. We spoke to the play’s director and theater superstar, Marcela Lorca, about the universal scope of the play, the all star cast and crew and what is on the horizon for Ten Thousand Things Theater Company.

Q:  Euripides’ Iphigenia at Aulis has been performed since 405 BC where it won first place at the Dionysia competition in Athens. Many people will glance at the author and title of the play and assume there is no modern significance in the play. What is your response to get folks to take a second look at the current relevance of this classic Greek tragedy? Why did Ten Thousand Things Theater Company choose to produce it now? 

A:  This remains one of the most moving plays ever written. At the center of the story are the fate of a girl in the midst of impending war, who has to struggle with the duty to country versus the duty to family, and the sacrifices and difficult decisions that are made to save others. In a parallel yet contemporary bow to the origins of Greek theater, our production is rooted in ritual, movement, and song. With original music composition by J.D. Steele, movement contributions by Brian Bose and Darrius Strong, and visuals by Sarah Bahr and Rachel Breen, ours is a current interpretation of this timeless classic play. As in the play, our current times are complex, politics are divisive, and big conflicts loom in the distance, which demands extraordinary actions from citizens. Now more than ever we need inspiration from great works of art that are universal in their scope.

Q:  Brian Vinero writes of Euripides, “His surviving works paint a portrait of a man dissatisfied with politics, war and dismissive attitudes toward women in Athenian society.” Will we experience evidence of his dissatisfactions in this production? 

A:  There is no question that women had limited rights in Ancient Greece, and poignantly it feels like the gains that women have made in recent history are ever more vulnerable today. I feel that Euripides is exploring the intersection of intimate human relations and the politics of a nation on the brink of war. He does this with great nuance and balance. There are no villains, just divergent points of view and impossible circumstances driven by history and politics. He reminds us of the great importance of listening and debate in civil society.

The cast

Q:  You have an amazing all-star acting and musical direction cast. What was the recruitment process for this play? Who committed first to the project? 

A:  This is the fourth time that J.D. Steele and I have worked on a Greek play together. We have a unique form of collaboration and one that we keep refining. There’s great emotional power and theatricality in the chorus’ work. We’re also inviting community choirs to join us, as we want the experience to be inclusive and open to others who want to participate. In terms of assembling the cast, I started by inviting Regina Williams, Steve Epp, and Sally Wingert as they are actors I’ve worked with previously and greatly admire. Then we did call backs in order to assemble a cast that could play characters and be part of the singing chorus. Everyone is amazing. 

Q:  Ten Thousand Things Theater Company performs in many non-traditional theater spaces - homeless shelters, correctional facilities, low-income senior centers, after-school programs and women’s shelters. Where is the theater bringing Ighigenia at Aulis?      

A:  Due to measures put in place by Actors’ Equity Association, we aren't able to tour to our community partners. In addition, some of our community partners are restricting access due to health conditions. We are instead offering video recordings to our community partners and also engaging with them via Ten Thousand Voices. We are hopeful we can begin touring with Mlima's Tale. In the meantime, we have three outdoor and one indoor location for audiences to see Iphigenia at Aulis.

Q:  How do we purchase tickets for this play? 

A:  Tickets for Iphigenia at Aulis go on sale August 15 at www.tenthousandthings.org. Tickets are pay-what-you-can pricing, with suggested $35.

Dates and locations are:

September 9-10 at Powderhorn Park

September 11 at Everwood Farmstead

September 15-18 at Water Works Park (site of Owámni by The Sioux Chef)

September 21-25 and September 28-October 2 at Luminary Arts Center (formerly The Lab Theater)

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Q:  This play kicks off the 2022-2023 season for Ten Thousand Things Theater Company. What else will we see this coming year?

A:  In November, Michelle O’Neill will direct Ten Thousand Voices: WATER, a live event featuring select writing from community partners read and performed by some of Minnesota’s finest actors. Performances are November 17–20 at Westminster Presbyterian Church.

Ten Thousand Things Theater Company returns to Open Book and one other location to be announced from February 10 to March 12, 2023 for Mlima’s Tale by Lynn Nottage. Ansa Akyea will make his Ten Thousand Things Theater Company directing debut, with a cast that includes Brian Bose. We learn that elephants may become extinct in as few as 20 years because of poaching for their ivory in this compelling play by the Pulitzer Prize-winning playwright of Ruined and Sweat. Inspired by a magazine article about wild elephants illegally hunted by contract poachers who smuggle their ivory tusks out of Africa for profit, Mlima's Tale is an enthralling piece of theater told in a daringly original way.

The season concludes April 28–June 11, 2023 with Emilia by Morgan Lloyd Malcolm. I direct this show based on the real life of the 16th century English poet Emilia Bassano, with a cast that includes Sun Mee Chomet. With the notion that she may have been the 'Dark Lady' of Shakespeare's sonnets, the play tells the fictional story of Bassano’s relationship with him, her tremendous skill as a writer, and her determination to thrive and uplift women's voices at a time laws were designed to restrict women's rights. With an all-female cast, the play bursts with passion, music, and humor as it reveals the life of a poet, mother, and feminist. 

Q: How may we follow the theater’s news?  

A:  Many ways! 

Check out our website: www.tenthousandthings.org

Facebook:  https://www.facebook.com/Ten-Thousand-Things-13201236885

Instagram:  https://www.instagram.com/ttttheater

YouTube:  https://www.youtube.com/user/TTTMpls/playlists (view our offerings of TTT Let's Sing! and Ten Thousand Voices 2021)

Vimeo:  https://vimeo.com/672081627/9c378cb940 (for Ten Thousand Voices 2022) 

Podcasts:  https://anchor.fm/ten-thousand-things-theat

C4W:2022 Pinky Promise curated by Jamie Owens, Featuring 28 Local, National & International Artists at Gamut Gallery

Gamut Gallery's annual Call-4-Work exhibition is a chance for artists to push against preconceived norms of what art "should" be. All media is accepted for submission, artists of all levels are encouraged to submit, and there is never a predetermined theme for the exhibit. After reviewing the body of submitted works, each year's chosen guest curator is free to hand-select a group of pieces that showcase the complete "Gamut" of visual mediums. The resulting exhibit makes for a memorable, one-of-a-kind event the space is thrilled to host each fall. With guest curator Jamie Owens behind the wheel, Gamut Gallery's 2022 C4W exhibition, Pinky Promise, is an enthusiastic and unexpected portrayal of emerging, established, and outsider artists across North America and Mexico.

Jamie OwensJamie is a multi-disciplinary studio artist, preparator, designer, and curator living and working in Minneapolis. Having graduated with a bachelor's degree in design from MCAD in 2014, his art has gained an international audience of collectors. After being exhibited in New York City, Germany, the San Diego Museum of Art & History, and the Minneapolis Institute of Art, Jamie has widened his focus to include curatorial work. He notably curated “Cracked Pavement: Twin Cities Skateboarding Then & Now” (2018) at Gamut Gallery, and “Selections” (2019) at Revere Auctions.

"Art is this rare space where contemplation and play are intertwined, but as an artist myself, I've fallen into the camp of serious art making, and feel like my personal practice suffered for it.” With this in mind, the imagery Jamie has chosen approaches adult topics of identity and mental health, but with the spirit of freedom felt in the final days of summer. Pinky Promise is an unapologetically juvenile exhibition featuring a mashup of ideas and mediums through a youthful lens.

Gamut is delighted to announce that of the 28 artists chosen to participate in this year's event, more than two-thirds are displaying work with them for the first time:

Analeise Jarvi-Beamer, Ash Hagerstrand, Ashley Ray, Brian Nagel, Christopher Alday, Christopheraaron Deanes, Constance Klippen, Daniel Allyn Lee, Derek Meier, Desirée Forgét, Emily Quandahl, Emma Beatrez, Erin Peña, Gary Stewart, Jake Zirbes, Jeremy Jones, Jesse Quam, Jordan Shepherd, Luis David Moran, Mara Glover, Merick Reed, Nick Knutson, Odam Art, Richard Wehrs, Tara Robinson, Tina Ford, Tony Kukich, Xiao Faria daCunha 

Their art helps make up the final 32 pieces that will recast the gallery as a play-place for fearless experimentation within painting, illustration, sculpture, and digital media. Varying shades of pinks, greens, blues, and purples wildly ricochet off each other,  embracing visitors with the playful and sentimental energy of Pinky Promise. While this event is undoubtedly a party in itself, opening night attendees are invited to come for the art and stay for music held in the courtyard!

EXHIBIT OPENING - Friday, September 9th / 6 - 9 PM
•$7 pre-sale available, $10 day of event
• Free admission for members
• Featuring DJ Superbrush
• Curated by Jamie Owens

Returning this year, there will be two “Best in Show” awards. One will be selected by the guest curator and the other by opening night attendees. Both winners will be awarded $100 cash and Platinum Memberships to Gamut Gallery ($300 value). You will not want to miss the opportunity to help one of these artists take best in show. Mark your calendars for opening night!

C4W:2022 ART TALK - Wednesday, September 21st / 6:30PM
• $5 pre-sales, $7 day of event
• Free admission for members

Curator Jamie Owens and Moderator Juleana Enright sit down for a conversation with three selected C4W artists Christopheraaron Deanes, Emily Quandahl and Jeremy Jones.

Christopheraaron DeanesChristopheraaron’s work contextualizes the building of creative social capital in humanity to illuminate the journey of benevolence. After graduating from the Minneapolis College of Art and Design with his BFA, Christopheraaron went on to obtain his Master’s in Curriculum and Instruction in Education from the University of St. Thomas. He later completed the Administrative (Eds) program at St. Mary’s University and a fellowship through the University of Minnesota, Urban Educators Program. He currently, works as a Culture and Climate Coordinator in Fridley Public schools. Christopheaaron’s work squarely focuses on the development of the chance to have a critical conversation about race and everyone’s role that we place in securing the future for a better more empathetic and equitable space for us.

Emily QuandahlEmily Quandahl is an abstract artist and muralist based in Minneapolis. Her studio work is created in layers by experimenting with techniques and mediums, starting on the floor with a base of diluted acrylics and building from there. With over 12 years devoted to studying classical viola, her compositions are inherently musical in their movements, while maintaining a balance between organic gestures and line-work, united by use of color. 

Jeremy JonesJeremy Jones is originally from Casper, WY and received a BFA in ceramics and sculpture from the University of Wyoming in 2006 and an MFA in sculpture from Wichita State University in 2012. He creates toy-like sculptures and assemblages that seek to enshrine the everyday moments of child rearing/parenthood. Jones has exhibited his work throughout the greater United States with notable spaces including: Space 204 at Vanderbilt University, The Nicolaysen Art Museum and the Macy Gallery at Columbia University. Jones currently lives and works in the Twin Cities.

Juleana EnrightJuleana Enright is an Indigenous, queer, non-binary writer, curator, and DJ living in Minneapolis. They are a member of the Sicangu Lakota Tribe of Lower Brulé. Their past roles have included culture editor for l’étoile magazine and communications specialist for Gamut Gallery. They have contributed writing to Pride Magazine, mplsart.com, Primer, and City Pages. Juleana has curated two art exhibitions, including their own solo show in the spring of 2018, titled “Soft Boundaries.” Juleana is the co-founder of the multi-sensory queer dance and performance night, Feelsworldwide. In 2019, Juleana co-directed Lightning Rod, a week-long works-in-process theatre initiative. In 2020, they were a participating artist in Controlled Burn. They are the recipient of the Emerging Curators Institute 2020 fellowship.

CoLab ART NIGHT - Wednesday, October 5th / 7 – 10PM

All skill-levels are welcome! Bring your own materials or work from those we provide, and join us for another wholesome night of making art with friends! All visual disciplines are welcome: painting, drawing, sewing, projections, photography, design, sculpture, collage, and more. Work together, collaborate, or work solo!
• $10 pre-sale, $10 day of the event
• 18+
• Limited Capacity Event

Follow Gamut on Facebook and Instagram for further details and information regarding the event.

Repairs Coming Soon for Three Historic Minneapolis Park Buildings, Including Ard Godfrey House

Siding on the Ard Godfrey House was repaired in October 2021 thanks to a partnership with the Hennepin County Community Productive Day Program

Partnership with Hennepin County Community Corrections and Rehabilitation aids effort to rehabilitate historic park buildings

The Ard Godfrey House, John H. Stevens House, and Longfellow House are scheduled for repairs this fall as part of ongoing efforts to rehabilitate historic structures located in Minneapolis parks.

Repairs at the Ard Godfrey House will be performed by participants in the Hennepin County's Productive Day Program, which pays people on parole or probation an hourly training stipend while they learn transferable skills. Participants who successfully complete on-the-job training and off-site classroom curriculum earn a certificate in general carpentry skills and are prepared for union apprenticeship employment. 

The partnership between Hennepin County Department of Community Corrections and Rehabilitation and the Minneapolis Park and Recreation Board (MPRB) began last summer, when participants repaired siding on the Ard Godfrey House. After those successful repairs in 2021, program participants will return to the Ard Godfrey House to paint its exterior this fall. 

The historic Ard Godfrey House, located at 28 University Ave. SE in Chute Square, is the oldest surviving frame home in the Twin Cities. Built in 1848, the Greek Revival house was the residence for the Ard Godfrey family. The building was extensively restored by the Woman’s Club of Minneapolis in 1975 and opened to public tours in 1979. A replica of the house’s kitchen wing, which had collapsed in 1908, opened in 1985. It's filled with furnishings and household items authentic to the period 1849-1853. The Ard Godfrey House is open weekends 1-4 pm in June, July and August for free guided tours. Learn more at the Women's Club of Minneapolis website.

Stewardship Funding Grants from Mississippi Watershed Management Organization (MWMO)

Article by Becky Fillinger  Photo credit: MWMO

Adam Flett, Communications and Outreach Specialist, MWMO Listen up neighborhood organizations, block clubs, non-profits, home owner associations and more – three types of grants are available to you from MWMO for projects that range from Community Grants, Planning Grants and Action Grants. We talked to Adam Flett, Communications and Outreach Specialist and Alicia Beattie, Capital Projects and Stewardship Specialist, about the different types of funding available and how to apply. 

Q:  Please tell us more about your Stewardship Funding Grants. How many years have they been awarded?

A:  Stewardship Fund Grants are designed to support small- to medium-sized projects and programs to manage stormwater, control pollution, and improve water quality and habitat.

Alicia Beattie, Capital Projects and Stewardship Specialist, MWMOOur Stewardship Fund Grant program has been around for approximately 20 years, and has spawned a wide range of creative projects. The grants can be used for in-the-ground infrastructure like raingardens, but they can also be used for more outreach-focused projects that help build community understanding, initiative, and engagement in creating solutions. 

Our board of commissioners recently approved a funding increase for the program, so that up to 40 percent more money is available in a given year to support our three different grant types. Community Grants (up to $5,000) are available for short-term or small-scale projects. Planning Grants (up to $20,000) help organizations prepare planning and design documents for future projects. Action Grants (up to $50,000) are our largest Stewardship Fund Grant type, and are used to fund water quality and stewardship projects that are significant in scope and cost.

Full information on grant types and eligibility can be found on our Stewardship Fund Grants web page. (For large-scale, innovative projects over $50,000, the MWMO also has a separate Capital Project Grants program.) 

Q:  Who may apply? Is it intended for individuals or organizations? 

A:  Eligible applicants include non-profit organizations, schools, faith-based organizations, local units of government, and business or homeowner associations. Individuals, for-profit businesses, and political organizations are not eligible to receive funding directly; however, they may partner with eligible organizations to apply for our grants.

The grants are awarded through a competitive process. Applications that demonstrate a number of connections between organizations, communities and individuals tend to appear more competitive in a pool of applicants. Our watershed is incredibly diverse, and creating partnerships that invest in leadership from individuals and communities of color, or other groups that have been marginalized, are central to the Stewardship Fund.

Q:  Do you supervise the projects to ensure compliance with MWMO policies?

A:  There are certainly parts of the project that need to meet our policies, particularly those related to what is required when entering a contract agreement with the MWMO. This might include rules around where money can be spent, or helping our grantee partners understand what are permissible activities when using government funding. We also provide guidance to help ensure that projects are achieving their expected outcomes.

Q:  Are matching funds required?

A:  We don’t require matching funds for Community Grants. For our Planning and Action Grants, a 25 percent match is required. The match may consist of cash or in-kind support (e.g., volunteer time, donated materials, or services).

Q:  How are the grants funded?

A:  The MWMO is a joint-powers local unit of government. The MWMO raises funds via a property tax levy to carry out our mission. This annual levy is the primary source of revenue for all of the MWMO’s activities, including the Stewardship Fund program.

Grant applications are reviewed by MWMO staff, with invitations to meet and discuss project ideas. Selected applicants use feedback to complete final applications. Planning and Action Grant applications are also reviewed by the Citizen Advisory Committee and are brought to the MWMO Board of Commissioners for final review and approval.

Q:  Do you provide help in writing the grant requests? 

A:  We take an active role in helping applicants think through their project before they apply. We meet with potential grant applicants and discuss their ideas, provide feedback on what requirements must be addressed or what would make the idea more compelling during review, and assist in creating connections with potential partners. We offer to look at grant application materials and provide suggestions prior to the deadlines. We also continue to offer support to grantees after funds are awarded, with tips and guidance on project management, design review, communications, outreach, long-term maintenance strategies, and more.

Q:  What's the timeline of the grant cycle?

A:  For Community Grants, there are typically two rounds per year, with initial deadlines in April and December. Planning Grants are due once annually in March, with award in July. Action Grants are due once annually in November, with award in March. Projects must be completed within one year after the contract is signed.

Watershed Trash Can Mural - Community Grant 

Elliot Park Skate Plaza - Action Grant

Islamic Cultural  Community Center - Action Grant 

East Side Water Watch - Community Grant

Nicollet Island Restoration (Planning Grant, Action Grant)

Q:  Could you tell us about prior grantee projects?

A:  Projects have ranged from neighborhood-led efforts to restore woodland and prairie habitat to educational programming for kids. Each project helps increase stewardship and community awareness of ways to improve urban water quality and habitat. A few recent examples include a North Loop neighborhood-led initiative to restore habitat at James Rice Park, construction of raingardens at University Baptist Church, and implementation of the Northeast Adopt-a-Drain Challenge.

Q: How may we follow your news?

A: You can sign up to receive e-newsletters on our website at mwmo.org where it says “Subscribe to email updates” at the bottom of the landing page. We also post regularly on social media – Facebook, LinkedIn and Twitter. Folks can also contact staff directly with questions and project ideas.

The Downtown Minneapolis Street Art Festival is this Weekend, August 13 and 14

The Downtown Minneapolis Street Art Festival is returning on Saturday, August 13 and Sunday, August 14 with its largest lineup yet. Visit the Street Art Festival along Nicollet and see amazing chalk art, spray paintings by world-renown artists, live music, food trucks, interactive activities and much more. The Festival is produced by the Mpls Downtown Improvement District and Hennepin Theatre Trust. Follow on Facebook and Instagram.

Saturday, August 13

• Nicollet Chalk Art Festival | 10 am – 6 pm
• 3D Chalk Art Installation at IDS | 10 am – 6 pm
• Live Spray Painting on Nicollet | 10 am – 6 pm
• Street Eats (food trucks and more) on Nicollet | 10 am – 6 pm
• Nicollet Makers Market Festival Edition | 10 am – 6 pm
• Pedal to the Metal | 10 am – 6 pm
• Heart and Soul Drum and Dance Academy | 11  am & 1 pm
• La Luchadora | 11 am – 5 pm
• Mobile Sign Shop | 11:30 am – 3:30 pm
• Street Show performances | 12 & 2 pm
• Festival concert featuring headliner Bad Bad Hats. On Saturday, headliner Bad Bad Hats and opener Kokou Kah will be taking the stage on Nicollet at 7th Street for a free concert. Self-described as a true fusion Liberian American artist, Kokou Kah will get you ready to groove during his opening set at 3:30 pm. Following Kokou Kah’s performance, indie rock trio, and Minneapolis natives, Bad Bad Hats will be taking to the stage for a fun and upbeat-filled close out to the first day of the Festival.

Sunday, August 14

• Nicollet Chalk Art Festival | 10 am – 6 pm
• 3D Chalk Art Installation at IDS Center | 10 am – 6 pm
• Live Spray Painting on Nicollet | 10 am - 6pm
• Street Eats (food trucks and more) on Nicollet | 10 am – 6 pm
• Nicollet Makers Market Festival Edition | 10 am – 6 pm
• Pedal to the Metal | 10 am – 6 pm
• Mobile Sign Shop | 11:30 am – 3:30 pm
• La Luchadora | 11 am – 5 pm
• Street Show performances on Nicollet | 11 am, 12:30, 3:30, and 4:30 pm
• zAmya Theater Project “Second Chances” encore | 2 – 3 pm

Must See Exhibit: Teo Nguyen’s Việt Nam Peace Project, Minneapolis Institute of Art

Article by Becky Fillinger, photos provided

Teo NguyenTeo Nguyen’s Việt Nam Peace Project is on display at Mia until June 18 of next year. Don’t wait to see it – you might want to visit more than once. This exhibit features beautiful photorealist paintings that reference familiar, historic images by photojournalists documenting the war in Vietnam, but after removing the characteristics of war. The multi-media show is composed of the photorealist paintings, sculpture,  a ten-panel mural of white lotus flowers and more. We talked to him about art and peace, our shared humanity and Minneapolis as his home of choice.

Q:  You’ve said that "peace is a practice." Could you tell us a bit more about this idea? Was it a peaceful practice to create the works in this exhibit?

From the "Viet Nam Peace Project: Memories of Home" seriesA:  When I say, “peace is practice,” I mean to actively engage in the art of empathy and knowledge seeking, especially with those I have yet to break bread with. Practicing peace is about forging a difference-friendly world. I have observed that we tend to fabricate our own answers to the people and places we don’t understand. This often results in hostility. One way to mitigate the conflict is to engage with different people and to share perspectives – thereby broadening our views. The Việt Nam Peace Project is my invitation to engage with curiosity, newness, and understanding of the cultural and spiritual lens through which my art was conceived. I resonate my Vietnamese American cultural values and my animist spirituality in my artwork – including my Midwest landscapes and abstracts. With the Việt Nam Peace Project, my cultural and spiritual lenses are intertwined with personal stories.

I emigrated to the United States at the age of 16 and soon observed the depictions of Vietnamese people, in documentaries, art exhibitions, cinema, and news, to be lesser, foreign, and bizarre. I also heard people speak of Vietnam, not as a country or a people, but a war. Rather than confronting this fallacy with discord, I sought to move my own narrative from the peripheral to the center of public discourse. Through this exhibition, I hope for us to find connectedness through our shared humanity. This is one way I practice peace.

Creating the Việt Nam Peace Project was reflective and meditative. It was a privilege for me to make a film about my mom and her poems - her cherished memories and her years of displacement. With Remembering Others, my paper installation, I show reverence for lives lost. I also present the sorrow imprinted in Vietnam’s landscapes through my paintings. The Agent Orange sculpture is my reminder of the continuing devastations of war on human and environment, even as the rest of the world forget. The Lotus, a symbol of peace and optimism, is presented in a large-scale mural and represent my hope that we will continue to learn and commit to peace as a practice.

Q:  A 2017 study published in Frontiers of Human Neuroscience discussed the value of art to create empathy, social knowledge, and self-understanding – which can lead to greater peace among members of a society. Given that as a truth, how do we infuse more art into society to tamp down burgeoning conflict or misunderstandings?

A:  I also believe in the transformative nature of art and the possibilities to affect social change. I say “possibilities” because art, as an institution, has room for improvement. We need to look no further than the canonized artists. How many are women compared to men? How many non-Europeans? My art practice, therefore, is my reimagining of a difference-friendly world. Significance and impact are too often defined by those with positional power. The consequences are the narrow and dominant narratives that are repeated until they are believed to be absolute truths. Through my art, I challenge these majoritarian narratives, particularly those that dehumanize differences.

From the "Viet Nam Peace Project: Memories of Home" series

Q:  Will the pieces of this exhibition travel to Vietnam? I like your statement that your pieces can help us – Americans and Vietnamese – continue to move forward together.

A:  To have the Việt Nam Peace Project exhibited in my adopted hometown is my dream realized. To have the Việt Nam Peace Project exhibited in the country where my parents and I were born is to have my artistic lineage fully realized.

Q:  We visit the Vietnam Veterans Memorial in Washington DC and look at the names of the 58,000+ U.S. soldiers who died in the Vietnam war and are overwhelmed. Most US citizens have no idea that over 3 million Vietnamese soldiers and civilians died during the same conflict. Without disparaging or minimizing any sacrifice, how do we encourage people to consider the full extent of war casualties?

A:  Remembering Others, my paper installation, is my memorializing and expression of reverence for the Vietnamese and American lives lost during the war. The Vietnam War Memorial in Washington D.C. is 150 yards with 58,220 names of American soldiers inscribed on the black granite; if a similar monument were built with the same density of names of the Vietnamese who died in it, it would be 10 miles long. This Vietnam War Memorial shows that remembering while excluding is in itself a form of forgetting. While remembering others - oriented toward inclusion, is healing and reconciliatory. It can only be accomplished through an ethical memory that recalls not just one’s own, but also engages the memories of the “others.” For us to realize the full extent of war casualties, we must first eliminate the line that separate us and them. To make peace a practice is to find connectedness in our shared humanity. It is a shared responsibility, and it takes intentional work.

Q:  My Being is a short film inspired by the poetry of your mother, Duong Anh Loi, who, like many Vietnamese, was displaced during the war. We will see this film during the Mia exhibit. Is your mother able to visit the exhibit? If so, will she read her poetry during the Việt Nam Peace Project exhibition?

A:  My mother is living in Vietnam. It would be lovely for me to listen to her read her poetry in the exhibition. Unfortunately, she is elder, and her health prevents her from traveling. I feel extremely fortunate to have made the film while she is with us to view it.

Q:  Why is Minneapolis home to you?

A:  Seventeen years ago, Micah (my husband) and I put down our roots in Minneapolis, our adopted home. We visited Minnesota several times and fell in love with the natural beauty of rural Minnesota and the cultural offerings of the Twin Cities. We appreciate the quality of life, especially the significantly short commutes compared to Southern California. We continue to be drawn to how Minnesotans continue to welcome refugees, immigrants, and transplants. The exceptional level of civil discourse and civic engagement appeal to us. As Minnesotans, we seek to understand differences. Because of these things, I believe that the Việt Nam Peace Project, rightfully has its first showing in our hometown.

Q:  Before working on large scale photorealistic paintings, did you create small studies with colored pencils or watercolors? If yes, are those available for viewing?

A:  I bring a sketch book with me when I take long drives. Burnet Fine Arts have shown my studies in the past. The ones I’ve shown recently have been abstracts.

Q:  How may we follow your news?

A:  I have a website - TeoNguyen.com.

Also, see my works at Burnet Fine Arts in Wayzata, and L’Usine Gallery at 1107 Washington Avenue S.

Weekly Events at Peavey Plaza August 7 - 13

Green Minneapolis is excited to host these events, free and open to all!

Minnesota Orchestra: Summer at Orchestra Hall

Sunday, August 7

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Summer at Orchestra Hall is a new take on the Minnesota Orchestra’s traditional summer festival, celebrating the Orchestra’s home in the city and its proximity to the revitalized Peavey Plaza. The community is invited to participate in special food experiences and free entertainment by outstanding local performers at Peavey Plaza. Complete list of upcoming performances.

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YWCA Minneapolis Yoga on the Plaza

Tuesday, August 9 from 5:30-6:30pm

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Flow into summer with FREE yoga classes at Peavey Plaza (weather permitting). Bring a water, mat and towel. Members and nonmembers are welcome to attend. Nonmembers that attend receive a FREE three-day trial fitness pass to any of our three fitness locations. Plus, join YWCA Minneapolis as a member for just $15! Registration recommended

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Minnesota Horn Quartet

Wednesday, August 10 from 12-1pm

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Emerging as one of the Midwest’s premiere brass ensembles, the Minnesota Horn Quartet (MNHQ) was founded in 2017 by Allyson Partin, William Eisenberg, Matthew Renz, and N. Jennings White. While MNHQ plays the classics, both major works and transcriptions, they also explore jazz and popular music as part of their mission to expand the repertoire of horn quartet music.

MNspin Musician of the Week: Leslie Rich and the Rocket Soul Choir

Thursday, August 11 from 12-1pm 

Leslie Rich (vocals, guitar, keyboards) grew up in Northern Ireland, listening to a mix of indie rock, acoustic songwriters and traditional Celtic music. He founded the Rocket Soul Choir in 1994, mainly as an

acoustic response to the heavy, guitar-driven, Irish bands cropping up at that time. Even while Leslie recorded solo albums, played in other projects and relocated to Minneapolis, the Rocket Soul Choir continued in various configurations over the years–always with the mission to create stripped-down rock.

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Enzyrose

Thursday, August 11 from at 6:30-7:30p

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Minneapolis native, Enzyrose, is proving to be one of its brightest talents. Laying her life in music through effortless versatility and fearless honesty, the young star continues to defy the norm.. Whether it’s an intimate serenade on a relaxing chord progression or a blazing freestyle on upbeat percussion, she relays her message – the truth.

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Children’s Theatre Company Story Theatre 

Saturday, August 13 at 12-12:30pm & 12:30-1pm

Join Children’s Theatre Company for summertime fun at Peavey Plaza! Through imaginative play, collaborative storytelling, music, and family engagement, we’ll explore beloved children’s books together. Laugh, dance, and discover along with your family and friends.

For a complete calendar of Peavey Plaza Performing Arts Series, visit greenminneapolis.org/events.

The Importance of Aunties in Indigenous Communities: A Discussion with Curator and Multidisciplinary Artist Hillary Kempenich

Article by Becky Fillinger, photos provided

Hillary Kempenich Photo: Nedahness Rose GreeneAll My Relations Arts’ juried exhibition, Noojimo (She Heals), recognizes and celebrates the importance of Aunties in Indigenous communities. We talked to curator Hillary Kempenich (Turtle Mountain Band of Chippewa) about bringing the juried show together – it showcases the works of 14 artists and is open through September 17. It is a powerful tribute to courageous women who step into the role of Auntie, and it just might inspire you to step up your game with the next generation.

Q:  Please tell us more about the role of Aunties in Indigenous communities. Were Aunties important to you personally?

A:  In many communities, Aunties have a special role with children, I personally did not realize there is a unique bond within Indigenous spaces until I moved away from the Turtle Mountain community. However, when I had the privilege to be amongst fellow Indigenous people, there was always a kinship especially to the Aunt-figures within those spaces. Aunts often take the role of the other mother/second parent, or other grandmother; the Auntie often serves in an extra parental role who provides mental, physical, and spiritual support to younger relatives.

A lot of my childhood memories are filled with spending time with the many Aunties that I had been blessed with. Some lived within our family cluster of homes, some out in the countryside, and some lived away from us, yet I still have an abundance of memories being with them as my parents were building a life for us. I will forever remember my little legs walking down the gravel road to my Aunt Tiny’s to spend the days with her, where she’d keep my little creative spirit busy with baking, knitting, and so on even as a young child. I also fondly remember those long road trips to spend the summer with my aunts who worked for Circle of Nations. Now, the roles have shifted, and I do my best to mentor not just my biological nieces and nephews, but those who have asked me to step into that role for them as well.

Q:  How did you go about putting together the exhibition? Did you have assistance in curating the show?

A:  I believe it was in late November of last year when I approached Angela Two Stars of All My Relations and NACDI about one of my many ideas of work I’d like to create; amidst that conversation came to be this show. Much of my work is in hopes to help amplify the beauty and strength of Indigenous women, without romanticism or fetishism. I firmly believe that we should tell our own stories, and this was an opportunity to help fellow Indigenous artists to do the same. Heid E. Erdrich was my curator coach for this show, who was able to reassure me and give valuable feedback. I am also very fortunate to have worked decades ago in a museum and volunteer, which established some great insight. 

Q:  Can you tell us about the featured artists?

A:  There are so many amazing talented artists as part of this show. It was incredibly challenging to narrow down from a very long list, which was filled with artists who I wanted to work with, reconnect with, and/or amplify their work. Nedahness Rose Greene and I had met a few years ago when I was working with Watermark Art Center for a show, where I was blown away by her abilities as a photographer. I knew then that I needed to create space to highlight her work. Also, a lot of my artwork is utilized in advocacy efforts, so naturally I am drawn to fellow artists who do the same, which is how I came across Somah Haaland and Agnes Woodward as well. Each artist has such unique talents to express that love, passion and respect that is shared for the role of an auntie.

Hillary at the Noojimo (She Heals) exhibit.

Q:  Will you work with All My Relations Gallery on future shows? What's coming up for you after this show?

A:  If they’ll have me back, of course I would love to continue to work with All My Relations Gallery. It is a unique and supportive space which embraces the creative spirit, I am honored to be working with a great team. I am also working on my own series of paintings and installation work combining the affinity I have for foraging, gardening, and how that is synonymous with the feminine spirit. I hope to have it on display in Fargo in the fall, and perhaps I will find other spaces to showcase it. I spend a lot of my time also helping organizations in the communities I am in as well as mentoring individuals, which I don’t see changing any time soon. 

Q:  Are there events surrounding the exhibit that are open to the public?

A:  Yes - There is a Curator’s Talk August 11, 6:30 pm at AMRA. The Artist’s Talk Closing Reception is September 9th 6-8 pm. Stay tuned via NACDI and AMRA social media for further announcements for possible community engagement programs.

Q:  Where may we see your artwork? How may we follow your news?

A:  I have a website that I manage myself, so forgive the lapse in updates - many independent artists have a lot of other duties beyond creating the actual work itself. My Instagram, @zazegaadesigns, is often updated, and Facebook.

MacPhail Announces 3rd Annual Back to School Supply Drive

Our neighbors at MacPhail Center for Music would very much appreciate school supply donations to assist local organizations they partner with. See below for details on needed items and how to donate in person and online:

Shopping Basket from the August 6 Mill City Farmers Market

 I hope you didn't let intermittent sprinkles keep you from shopping at the August 6th Mill City Farmers Market. The melon from Nistler Farms is so sweet!