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Small Business Reporter
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Covering life, work, and play in the Historic Mill District and Downtown Minneapolis Riverfront neighborhoods. Have an opinion, local news or events to share?  Contact us.

Sunday
May102026

Small Business Spotlight: Black Forest Inn

Article by Becky Fillinger, photos provided

Erica Christ with a loaf of their famous pretzel bread.

An Eat Street original and community stalwart, Black Forest Inn is a restaurant to put on regular rotation.  We talked to Erica Christ, manager, about the family restaurant’s history on Eat Street, support for our community during the ICE invasion, the availability of Klecko’s legendary pretzel bread and menu standouts.  I can’t wait for Sparglefest – keep reading.

Q:  Black Forest Inn has been part of Eat Street for decades - how would you describe the restaurant’s role in shaping this neighborhood?

A:  Gosh, where do I begin? First of all, the neighborhood has shaped the restaurant as much or more than the restaurant has shaped the neighborhood. The art school (MCAD), the museum (Mia), and Children’s Theatre Company are only a few blocks away and we can’t overstate the impact that art and artists have had on the restaurant - everything from the giant Richard Avedon photograph with bullet holes in it, which is a genuine tourist attraction, to always having a few artists and art students on the staff.

Joanne Christ, my mom and co-owner, was one of a small group of business owners that conceived of and worked on the Eat Street branding and the streetscape project, starting in the mid 1990’s. She worked with fellow business and property owners, the city, the three neighborhood organizations included in Eat Street, and an advertising agency to bring attention to the rich assortment of independent and ethnic businesses along Nicollet Avenue from 29th Street to Grant Street. Their efforts changed how the region saw our neighborhood and continue to be a great marketing angle for us all today.

Joanne Christ with Klecko

Q:  What has allowed the restaurant to endure while so many others have come and gone?

A:  Well, we’re stubborn. If you ask Erich Christ, my dad and co-owner, he would say we just keep doing this out of “a lack of imagination.” Ha ha! Really, we have a very peculiar and special niche. We have a surprisingly broad appeal, across generations and cultures.

When we first opened, a lot of people around here had German heritage and had grown up with food similar to ours. Now, we have customers who don’t know anything about German food and are curious about it – or they have learned that they like German food and they sought us out. Also, and perhaps more importantly, we have very deep roots in the city. So many people have memories of eating here as a kid, or going on dates here, or seeing someone famous here, or just feeling comfortable here when they needed a place to relax. It’s amazing how many people have a Black Forest story!

Of course, we have a great outdoor dining area and a great beer list, and menu filled with handmade specialty dishes that you can’t find anywhere else.

Q:  How did the ICE activity on Nicollet Avenue affect your day-to-day operations?

A:  It was both horrible and amazing. Horrible, of course, because there was so much senseless violence and constant intimidation. We couldn’t know who among us might be detained, or why. It cast a pall over both the staff and our customers and business suffered greatly. The horror peaked with the murder of Alex Pretti across the street from the restaurant.

It was immediately clear that the location was going to be important to a lot of people. The memorial grew exponentially overnight. It was also clear that all of the businesses surrounding the memorial were going to have to make space for it and for the people visiting it. 

January 26, 2026 Facebook post: "The doors are open, the fireplaces are on and the coffee is made. We are looking forward to seeing everyone who walks through the door."For the several weeks we operated during the day as a warming house and continued to be open for food and beverage service in the evenings. We wanted to create a warm space for anyone who needed a place to wait for their ride, check in with friends, or just get their bearings after visiting the memorial. It was a lot of grief to absorb, but it came with so much gratitude, love and support from the community. We were grateful to have a role in keeping people safe from the cold while they visited the memorial.  

What wasn’t clear was what was going to happen to our business. There were already many reports about how much restaurants were suffering due to both the ICE activity, the severe cold, and the economy in general. The murder of Alex Pretti put the spotlight on Eat Street in particular and we got a lot of press in the aftermath.

We were amazed by the donations and messages and reservations that rolled in over the next four weeks. We heard so many stories from people about why we mean so much to them. It was a very shiny silver lining to some very dark clouds.

Q:  Can you talk more about how the Black Forest Inn became a warming and gathering space after the Pretti murder – what motivated that decision?

A:  We are in the hospitality business but most of the time the emphasis is on business. Once in a while we get the opportunity to be purely hospitable. Gina, my sister, was quick to identify two things that were happening. One, it was bitterly cold those days right after the murder of Alex Pretti. So, providing warmth was the starting place, which was quickly followed by providing hot beverages, and then hot soup. Two, there were hundreds of people visiting all day, every day for weeks after the murder. That’s a lot of people who are cold and emotionally drained. We offered soup during the day for the first couple of weeks and kept our doors open for anyone who needed it.

The community gathering happened naturally out of that. We saw and talked to so many interesting people during that time. If it weren’t for the cold, we wouldn’t have seen nearly as many people.

Brat dinner

Q:  Let’s continue to get customers back into seats at the Black Forest Inn. What are your most popular or signature dishes - and why do you think they resonate?

A:  First and foremost: our bratwurst. My dad has been making the bratwurst in house, by hand, for sixty years. It’s the best bratwurst in town and you can have it served in a variety of ways – everything from the Wurst Salad (greens, onions, pickles, bratwurst in a mustardy vinaigrette) to a Black Forest Hausplatte (a giant sampler plate with bratwurst, Polish sausage, smoked pork chop, potato salad, red cabbage, sauerkraut, and a pretzel). You won’t find many things other than our bratwurst that are both excellent quality and quite affordable.

The Rouladen is a uniquely German dish. It’s a “Saturday Night” meal. We serve it all weekend. A long thin piece of top round beef is rolled around a small slice of carrot and pickle with parsley and mustard.  It is roasted and braised in red wine and served with a dark gravy and spätzle noodles. It is a meal that people come long distances to eat.

Q:  Is there a dish you feel deserves more attention than it gets?

A:  People should try the Hasenpfeffer! It is locally sourced and we serve it on the bone with gravy, spaetzle and red cabbage. It is very German and very good!

Q:  If a first-time guest (is that possible?) visits, what’s the one plate they shouldn’t miss?

A:  Well, we already mentioned the bratwurst and that is a must try! Luckily there are several different ways to try it, either a single brat sliced up as an appetizer, or as a dinner with potato salad and sauerkraut.

The Sauerbraten is quintessentially German. It is marinated beef and has a bit of vinegar flavor to the gravy. It is delicious and one of most popular items.

And many of our regular customers would say do not leave without a slice of Apple Strudel. It is served warm with fresh whipped cream. We make all of our own desserts and breads.

Pretzel bread

Q:  Talk to us about your fabulous pretzel bread.

A:  Pretzel bread is white bread with a fine, tight crumb. It has a very dark chewy exterior made by dipping the loaves in caustic soda before they are baked. It is a specialty recipe (and process) that few people do anymore. For our 50th anniversary, over ten years ago, Klecko from St. Agnes Bread Co. came to the restaurant and made pretzel bread for our anniversary weekend specials. We’ve been dreaming about that bread ever since then. Klecko (and St. Agnes) were rightly famous for their pretzel bread (among other products). Since St. Agnes folded six years ago, there has been no pretzel bread for us or anyone else. Now that Klecko is married to me, we negotiated some guest appearances in our bakery and we have loaves of pretzel bread once again! We sell the whole loaves out of the restaurant, and we have slices of pretzel bread available as a bread option with the dinners served in the restaurant.

Sparglefest is coming up at the end of May!

Asparagus Pierogi

Q:  Are there new dishes or seasonal menu changes you’re excited about?

A:  Sparglefest is coming up at the end of May, and we are always excited about that! The Germans are crazy about asparagus (spargel is the German word for asparagus) and they celebrate its arrival every spring. Our celebration is a ten-day festival starting May 22 this year. We have a new asparagus menu every year, with 8-10 asparagus appetizers, meals, drinks and even a dessert! We always have asparagus soup and the very traditional Ham and Asparagus – but every year we try a new dish. We made a meatless asparagus “stroganoff” in 2023, the asparagus pierogi of past menus still fondly remembered, deep fried asparagus is always popular, and the Spargetini, an asparagus martini, is something that people look forward to every year.

We are still brainstorming 2026. You’ll have to join us and see what we came up with this year! If the weather is nice enough to sit outside while you eat your asparagus meal, it is doubly wonderful.

Q:  How do we stay current with your news?

A:  Please sign up for our newsletter on our website and follow us on Facebook!

The Black Forest Inn is located at 1 East 26th Street. Their enchanting patio awaits you!

Friday
May082026

Joe Pulice Big Band featuring Ricky Peterson at Dakota, May 14

Recommended for fans of Buddy Rich, Stan Kenton, Gene Krupa and Count Basie!

Dakota is well known for their fantastic variety of music and delicous food and drinks. Here's an example: a swinging big band jazz night with Joe Pulice Big Band featuring Ricky Peterson, May 14, 7pm.
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The Joe Pulice Big Band is a local high voltage, all-star fifteen-piece big band, and this performance will highlight the music of the most famous big bands throughout jazz history. Drummer Joe Pulice, one of the region’s elite musicians, is a two-time Minnesota Jazz Music Award recipient. In 1986, Joe toured with Woody Herman and his Thundering Herd. During the 1990’s, Joe played vibes and percussion with world-renowned drummer Eric Kamau Gravatt’s group, Kamanari. He also played with Jack McDuff and his band, The Heatin’ System. Additionally, Joe has been the drummer for the JazzMN Orchestra for the last twenty years. 
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Ricky Peterson is one of the most sought-after studio and session keyboard players and producers in America. Furthermore, Ricky tours with Fleetwood Mac, Bonnie Raitt, John Mayer and currently with Stevie Nicks.

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Tickets:  Website, Box office 612-332-5299, or email boxoffice@dakotacooks.com

Thursday
May072026

Tickets go on Sale May 8 for Pryes Side Lot Concerts, in Conjunction with Pryes' Annual Block Party, June 19 & 20

Soul Asylum + Gear Daddies to Headline Pryes Side Lot June 19 & 20

Tickets go on sale Friday, May 8 at 10am

Pryes Brewing Company, 1401 W River Road N, has announced the debut of Pryes Side Lot, a new outdoor event space adjacent to the brewery in NE Minneapolis. Launching June 19–20, the Side Lot will host two nights of live music, featuring Soul Asylum (Friday) with support from Agnes Uncaged, and Gear Daddies (Saturday) with support from Maygen & The Birdwatcher.

General Admission and VIP tickets will provide access to the main stage performances, timed to coincide with Pryes' annual Block Party celebration—offering a full day-to-night experience.

FULL LINEUP & SCHEDULE 

Friday, June 19 — Doors 5pm

  • Soul Asylum
  • Agnes Uncaged
  • LAAMAR 

Saturday, June 20 — Doors 3pm 

  • Gear Daddies
  • Maygen & The Birdwatcher
  • Jillian Ray
  • JoJo Green
  • Mikel Wright & The Wrongs 

Now in its 9th year, the introduction of the Pryes Side Lot expands Pryes’ event footprint, creating a dedicated outdoor space for live music and special events for the community. The Pryes Side Lot will host the evening performances, while the brewery’s taproom and patio remain open throughout the day - serving food, beer, and additional programming as part of the broader Block Party experience. 

“This is the biggest Block Party we’ve ever put on. To bring artists like Soul Asylum and Gear Daddies to our stage is something we’re incredibly proud of - and just as important to us is making sure the event still feels open, welcoming, and rooted in community.” Mike Corneille, Co-Founder

Guests attending the concerts will have access to the Side Lot performance area, creating a natural flow from daytime activity into the evening shows. Additional Block Party programming will be announced soon.

Block Party Event hours: 

  • Friday, June 20: 4:00pm–10:00pm / Concert Doors @ 5pm
  • Saturday, June 21: 11:00am–10:00pm / Concert Doors @ 3pm 
Tuesday
May052026

Preserve Minneapolis 2026 Walking Tours

The 2026 Preserve Minneapolis Walking Tours have been announced. Enjoy learning about many beloved and famous landmarks! Tickets and more info.

Sample Tours: 

  • Downtown Art Deco
  • East Hennepin
  • Healy Block
  • Lakewood Cemetery
  • Lowry Hill
  • Milwaukee Avenue
  • Nicollet Island
  • Northside Synagogues
  • Prince's Side of the Street
  • Red Cedar Lane
  • St. Anthony Falls
  • Tangletown 

New and Returning Tours This Season: 

  • Bde Maka Ska: From Dakota Village to Cottage City
  • Elliot Park
  • Island Park
  • Lost Fast Food Joints of Longfellow 
Monday
May042026

Construction to Begin in May to Restore Land, Water and Bluff Near Owámniyomni (St. Anthony Falls)

To mark the beginning of the project, a private ground blessing ceremony to honor the land was held with project supporters and Tribal leaders on April 27.

After 10 years of community-led discussions, Tribal engagement, fundraising and project design, the Dakota-led nonprofit Owámniyomni Okhódayapi  has announced construction will begin this month on the restoration of a five-acre site at Owámniyomni (St. Anthony Falls), adjacent to the Upper Lock on Ȟaȟa Wakpá (Mississippi River) in Minneapolis.

Once complete, the restoration will create both a wildlife habitat and human experience at one of Minnesota’s most popular and iconic outdoor spaces that reflects the significance of the sacred Dakota site before colonization. Owámniyomni Okhódayapi recently received a $4.7 million grant from Mellon Foundation, directly supporting the immediate land transformation work ahead.

“This moment marks more than the start of construction for the Owámniyomni project – it is a step toward healing a sacred Dakota place, restoring our relationship with the land and water, and making Dakota people visible in our homelands again. We are deeply grateful for this transformative gift of nearly $5 million from Mellon Foundation, which helps make it possible to bring Dakota voices, values and stewardship back to the River, while fundamentally reshaping how people understand Mnísota and healing historical wounds. We are grateful that the Mellon Foundation recognizes the significance of Native-leadership, tribal sovereignty and community healing. Together, we are ensuring this place is honored not as a resource, but as a living relative for generations to come.”   Shelley Buck, president, Owámniyomni Okhódayapi

Shelley Buck                                          photo credit Minneapolis / St. Paul Business Journal

The restoration will occur over a phased timeline, with phase one focused on the land and plant elements in 2026-2027. Phase two, which will focus on water and shoreline restoration, is planned for 2028.

Project construction beginning in mid-May 2026 will mark the start of the land transformation of the Owámniyomni project, focused on site preparation and planting. Initial activities to prepare the site will include removing the second level of the U.S. Army Corps of Engineers central control station, a non-functioning restroom facility and the Upper Lock parking lot. Security fencing and utilities will also be relocated. From there, planting will begin to reintroduce Native species at the site, including oak savanna and upland prairie, using seeds and soils sourced from Dakota Tribal lands in Minnesota.

While the site will be closed for construction until spring 2027, the public is invited to visit the surrounding area, take in the view from the Stone Arch Bridge, attend interpretive tours and participate in programming at the new Owámniyomni Engagement Space. The Owámniyomni Engagement Space is adjacent to the project site and is located in the Crown Plaza building, directly across from the entrance to the Stone Arch Bridge.

Funding for the Owámniyomni restoration comes from a mix of public and private funders as the organization leads a $60 million fundraising campaign. To date, $40.5 million has been raised, thanks to early support from Paul and Mary Reyelts, Mark and Nancy Wilson, Mellon Foundation, Bush Foundation, McKnight Foundation, Minneapolis Foundation, and hundreds of additional supporters. Funding is also provided by the Minnesota Environment and Natural Resources Trust Fund and Outdoor Heritage Fund.

The organization is on track to gain ownership of the federal land through conveyance from the U.S. Army Corps of Engineers in late 2026.

To learn more, visit the project website at owamniyomni.org/design.

Monday
May042026

Enjoy Coffee and a Donut May 15 at Government Center Plaza for Bike to Work Day

Participate in a group ride to downtown Minneapolis!

May 15 — Government Center Plaza — 7-9am

The City of Minneapolis and Hennepin County are partnering to give bike commuting a boost on Bike to Work Day, May 15th. A short program of remarks from local elected officials will kick off at 8:15am. Grab free coffee and donuts (while supplies last!) on Government Center Plaza, meet fellow bike commuters, and grab a sticker to spread the word.

This event is part of the City’s As You Go MPLS campaign, which highlights multi-modal infrastructure in Minneapolis and spreads awareness about the economic, environmental, and social benefits of walking, bicycling, and taking transit. 

 

Sunday
May032026

A Discussion with Autumn Ness, Playing Almira Gultch and the Wicked Witch of the West in the Children’s Theatre Company Production of The Wizard of Oz

Article by Becky Fillinger, photos provided

Autumn Ness in Children's Theatre Company's 2026 production of The Wizard of Oz. Photo by Glen Stubbe Photography

Autumn Ness takes on the iconic characters of Almira Gultch and the Wicked Witch of the West in Children’s Theatre Company’s The Wizard of Oz. And she is marvelous – whether grabbing Toto, throwing fire at Scarecrow, summoning flying monkeys or gloriously melting away. We talked to her about playing villains for a primarily children’s audience, the characters’ motivation and why this play resonates with generations over time. Tickets will go fast for this experience – buy them here.

Q:  You’re playing both Almira Gultch and the Wicked Witch of the West in this production. Do you see them as the same person in different worlds, or as two distinct characters connected through Dorothy’s imagination? 

A:  I see them as the same person, and when we leave Kansas and go to this world of technicolor in Dorothy’s imagination, the filter comes off. The Witch has all the cruelty of Gulch, and all the hated for those who don’t automatically bow to her will. The way Gultch uses the law and power in the town is the way the Witch uses her Monkeys and her Winkies. 

Q:  Almira Gultch is often remembered simply as “the woman who wants Toto taken away.” Do you try to humanize Gultch?  

A:  Oh, she’s absolutely the villain in both worlds (and clearly a cat person!). Approaching the character truthfully means finding people in the real world who have an ungenerous view of life. The Gales are a loving family, and that makes Miss Gulch crazy!

Q:  What do you think motivates Gultch? Is she a Kansas Karen - purely rigid and rule-bound, or is there something deeper driving her actions? 

A:  The reason the script is so brilliant is because the scene with Miss Gultch isn’t more than three pages long, but we learn everything we need to know. Gultch is completely driven by money, and believes her money should allow her control of everything and everyone. She threatens a lawsuit, which the Gales can’t afford, she outright threatens to take their farm, which is their livelihood. So, she’s motivated by a belief that her money makes her superior, and control.

Autumn Ness

Q:  Almira Gultch transforms into the Wicked Witch of the West in Dorothy’s imagination. How do you physically or vocally plant the seeds of that transformation? 

A:  That’s such a great word for it - seeds. We use the Kansas scenes to show that Miss Gultch is a little shrill in her voice, that she’s got these bony hands that are always reaching, that her eyes are sharp and mean. That way, in Dorothy's imagination, she can become green and grotesque, and we still recognize her as this person Dorothy knows in Kansas.

Q:  What are the fun (or challenging) differences between playing a grounded Kansas antagonist versus a full-blown Oz villain? 

A:  The challenge is to let the character grow, so it’s not one note. As fun as it would be to CHARGE on stage for the first time, and shriek, and be as rotten as you like – it would get old over the course of the show. So, we need to build in peaks and valleys, so she continues to show new layers with each scene.

Costumes - Credit Lex Liang

Q:  Is there a specific moment where the “handoff” between Gultch and the Witch feels most powerful for you? 

A:  I always loved in the movie how the tornado scene had that great special effect, from Gultch riding her famous bicycle, to the witch with that blowing cape on her broom. I love that in the force of nature, there’s like this chemical reaction that turns one character into another!

Q:  The Wicked Witch has such an iconic voice and presence. How did you find your version without imitating what audiences may expect? 

A:  Funnily enough, the extreme nasal quality of the Wicked Witch is actually a very healthy way to use your voice 10 shows a week! So, thank Margaret Hamilton for handing us that great healthy sound. But once you start adding costume pieces, and actors, and you’re interacting as the character - all that voice and body language comes very naturally. 

Q:  Performing at Children’s Theatre Company means your audience includes many young theatergoers. How do you calibrate “scary” so it’s thrilling but not overwhelming? 

A:  That’s where the outside eye comes in, and Rick Dildine will know where the line is and how to stay just on top of it. Personally, I remember the monkeys being much scarier than the witch. But everything is amplified when it’s a live performance, and the kids’ emotions run very high!

Q:  Is there a way to find humanity even in the Wicked Witch? 

A:  I think every line the witch says as she’s melting is a gem, and so revealing about her character. Remember when she says that Dorothy “destroys her beautiful wickedness.” She sees her villainy as something pure and strong. You have to admire that! And as actors, we always say, “The villain doesn’t know they’re a villain.” So, you always play your objective without commenting on it. “Oh what a world, what a world!”

Q:  Why do you think The Wizard of Oz continues to resonate with new generations? 

A:  I think not only are the characters Dorothy meets humorous and heartfelt and endearing, but Dorothy herself is a miraculous heroine. Through everything she endures, she keeps her kindness. And she’s so no nonsense, the way she stands up to the Wizard in the end is no less of a feat than the way she stands up to the Wicked Witch. The story of an epic journey doesn’t work if you don’t have Dorothy‘s heart at the center of it.

Saturday
Apr252026

Musical Director Isabella Dawis Discusses Ten Thousand Things' Production of The Most Happy Fella

Ten Thousand Things is staging a revival of Frank Loesser’s 1956 musical about love, deception, and understanding, running April 29 – June 7. We talked to Isabella Dawis, Musical Director, about the stripped-down production, performances in non-traditional venues and why we’ll all love a story about love, family and immigrants. Please see the list of venues and schedule below – it’s only going to be staged for a short while, so get your tickets today!

Q:  I read some history of the musical and learned that there was much discussion on what to call The Most Happy Fella - one critic called it "one of the most ambitiously operatic works ever written for the Broadway theatre.” Another called it a ‘music drama’ and that Frank Loesser (songwriter) "has now come about as close to opera as the rules of Broadway permit.” How do you classify the play and how do you approach the hybrid score as a music director?

Isabella DawisA:  I would say it's a musical that often leans in the direction of opera - though it actually includes a variety of influences, including jazz. I think Frank Loesser's score is very purposeful in how it conveys character and story. Opera is part of this musical because this story depicts Italian immigrants in America.

Q:  How does working in nontraditional venues (like community centers and correctional facilities) shape your musical direction?

A:  The acoustics for each venue are wildly different - sometime we're performing in a huge echoing warehouse, sometimes in a small carpeted room with low ceilings - so the cast and I have to modulate our performances accordingly using our volume, diction, and articulation. 

Q:  What challenges - or freedoms - come with reimagining a classic score for a stripped-down production?

A:  Rather than the lush orchestration of the original Broadway production, we get to bang around on xylophones and wood blocks and cowbells. 

Q:  Ten Thousand Things emphasizes accessibility and connection. How do you help performers use music to reach audiences who may not be regular theatergoers?

A:  We're so lucky to have several talented instrumentalists in our cast - Maje Adams on guitar and saxophone, Pedro Bayon on percussion, Phinehas Bynum on accordion and melodica, and Norah Long on violin. They bring this show to life in such a uniquely appealing and delightful way.

Q:  The Most Happy Fella explores longing, love, and identity - how does the music deepen those themes for our audiences?

A:  This piece centers around a community of immigrant workers who love music. They sing in Italian and play musical instruments to celebrate happy times, to share their traditions with their new friends in America, and to connect with their history.

Q:  What do you hope audiences carry with them after experiencing The Most Happy Fella?

A:  I hope audiences take to heart that this is a story about immigrants, love, and family.

Q:  If someone has never experienced a Ten Thousand Things production, what makes this one a great introduction?

A:  The music of The Most Happy Fella is absolutely gorgeous, and at the same time the story is unexpectedly real, messy, and human. I think this show will surprise audiences with its humor and frankness in how it approaches political and sometimes taboo topics.

Performance Schedule and Details

PAID Ten Thousand Things hosted performance times by day of the week:

  • Thursday & Friday 7:30pm; Saturdays 2pm and 7:30pm; Sundays 2 pm
  • Tickets are $40 suggested and Pay As You Are Able from $15-$60 

Open Book, 1011 Washington Avenue S

  • Thursday, May 14 (preview, all tickets $15)
  • Friday, May 15 (post-show reception)
  • Saturday, May 16
  • Sunday, May 17 

Hennepin Avenue United Methodist Church, 511 Groveland Avenue

  • Thursday, May 21
  • Friday, May 22 (post-show conversation)
  • Saturday, May 23
  • Sunday, May 24 

Capri Theater, 2027 W Broadway 

  • Thursday, May 28
  • Friday, May 29 (post-show conversation, ASL-Interpreted)
  • Saturday, May 30
  • Sunday, May 31

 825 Arts, 825 University Avenue W, St. Paul

  • Thursday, Jun 4
  • Friday, Jun 5
  • Saturday, Jun 6
  • Sunday, Jun 7 

FREE, COMMUNITY-HOSTED PERFORMANCES (reservations required) 

  • Thu, Apr 30, 12 pm at Fond du Lac Tribal & Community College (2101 14th St, Cloquet)
  • Thu, Apr 30, 7 pm at Zeitgeist Arts (222 E Superior St, Duluth)
  • Mon, May 4, 10 am at MSS (900 Ocean St, St Paul) (Audio-Described)
  • Tue, May 5, 1 pm at Touchstone Mental Health (2312 Snelling Ave, Minneapolis)
  • Wed, May 6, 1:30 pm at Avalon School (700 Glendale St, St Paul)
  • Thu, May 7, 9:45 am at Harmony Learning Center (1961 County Rd C E, Maplewood)
  • Fri, May 8, 7 pm at Project Success (One Groveland Terr, Minneapolis)
  • Tue, May 12, 1 pm at Dellwood Gardens (753 E 7th St, St Paul)
  • Wed, May 27, 12:30 pm at Cora McCorvey Center (1015 N 4th Ave, Minneapolis)
  • Thu, May 28, 1:30 pm at Transition Plus (2015 E Lake St, Minneapolis)
  • Tue, Jun 2, 2 pm at Episcopal Homes – The Gardens (1860 University Ave W, St Paul)
  • Wed, Jun 3, 12 pm at Interact Center (1860 W Minnehaha Ave, St Paul)

 Make a Donation

Friday
Apr242026

April 30 Art Opening at the Bridgewater Lofts

Join us in celebrating our 32nd exhibit, Beautiful Margins, and meet the artists!

Thursday, April 30, 6:00pm – 8:00pm
Bridgewater Community Room, 215 10th Avenue S
Wine, Appetizers and Dessert
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Featuring: Beth Bergman | Nancy Bundy | Kasia Cymerman | Leila Denecke Brian Frink | Amanda Hanlon | Bonnie Hinz | Kelly Marshall | Peter Vanni
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Take a Virtual Tour:
For more information or sales, contact Peter Zenner at pczenner@comcast.net.
Friday
Apr242026

City Seeks Feedback on Potential Indoor Playground in Downtown Minneapolis

The City of Minneapolis is assessing whether a new indoor playground and multi-use family play space downtown would be feasible and beneficial. The City is currently gathering input from parents and caregivers through a public survey. This survey includes questions about:

  • Family recreation habits
  • Desired amenities for an indoor playground
  • How frequently you visit downtown Minneapolis

The survey takes about 8-10 minutes to complete. Responses are anonymous. You may opt in at the end if you’re interested in participating in a future focus group.

Take the survey in English, Spanish or Somali

The goal of this survey will help planners determine whether to move forward, and if so, how to ensure any potential future space meets the needs of both kids and adults. Your feedback may be used to guide possible locations, programming and amenities such as food and beverages, so the space works well for families.

Thursday
Apr232026

Registration Now Open for Spring Sports Leagues in Downtown Parks

Spring is here, and Downtown Parks sports leagues are back!

If you’re looking for a fun way to get outside, meet new people, and enjoy your evenings in the park, Spring Sports Leagues are a great place to start. These casual, social leagues are designed for all skill levels, with five weeks of play that make it easy to jump in and have fun.

Registration is open now for four leagues:


Mölkky League
Starts May 17 | Sculpture Garden

An easy-to-learn Finnish lawn game that mixes precision and a little luck—great for laid-back evenings outdoors.

  • Individual League at 6 pm — $35
  • Team League at 7 pm — $50
    Rotate teammates throughout the season or come solo and meet new people.
Try Mölkky Registration

Boccee

Grass Bocce League
Starts May 19 | Sculpture Garden

This is bocce with character. Uneven terrain, unexpected bounces, and plenty of laughs along the way.
The league rotates between parks each week, giving you a fresh experience across downtown green spaces.

  • Start times: 6 pm or 7:15 pm
  • Teams require a minimum of two players
Grass Bocce Registration

kubb players at water works

Kubb League
Starts May 20 | Water Works Park

A classic lawn game with a strategic edge. Knock down your opponent’s blocks and enjoy a little friendly competition along the riverfront.

  • Beginner: 6 pm
  • Intermediate: 7:15 pm
Kubb Registration

cornhole winners

Cornhole League
Starts May 21 | The Commons Park

A familiar favorite and easy to jump into. Whether you’re competitive or just in it for the social hour, cornhole brings people together for relaxed, fun play in the heart of downtown.

  • League format: teams
  • All skill levels welcome
Cornhole Registration

 

Downtown Minneapolis Parks:

The Commons Park - 425 Portland Avenue South

Gateway Park - 1 1st Street South

Graco Park - 15 8th Ave Northeast

Nicollet Island Park - 40 Power Street

North Loop Park - 731 N 3rd St 

Water Works at Mill Ruins Park - 425 West River Parkway


Wednesday
Apr222026

Celebrate With Your Neighbors at Neighborhood Day Saturday, May 2

Neighborhood Day is an annual day set across the city to increase resident participation in local civic engagement through one of the city’s 67 recognized neighborhood organizations. It’s a chance to come together in community, find the neighborhood organization that represents you and get to know your neighbors.

Neighborhood organizations host their own events, ranging from board elections to family-friendly activities. This year, select neighborhood events will include a bike tour, bean bag tournament and duck race. No matter your neighborhood, there’s something for everyone.

Use this map to find information about your nearest Neighborhood Day events.

Your voice is important! Neighborhood organizations are the most local, smallest form of government. It’s an easy way for residents to be involved at the most grassroots level in their own neighborhood, on their own street. Find information about your neighborhood organization.

Tuesday
Apr212026

Small Business Spotlight: Lulu EthioVegan Cuisine

Article by Becky Fillinger, photos provided

Are you looking for comfort foods, perhaps with a vegetarian focus? Are you thinking about how to support immigrant-owned businesses who’ve been affected by the ICE invasion? We spoke to Tigist Feyisa, owner of Lulu EthioVegan Cuisine about her inspiration for the restaurant, comfort food choices, and why community support matters. Recently named as one of the top 50 essential restaurants in the Twin Cities by MSP Magazine, it’s time to pay a visit to this Franklin Avenue gem.

Q:  What inspired you to start Lulu EthioVegan Cuisine?

 A:  My inspiration came from my daughter, Lulu, who at 11 became the first vegetarian in our household. I began creating different dishes for her and realized how difficult it can be to find vegan options during fasting seasons. I wanted to ensure there were delicious choices available, especially for those in the Ethiopian Orthodox community. I too became a vegan because of Lulu’s example.

Q:  How did your personal journey and cultural background influence the vision for your restaurant?

A:  Growing up, my mother cooked many vegan dishes, particularly during Lent and other fasting periods. These memories inspired me to introduce my cultural cuisine to others who may not have experienced Ethiopian food. I believe food is a powerful way for families and communities to come together.

Above, the Veggie Sampler (a selection of all veggie dishes, Shiro Wot, and Sufe Fifit), surrounded by Mushroom Tibs, Sambusa and other specialties. Below, Rice with Falafel. 

Q:  What are your favorite dishes on the menu, and why?

A:  My favorite dishes are Shiro, Gomen, and beets. They are my ultimate comfort foods - I simply cannot live without collard greens, beets and Shiro.

Q:  Which ingredient or spice do you think defines the signature flavor of your restaurant?

A:  Berbere is the ingredient that truly defines our signature flavor. This traditional Ethiopian spice blend provides warmth, depth, and a beautiful balance of heat and aroma. We use berbere-based ingredients in several dishes, including our red lentils (Misir Wot) and our potato dish (Dinnich Wot).

Q:  Minneapolis has a vibrant food scene — how does Lulu EthioVegan fit into it?

A:  I believe Lulu EthioVegan introduces Minneapolis to the rich, authentic traditions of Ethiopian vegan cuisine. With the city's growing demand for plant-based options, we stand out because our entire menu is 100% vegan and plant-based.

Q:  How important is community support to your business, and in what ways have locals embraced your restaurant?

A:  Community is vital to us. We designed Lulu EthioVegan to be a welcoming gathering place where people can connect over a meal and celebrate cultural events. The local community has embraced us warmly; we have many regular customers who support us through word of mouth, social media, positive Google reviews, and by telling their friends and family about their experience. We’ve also felt supported through media coverage in MSP Magazine and various chef challenge competitions.

Q:  How was your restaurant impacted by the ICE activity in Minneapolis?

A:  Regarding the ICE activity in Minnesota, it has deeply affected our daily lives and my business. I have been emotionally drained and terrified for my safety and the safety of my children. We have faced significant staffing shortages and delivery issues because people are afraid to be out in the Minneapolis area. At one point, I was working entirely alone and locking the restaurant for protection.

Despite these challenges, my family and I are working hard to keep the restaurant open. Business is starting to pick up, and we are currently looking for new employees. We remain hopeful for better days and are focused on supporting one another.

Q:  What keeps you motivated on tough days?

A:  Seeing people enjoy the food and seeing them return is what motivates me. Knowing that I’ve created a space where people can share culture, celebrate a birthday, or hold a meeting makes the hard days feel meaningful. It’s a wonderful feeling when customers tell me they missed my food while they were away on vacation.

Q:  Have you built relationships with local farmers or producers for your ingredients?

A:  Building relationships with local farmers and trusted suppliers is very important to us. While I am still looking for long-term partnerships, I am currently in discussions with one local farmer. During the summer, I frequently visit farmers' markets to source fresh vegetables, and we use local suppliers for many of our other ingredients.

Q:  How may we follow your news?

A:  You can follow us on Facebook, Instagram, and TikTok, or visit our website at luluEthioVegan.com. And we would sure welcome you to come visit us at 12 East Franklin Avenue.

Monday
Apr202026

Arch and River Selected as New Restaurant at Water Works Pavilion

French bistronomie with Afro-Caribbean twist will serve both sweet and savory items beginning this summer next to Stone Arch Bridge

Arch and River has been selected as the new vendor to operate out of Water Works Pavilion, 425 West River Parkway. They will take over the space being vacated by Owamni in the park building that opened in 2021 next to the Stone Arch Bridge on the downtown Minneapolis riverfront. Owamni is rebranding to Indígena by Owamni and moving to the former Sea Change space in the Guthrie.

Arch and River is a modern French bistronomie with an Afro-Carribbean twist. They plan to serve delicious cuisine throughout the day, including gourmet coffee and pastries in the morning, weekend brunch, lunch, teatime and a goûter throughout the afternoon, plus dinner and a charming dessert bar experience in the evenings. Beer, cider and wine will be available to enjoy inside Water Works Pavilion or outside while lounging on multiple riverside patio spaces.

Water Works Pavilion offers a cozy environment with an open kitchen concept amidst beautifully uncovered riverfront mill remnants, with sweeping views of the Mississippi River and bustling parks and trails. The dining concept is built around a healthy-yet-gourmet menu suitable for different lifestyles, including options for gluten-free, vegetarian, and dairy-free customers.

Diane Moukouri and Fritz Ebanda in front of the stairs leading up to the new Arch and River space coming to Water Works Pavilion. Photo credit Minneapolis Park and Recreation Board

This new restaurant concept was created by the team behind B’beri Desserts, located less than two miles from Water Works in Alliance Française of Minneapolis. Owner Diane Moukouri and her husband, Executive Chef Fritz Ebanda, built their business from a popular delivery service to a farmers market favorite to a beloved neighborhood spot. Now they’re expanding into an iconic park location that welcomes millions of visitors each year.

Arch and River was chosen by a panel of Minneapolis Park and Recreation Board (MPRB) staff after a Request for Proposals was issued in December. A five-year concessions agreement through 2031 is up for consideration by MPRB Commissioners at their April 29 meeting.

More details will be shared as summer approaches. Follow Arch and River on Instagram and Facebook for updates!

Monday
Apr202026

May 5 at The Loft Literary Center: Dr. Brittany Lewis to Discuss New Book, Building a New Table: A Community-Centered Handbook for Transformative Social Change

Dr. Brittany Lewis will mark the release of her new book, Building a New Table: A Community-Centered Handbook for Transformative Social Change (University of Minnesota Press; May 5, 2026), with a launch event at The Loft Literary Center. The celebration will be held in the Open Book Performance Hall on May 5 at 6:00 PM.

Dr. Brittany Lewis, founder and CEO of Research in Action, a social benefit corporation, has spent more than fifteen years working in partnership with Twin Cities communities. She served as senior research associate at the University of Minnesota’s Center for Urban and Regional Affairs and is featured in the Upper Midwest Emmy Award–winning documentary Jim Crow of the North and the radio documentary A Fiery Unrest: Why Plymouth Avenue Burned

Building a New Table guides readers through the steps of the Equity in Action model, developed by Dr. Lewis as a framework for closing the gaps between communities, researchers, and institutions. Demonstrating how to ground solutions in lessons from lived experience, Dr. Lewis teaches how authentic community engagement and community-driven research creates reciprocal, generative relationships that can enact real, systemic change.

Copies of the book will be for sale from Black Garnet Books and Dr. Lewis will be available to sign them after the program. Admission is free but registration is requestedhttps://z.umn.edu/LewisLaunch

Sunday
Apr192026

Inaugural City Stories, May 2-10, Expands on the Success of Doors Open Minneapolis and MSP Home Tour

 

Rethos and NARI MN have announced the launch of City Stories, a new nine day celebration of architecture, history, and design taking place May 2–10 across the Twin Cities metro.

Building on the legacy of Doors Open Minneapolis and the MSP Home Tour, City Stories invites residents and visitors alike to explore the places that shape our region - from iconic landmarks to hidden gems. Many events are free. Most events ticketed. Browse the online options and sign up today!

Throughout the festival, City Stories will feature a dynamic mix of programming that reflects the diversity of the Twin Cities, including:

• Behind-the-scenes home and building tours
• Neighborhood walking tours led by preservation experts
• Speaker events with urban planners and designers
• Social mixers celebrating local design and cultural heritage
.

Produced by Rethos in partnership with NARI Minnesota (National Association of the Remodeling Industry MN Chapter), City Stories brings together a wide range of tours, talks, open houses, and curated experiences under one coordinated festival platform. The event is designed to showcase the Twin Cities’ built environment while creating new ways for people to engage with the places that shape everyday life. 

At its core, City Stories is a flexible “choose-your-own-experience” event. Visitors can browse and book individual programs - from free, self-guided opportunities to premium ticketed experiences - building personalized itineraries across neighborhoods and across both cities.

“City Stories is about opening doors in every sense. It invites people to step inside spaces, stories, and communities that shape the Twin Cities - and to see those places in a new way." Heidi Swank, Rethos Executive Director

Rethos Executive Director Heidi Swank with Mayor Frey

"Doors Open is about curiosity, connection, and community. It’s a chance to step inside the places we pass every day - and discover the stories, people, and history that make Minneapolis what it is. It's one of the best events of the year - and you don't want to miss it!"  Mayor Frey

City Stories expands on the success of two long-standing, high-impact events:

• MSP Home Tour (May 2–3) – A free, self-guided tour offering access to real homes across the metro area, showcasing remodeling, design innovation, and neighborhood life.

• Doors Open Minneapolis (May 9–10) – A free, citywide open house featuring access to 75+ buildings, from historic landmarks to rarely accessible spaces. For one weekend, buildings across Minneapolis - from historic landmarks, including City Hall, to modern workspaces, cultural sites to civic institutions - will open their doors to the public, many offering behind-the-scenes access you can’t get any other time of year.

Together, these anchor weekends are connected and expanded through a full week of additional programming, creating a continuous, weeklong festival experience.

Expanding the Twin Cities’ Cultural Tourism Story

City Stories positions Minneapolis and Saint Paul as destinations for architecture, history, and cultural exploration - broadening the region’s tourism narrative beyond outdoor recreation. By activating neighborhoods and cultural assets across multiple days, the festival is designed to: 

  • Encourage longer visitor stays
  • Drive midweek tourism activity
  • Support local businesses and cultural organizations
  • Elevate the national profile of the Twin Cities as a cultural destination
Friday
Apr172026

Street Sweeping Begins April 21

Public Works crews will start the City’s comprehensive street sweeping program April 21 to clear away what accumulated in the streets over the winter. Drivers should watch for hot pink temporary “No Parking” signs to avoid a ticket and tow.

For approximately four weeks, sweeping crews will take care of more than 1,100 miles of city streets and nearly 400 miles of alleys. To make sure the crews can do the most complete job possible, temporary “No Parking” signs will be posted at least 24 hours in advance to make sure streets are clear of parked vehicles. Drivers need to follow street sweeping parking rules or they may have their cars ticketed and towed to the Minneapolis Impound Lot.

Find your street on the schedule - You can see when your street is scheduled to be swept by visiting the interactive street sweeping map.

Learn more about street sweeping.

 

 

Thursday
Apr162026

June 6 Prince Celebration Block Party and Community Sing-Along

The Celebration Block Party and Community Sing-Along will take place near the downtown Prince mural by Hiero Veiga at 101 N 9th Street, on the day before what would have been the Prince’s 68th birthday. Free, all-ages.

Prince Sing-Along and Celebration Block Party

Prince Celebration is the official annual event honoring the life and legacy of Prince, welcoming fans from across the globe to come together in music, community, and remembrance. Held at Paisley Park and throughout the Twin Cities, Prince Celebration offers a rare opportunity for fans to experience curated programming including live performances, panel discussions, tours, and exclusive presentations. Since its inception, the event has served as a global gathering space for celebrating Prince’s artistry, cultural impact, and continued influence across music, fashion, and creative expression.

The multi-day Prince Celebration is the annual gathering of devoted Prince fans from around the world presented by Paisley Park. This year’s five-day event, a "10th Anniversary Celebration of Life," will take place June 3 - 7.

The Prince Sing-Along a one-time-only signature addition to the annual Prince Celebration Block Party on Saturday, June 6. Led by acclaimed Musical Director Sanford Moore of Moore by Four and a Minneapolis-based mass choir of 100 vocalists, the crowd will be guided through a selection of Prince’s greatest hits including “Purple Rain,” “When Doves Cry” and “Sometimes it Snows in April.” The event is expected to reflect upon the spontaneous outpouring of love outside First Avenue following Prince’s passing a decade ago.

Led by acclaimed Musical Director Sanford Moore of Moore By Four and a Minneapolis-based mass choir of 100 vocalists, the crowd will be guided through a selection of Prince’s greatest hits including “Purple Rain,” “When Doves Cry,” and “Sometimes it Snows in April.” The event is expected to reflect upon the spontaneous outpouring of love outside First Avenue following his passing a decade ago.

The goal of the Sing-Along is to have up to 15,000 people singing arm-in-arm to Prince’s beloved music, possibly even setting a record for the most uploaded social stories in one place. The result is sure to be a true “Minneapolis sound” and a major event for those who love his music.

“From Bunker’s to Dakota Jazz Club to First Avenue, Prince loved to entertain and take in the irresistible vibe in downtown Minneapolis." Adam Duininck, President and CEO 

Weekend picks: In downtown Minneapolis, help #CrownOurPrince at a block  party and lighted mural unveiling - MinnPostPhoto credit MinnPost

Thursday
Apr162026

MPRB Invites You to April 29 Tree Distribution Site Tour

Join Green Cities Accord and the Minneapolis Park & Recreation Board (MPRB) for a behind-the-scenes tour of the MPRB Tree Distribution Site, 2150 W River Pkwy, on the evening of Wednesday, April 29, where thousands of trees are staged each spring for planting across Minneapolis.

This unique, behind-the-scenes experience offers a closer look at the nursery side of urban forestry, highlighting what it takes to care for and prepare thousands of young trees as they make their way to parks, streets, and neighborhoods across the city.

Guests will hear from Green Cities Accord and MPRB staff about current planting efforts, climate resilience priorities, and the role trees play in growing healthier, more livable communities.

Attendance is free, but spots are limited - so register today!

Saturday
Apr112026

Why You Shouldn’t Miss Mia’s Modern Art and Politics in Germany, 1910–1945

Article by Becky Fillinger

Minneapolis Institute of Art's exhibition, Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin – Minneapolis Institute of Art, explores a turbulent period when artistic experimentation collided with dramatic political change. Bringing together paintings, sculpture, prints, and design pieces created during the final years of the German Empire, WWI, the fragile democracy of the Weimar Republic, and the rise of Nazi Party rule, WWII and the Holocaust - the exhibition reveals how artists responded to war, social upheaval, modern technology and authoritarianism. The exhibit is on view through July 19 and you may want to visit more than once. Get tickets here.

Why might you want to visit more than once?

There are more than 70 paintings and sculptures on display. Each piece was selected for the story it tells of the art movements and German political history at the time.

Let me tell the story of just one object on display – Rudolf Belling’s Brass Head (1925).

The Brass Head sculpture is considered important because it helped mark a turning point in modern sculpture during the early 20th century. Rather than simply reproducing a realistic human likeness, Belling simplified the face into bold, geometric forms, reflecting the influence of modern movements such as Cubism and Expressionism. This was in contrast to traditional portrait sculpture and helped bring about a new way of imagining the human form. The principles of the “Belling System,” as he called it, included a conception of sculpture as seen from many different perspectives and the inclusion of empty space as an elementary compositional element. This was in opposition to the Nazi Party official viewpoint that sculpture had only one "best view."

Brass Head was classified as "degenerate art" by the Nazis. Degenerate Art was also the name of a 1937 exhibition held by the Nazis in Munich, consisting of 650 modernist artworks that the Nazis had taken from museums. More than 3 million people toured the exhibition over a six-month period. Brass Head was one of the sculptures in the exhibition.

Exhibit from Degenerate Art Munich 1937. Brass Head is on the far right pedestal.

(Search Getty 545725245 for a photograph of German Chancellor Adolf Hitler and Reich Minister of Propaganda Joseph Goebbels touring the exhibit – Brass Head is in this photo. I did not have permission from Getty Images to include that photo.)

I asked Tom Rassieur, Mia's John E. Andrus III Curator of Prints and Drawings and curator of this show about the importance of Brass Head and what became of it after the Munich show. He responded, "Rudolf Belling's Brass Head is a prime example of artistic exploration - in this case, the attempt to find a Machine-Age esthetic for the human form - being swept up in politics. The National Gallery in Berlin purchased the sculpture in 1928, only to see it seized in 1937 by the Nazis - who put it into their "Degenerate Art" exhibition, then consigned it for sale to get hard foreign currency. After World War II, East German authorities discovered it on the premises of a deceased art dealer and placed it in the Nationalgalerie of East Berlin. After the fall of the Berlin Wall, it entered the Neue Nationalgalerie that we know today with the consolidation of the collections of East and West Berlin."

And so, this one piece – Brass Head – has quite the backstory. The same is true for the other 69 artworks in this special exhibition. Take your time as you visit – you’ll be so grateful that this exhibition was assembled for us to enjoy.

Note: This exhibition includes depictions of nudity, scenes of war and violence, and Nazi and Holocaust imagery.