200 Films to be Presented at 42nd Minneapolis St. Paul International Film Festival

Article by Becky Fillinger, photos provided

The festival kicks off April 13 and runs until April 27 at The Main Cinema, 115 SE Main Street, with additional screenings at the Capri in North Minneapolis and the Landmark Center in St. Paul. The full schedule and movie descriptions are worth perusing. Parties, panels and other events fully round out the festival. Everyone who attends an opening night movie is invited to the MSPIFF42: Opening Night Party at Machine Shop, 300 2nd Street SE – great food, music and movie visionaries!

Festival organizers expect pre-pandemic audiences of about 40,000 people to attend. Attendees come from all over the world for the film festival, so let’s be sure to show local support for this major event. We asked MSPIFF staff for suggestions.

Jesse Bishop, Program Director, offers these three for your consideration:

A Compassionate Spy is the latest film from renowned documentarian Steve James, maker of Hoop Dreams, and brings to life an unlikely true story about the youngest physicist to work on the Manhattan Project who turned over secrets to the Russians. It's an incredible morality tale and love story wrapped into one.

Other People’s Children by Rebecca Zlotowski from France is one of two films in the festival that stars the amazing Belgian actress Virginie Efira (the other is REVOIR PARIS). It's a beautiful and engaging study of a woman's bond with her lover's child, and the longing to have a family of her own.

Mamacruz is a fun and irreverent Spanish dramedy about a devoted churchgoing grandmother who stumbles across an explicit website and finds herself exploring long buried desires. It's a fantastic story about retaking control of one's life, important at any age!

Kelly Nathe, Programmer & Publicity Manager, has one outstanding recommendation:

King Coal is a beautiful exploration of the many ways coal industry has been woven into the fabric of life in Appalachia, both positively and negatively. 

And here are my personal two top picks:

The Hamlet Syndrome. The Guthrie Theater is staging Hamlet in April, their 60th anniversary of the first production. I can’t resist seeing a movie also about Hamlet, just across the Mississippi River at the festival.  Plus, the heartbreak of the Ukrainian invasion needs to stay fresh in our minds. Movie Description: The Hamlet Syndrome is a powerful portrait of a vibrant young Ukrainian generation, the first one born after the collapse of the Soviet Union, shaped by the Maidan Revolution of 2013, empowered by political change and scarred by war. A few months prior to Russia’s full-scale invasion of Ukraine in 2022, five young women and men participate in a unique stage production that attempts to relate their war experiences to Shakespeare’s Hamlet. For each of them, the stage is a platform to express their grief and trauma through the famous question, “to be or not to be,” a dilemma that applies to their own lives.

Gold Run. I’m a fan of historical movies, especially about World War II. If you enjoyed Atlantic Crossing on PBS or Narvik on Netflix, I think you’ll want to see this movie about the Nazi invasion of Norway. Movie Description: On April 9th, 1940 the Nazis invaded Norway. Based on true events, Gold Run tells the story of how a brigade of ragtag Norwegians, including a bank secretary, a famous poet and a female veteran of the Spanish Civil War, smuggled 40 tons of gold bullion out of the national bank vault in Oslo to safety with the Allies.

Get your tickets:

MSPIFF42 All-Access Festival Passes are $400 for Members/$500 for the General Public; individual tickets are $10 for Members/$15 for the General Public; and Six Packs are $50 for Members/$75 for General Public. Please visit mspfilm.org for more information.

We Shall Someday - World Premiere at Theater Latte Da

Article by Becky Fillinger, photos provided

A Discussion with Harrison David Rivers, Book and Lyrics Writer

Harrison David RiversThe world premiere of We Shall Someday is in rehearsals now at Theater Latte Da. We spoke to Harrison David Rivers about his creative process, finding an inspired home in the Twin Cities and taking individual actions against injustice.

Performances run April 19 through May 14 at the Ritz Theater. Tickets are on sale now at Latteda.org or by calling 612-339-3003. 

Q: Your artistic statement includes this passage:

I write
[in my own words]
In hopes of ushering in a kinder,
gentler,
more equitable,
more accepting,
more courageous,
more compassionate,
more loving,
world. 

Your latest play, We Shall Someday, covers three generations of inequality, violence and oppression. Do you give us advice or guidance in the play about how to usher in a more equitable and loving world? Or how we might commit to creating real change?

A:  One of my favorite things about We Shall Someday is how each of the characters - Julius in 1961, Ruby in 1988 and Ben in 1992 - has a moment of realization about the significance of their role in the betterment of the world. Julius realizes that the most revolutionary thing he can do to “usher in a more equitable and loving world” is to be the best father to his daughters that he can be. Ruby realizes that she must be honest with her son about the realities of being Black and male. And Jay realizes that fear, both of physical harm and of distressing his mother, shouldn’t keep him from doing what he believes to be right - protesting injustice.

We Shall Someday cast members Roland Hawkins II, Ronnie Allen, and Erin Nicole Farsté. Photo by Lucas Wells.

The musical posits that real change starts on an individual level - it starts as a personal choice - and that the actions undertaken once one has made that choice, no matter the size or scale, are meaningful, significant, vital.

Q:  Your resume is impressive – we could spend an entire interview focusing on any one of the many aspects of your career, which includes teaching, publishing, honors, awards, residencies, fellowships, playwriting and more. You could live anywhere. Why are the Twin Cities home to you?  

A:  First, thank you. So often it feels like you’re running in place, that you’re working super hard, but nothing’s really happening. It’s nice to be reminded that that’s not true; nice to be reminded to be kinder to myself.

I moved to the Twin Cities in 2014 for a fellowship at the Playwrights’ Center and fell in love with the community here. I found artistic homes at Theater Latté Da, Penumbra and History Theatre, and incredible collaborators.

I’d been living in New York City for nine years and had gotten used to the frenzy – I’d sort of internalized it. I thought I needed the hustle and bustle and the pressure and the constant noise and motion, but it turned out that I was wrong. I realized very quickly upon arriving in the Twin Cities that I could have a robust creative life and do it on my terms — a little slower, a little quieter and less expensively.

Q:  We Shall Someday pays homage to the civil rights anthem, We Shall Overcome. Although I haven’t seen your play yet, I feel that the title reflects the sentiments expressed by Cheryl Bistani who wrote this for MLK Day 2023:  

There is a dance step called the tripudium. It is three steps forward and one step back. It matches the words, the rhythm, and the meaning of the song we sang as we touched the spot of spilled blood and marched across the Edmund Pettus Bridge in Selma, Alabama, on the anniversary of Bloody Sunday. 

“We shall overcome, we shall overcome.
We shall overcome someday.
Oh, deep in my heart, I do believe,
We shall overcome someday.” 

Will we see your characters experiencing progress through a tripudium of three steps forward and one step back? 

A:  I’m not sure that We Shall Someday adheres to that exact math, but I do think that inherent in the idea of progress is failure — are setbacks and opposition — and, on the flip-side, reassessment and reactivation and perseverance.

I believe that all of these elements are present in the musical.

Q:  Music is very important to your creative process – you’ve said in earlier interviews that many lyrics and tunes of popular music are in our DNA. Did you structure We Shall Someday as a multimedia production, including music, as shortcuts to the audience to trigger a certain time and place?   

A:  Ted Shen (composer) was actually the first artist on the project. He had already created what was then called “Just One ‘Q’” with another writer. I was brought in later to write a follow up to Part 1, and then later to re-write the existing Part 1 and to add Part 3.

The piece was conceived as a musical so it has “sung” since the beginning. Any multi-media component at Theater Latte Da is owed to our brilliant director and design team.

Q:  Will you give talks or lectures in conjunction with We Shall Someday? Are there other ancillary events planned to accompany the play? 

A:  I imagine so! Honestly, we’re early days with the production so a lot of scheduling things are still being worked out. I’ll have to get back to you!

Q:  Please do keep us posted on events. How may we follow your news? 

A:  I’m on Instagram and my website is harrisondavidrivers.com – of course, now I’ll need to update it.

Apply for a City Boards and Commissions Opening - Advise City Leaders on Topics Important to You

The City of Minneapolis boards and commissions have openings for appointments this spring. The City seeks applicants with a diverse backgrounds and experiences representing the demographics of Minneapolis to strengthen the work of the City. City boards and commissions offer a direct way for residents to advise City leadership about topics important to them. Translation and interpreting is available so all residents can participate.

Applications will be accepted through April 30.

The following City boards and commissions seek applicants:

• Bicycle Advisory Committee
• Charter Commission
• Minneapolis Workforce Development Board
• Pedestrian Advisory Committee
• Southside Green Zone Council

The City has more than 50 volunteer-based boards, commissions and advisory committees that help shape key policy decisions, represent their community in the City’s administration of services and supply valuable insights. Appointments to boards and commissions are made twice a year, in the spring and fall.

Potential applicants can find more info on the website, call 612-673-2216 or email OpenAppointments@minneapolismn.gov.

MCAD Announces Artist List for 10th Annual Art Auction

Annual Art Auction Benefits Students Scholarships

As one of the creative pillars in the Twin Cities, Minneapolis College of Art and Design (MCAD) hosts an annual art auction to raise funds for students in need of financial support. Every year the event showcases established artists from across the country, who donate their artwork, and gives attendees the chance to add paintings, photographs, sculptures, or ceramics to their own personal art collection. Because of the generosity of past Auction attendees, hundreds of students have received scholarships, ensuring that young creatives, artists, and designers have access to a college education. With more than 97% of MCAD scholars receiving some form of aid, this event is critical to ensuring that students from all backgrounds are financially supported as they pursue their degrees.

Event Details:

Date: Friday, May 19, 2023
Location: MCAD Main Gallery, 2501 Stevens Avenue S, Minneapolis, MN 55404
Time: (VIP Preview Reception 6:00pm) 7:00–9:30pm
Tickets start at $150
All proceeds go to the MCAD Scholarship Fund.

Starting prices for artwork range from $480 to $9,600.

More infor, artist list and tickets: mcad.edu/artauction.

Sample pieces:

Clarence Holbrook Carter: Mining,1952, Painting, 19” x 17”

Jenny Monick: Peregrine, 2020, Oil on linen, 14” x 11"

CL Martin: El, 2022, Charcoal, pencil, acrylic on paper, 21” x 27”

"In the Company of Grace: A Veterinarian's Memoir of Trauma and Healing" Book Launch, April 13 at Open Book

Launch of Jody Lulich's debut memoir, In the Company of Grace: A Veterinarian's Memoir of Trauma and Healing, Thursday, April 13, 7:00p, Open Book Performance Hall

In the Company of Grace is Jody Lulich’s moving memoir about finding courage in compassion and strength in healing—and power in finally confronting the darkness of his youth to become a world-renowned veterinarian. He explains his path to veterinary medicine and how caring for helpless, voiceless animals amidst his own shame and pain provided a lifeline, and a chance to heal himself as well.

Dr. Lulich will give a short presentation along with a reading from the book with fellow reader Rose Klass, followed by a moderated conversation with Dr. Lindsay Merkel.

Book signing will follow, and books will be available for purchase at the event through Magers & Quinn.

Minneapolis Invites Travelers to “See What All the Fuss Is About”

Meet Minneapolis launches a new tourism campaign to boldly (re)introduce the city and entice visitors by challenging existing perceptions

Perhaps you’ve heard or read somewhere that Minneapolis is “a ghost town” or that “it’s overrun.” Either way, there has been a lot of fussing about Minneapolis. Starting today, Meet Minneapolis invites travelers to “See What All the Fuss Is About” through its new tourism campaign.

Meet Minneapolis, in partnership with the Minneapolis-based agency Periscope, is setting out to address those misperceptions head-on with a tourism campaign to reclaim the city’s narrative through “See What All the Fuss Is About.” Minneapolis natives embrace the diverse variety of world-class experiences people can have in the state’s largest city. However, negative perceptions have overshadowed the abundance of positive experiences visitors can enjoy.

The result is a campaign designed to boldly and confidently tell the city’s story to people who used to travel to Minneapolis often – as well as those who are new to the destination – by highlighting the remarkable things that the city has to offer.

“People are talking about Minneapolis. Some of them have it wrong, but they are talking,” said Melvin Tennant, president and CEO of Meet Minneapolis. “This campaign will invite those people to re-experience Minneapolis by authentically telling the city’s story as a place that has evolved over the past several years and continues to be a buzzing hub of culture, cuisine, and natural beauty. We’re excited to welcome new and returning visitors to come see what all the fuss is about in Minneapolis.”

The “See What All the Fuss Is About” tagline will be accompanied by print, broadcast and digital advertising, billboards along highways, a dedicated web presence, and a social media influencer program. The campaign will utilize a blend of highly visual and engaging tactics to reach various audiences and turn the dial on their perceptions of Minneapolis. This year’s media spend will be approximately $500,000.

“Minneapolis is a world-class destination at the forefront of creating change. People from all over the world have put down roots in Minneapolis, contributing to an active, dynamic, and diverse culture that has something for everyone,” said Courtney S. Ries, SVP of Destination Branding and Strategy at Meet Minneapolis.

“This campaign will highlight the city’s award-winning food and beverage scene, premier arts programming, world-class museums, elite performance venues, unique independent businesses, glorious park system, numerous options for sports fans and exciting public art,” said Ries. “We invite both new and returning visitors to celebrate and savor these offerings by exploring Minneapolis events, businesses, and attractions throughout the year.”

Learning from Place: Cedar-Riverside Immersive Experience, April 29 1-5p

Article by Becky Fillinger, photos provided

The Minnesota Humanities Center has partnered with the Brian Coyle Center, Augsburg University and the West Bank Business Association to produce their latest Learning from Place Program. We spoke to Eden Bart, Program Officer and Amano Dube, Director, Brian Coyle Community Center/Pillsbury United Communities, to learn more about the innovative program and how to register. Don’t delay – there are only 40 spots available to tour the "Ellis Island of the Midwest."

Eden BartQ:  The Minnesota Humanities Center describes Learning from Place as an immersive experience that brings people to sites of great significance. 

A:  That’s right - our Learning from Place experiences bring participants into community and sacred spaces to hear the unfiltered stories that are often overlooked or unknown by the general public. These co-created experiences can be transformative in helping to close relationship gaps.

Q:  Why was Cedar-Riverside/West Bank selected for the program? 

A:  Cedar-Riverside/West Bank was selected for this program because of its incredible cultural diversity and history of settlement, activism, and the arts. We are excited to be partnering with Pillsbury United Communities/Brian Coyle Center, Augsburg University, and the West Bank Business Association.

Abdirizak BihiQ:  How will the 4-hour program be structured?   

A:  Participants will meet at Brian Coyle Center for introductions and a historical overview of the neighborhood. We will then go on a 50-minute walking tour led by Abdirizak Bihi (known as Bihi), host of KFAI’s Somali Link Radio. We will return to Brian Coyle Center for a sampling of food from local restaurants and story sharing from several community members who will share their personal stories and connection to the neighborhood.

Q:  What will be highlighted during the program?   

A:  Stories from diverse cultures; insight into the economic, arts, and cultural vibrancy of the area; and the deep history of being a place that welcomes newly arrived immigrants and refugees.

The Cedar Cultural Center, a West Bank mainstay for decades.

Samiya Clothing Store, Riverside Plaza

Q:  Who will benefit from attending the program?   

A:  This is open to anyone who would like to build their cultural understanding of the neighborhood. All are welcome.   

Q:  Will it be accessible for those with mobility concerns? 

A:  There will be about 50 minutes of walking. Email registrations@mnhum.org with questions.

Q:  How do we register for the program? 

A: Visit https://www.mnhum.org/event/lfp-cedar-riverside/. 

We have other Learning from Place experiences that include: Bdote, Hmong St. Paul, St. Paul’s Little Africa, LGBTQ+ History in Downtown Minneapolis, and North Minneapolis. For more information about Learning from Place experiences, visit https://www.mnhum.org/events/category/immersive-experiences/learning-from-place/ .

One of the leaders of the program is Amano Dube – we had a few questions for him as well: 

Amano DubeQ:  We spoke to you last fall about the annual Cedar Riverside Multicultural Dinner. You’ve now partnered with Augsburg University, the West Bank Business Association, and the Minnesota Humanities Center on a Learning from Place program. What do you want attendees to learn and remember from the program?  

A:  We want attendees to learn about the rich history of the West Bank, including its vibrancy as a business corridor with lots of restaurants, cafés, music, theater and arts, but also its diversity and immigration history as a welcoming landing place for generations of immigrants. We also want attendees to hear firsthand information from each speaker about their real-life experiences in this neighborhood/country including what it means to be an immigrant who came very young or was born and grew up here, raised families, own a business and/or spent most of their adulthood lives in this community.  

Q:  At one time you were the Executive Director of the Oromo Community of Minnesota. Please tell our readers more about the Oromo people. 

A:  The Oromo are a Cushitic ethnic group native to the Oromia region of Ethiopia and parts of Northern Kenya, who speak the Oromo language, which is part of the Cushitic branch of the Afroasiatic language family. They are the largest ethnic group in Ethiopia constituting more than 40 million of about 110 million Ethiopian population.  

Outside of their home country, Oromos live in many parts of the world, including in the United Sates, Canada, Europe, Australia, Middle East, other African countries and some in Asia. In the U.S., Oromos live in most of the states although the number varies. But the largest concentration outside of their home country is here in Minnesota, roughly estimated at more than 60 thousand.  

The arrival of Oromos in United States and Minnesota might date as far back as 50 plus years, primarily as students and their families. The largest influx as refugees occurred over the last 20-30 years. Today, in Minnesota and elsewhere, Oromos have established number of institutions including the Oromo Communities, many Churches, Mosques, varieties of small to mid-size businesses and more becoming part of the American dreams.  

Q:  How may we stay up to date with Cedar Riverside/West Bank news? 

To stay up to date with the West Bank neighborhood, please access the West Bank Business Association (WBBA) website, and follow on Twitter, Facebook and Instagram.

Doors Open Minneapolis Returns May 13-14, Volunteers Needed

Doors Open Minneapolis provides a unique chance to explore the buildings that tell a city’s story. From theaters to business hubs, sacred spaces to private clubs, sports complexes to engineering wonders, historical gems to not-even-open-yet buildings, Doors Open Minneapolis offers participants a FREE behind-the-scenes look at over 100 exciting venues. Building owners and caretakers will provide unique perspectives that illustrate why these venues, people, and businesses, are central to Minneapolis’ identity.

Venues will include The Dayton’s Project, Federal Reserve Bank of Minneapolis, Peavey Plaza, Upper St. Anthony Falls Lock and Dam, Xcel Energy Nicollet Island Power Plant, and so many more special places.

Doors Open Minneapolis invites the public to explore venues that show off the historical, architectural, and cultural elements that make up our amazing city. Sign up to volunteer and receive a VIP pass to skip the lines and get a behind-the-scenes look at buildings you’ve been dying to explore! You can view and register for volunteer opportunities at this link. 

• Volunteer shifts are four hours long (9:30 – 1:30 & 1:30 – 5:30). You are allowed to sign up for more than one shift, and you’re encouraged to sign up with a friend!
• You will receive a free Doors Open t-shirt and a “first priority” sticker that allows you to skip lines to visit other venues during the event!
• You will be required to attend a 90-minute training to prep you for volunteering at Doors Open Minneapolis. There will be five different opportunities to attend this training.

You can sign up now at this Hands-On Twin Cities link. Once you’ve signed up for a volunteer slot, please register for one volunteer training at this Rethos link.

For a list and description of some available venues to volunteer at, check out the Venues 2023 webpage on the Doors Open Minneapolis website. Rethos is still rounding up venues, so more will join this list soon! Some venues have limited accessibility, so be sure to check the volunteer description on the HandsOn Twin Cities website for the venue you’re interested in.

If you have any questions, please contact Kelly Fischer at kelly@rethos.org.

Theatre in the Round Players Presents Sam Shepard’s Masterwork, True West, April 21 - May 14

Theatre in the Round Players (TRP) continues its 71st season with Sam Shepard’s masterwork, True West, running weekends April 21 to May 14 with a Monday Pay-What-You-Can performance on May 1.

Skirting the line between violently tragic and darkly funny, this classic American play tells the story of brothers clashing over a chance to leave a legacy with a Hollywood movie. Austin, the sensitive screenwriter, is working on a script he has sold to producer Sal Kimmer when his brother, Lee drops in. He pitches his own idea for a movie to Kimmer, who then wants Austin to junk his bleak, modern love story and write Lee’s trashy Western tale. Duck Washington directs the four-member cast with sets designed by Michael Haas, costumes by Colleen O’Dell, lighting by Shannon Elliott, props by Terri Ristow, and sound by Anita Kelling.

True West runs April 21 to May 14. Fridays and Saturdays at 7:30pm, Sundays at 2pm.

Tickets are $25. For information, call the theatre’s box office at 612-333-3010 or visit the website.

Modist Brewing Company Begins $2 Million Renovation in North Loop

Construction expected to be completed in mid-July 2023

Kraus-Anderson Construction has begun a $2 million renovation of Modist Brewing Company located at 505 North 3rd Street in the Minneapolis warehouse district. 

Designed by Perkins&Will, the 7,000-square-foot renovation of Modist’s existing North Loop building features a buildout of its event space and adds new offices and a brewing lab for staff.

The spirited atmosphere of the new event space reflects Modist’s commitment to community and equity, while displaying the creativity and innovation of the Minneapolis brewer.  Detached from the existing tap room, the renovation of the existing brick industrial building features a flexible, two-story event space.  The renovation also includes a pre-function bar and waiting area. 

Modist’s focus on staff wellness sets a new standard for team members by refreshing the back of house with natural light, attractive views and an abundant open space to foster creativity and push the boundaries of brewing innovation.  The new immersive event space visually opens to the existing state-of-the-art brew house through full-height glass, spanning the entire length of the space. 

The brewer’s playful design language expresses a bold and experimental material pallet that aligns with Modist’s philosophy.  The glitter concrete floor, large murals, dichroic glass, and mirrored ceilings with mounted neon fixtures help to provide the warehouse district community with a unique celebration space. 

“Our team intentionally involved various user groups to build a North Loop modern, tricked-out, punk rock- and chic-designed event space to be welcoming and inclusive of many communities and uses,” said Daniel Paul Willendorf, owner of Modist Brewing Company.  “Group gatherings of all kinds are back, and this will be a community space perfectly suited for a corporate presentation, happy hour, a wedding party or to take your dog's birthday party to the next level.” 

The design and construction processes are also rooted in a commitment to equity with both the access and enjoyment of the space.  

“Contractor Kraus-Anderson (KA) is working in partnership with Minority Business Enterprise (MBE) contractor J. Benson as part of KA’s multi-year mentoring relationship with the certified BIPOC-owned firm, recently named Minnesota Associated General Contractors’ Diverse Business of the Year,” said Angelique Lisboa, Modist’s HR and DEI facilitator.  “The partnership allows Modist to bring local minority builders to the project.” 

KA has been working with Modist for more than a year of preconstruction planning to prevent the disruption of ongoing business in the existing building during construction.

Puttshack's Tech-infused Mini Golf Experience Coming to the North Loop in 2024

Puttshack, a tech-infused mini golf experience has signed a lease at 246 7th Avenue N inside CEDARst’s newest North Loop development, a 360-unit apartment community, and will occupy more than 20,000 square feet. Puttshack Minneapolis is slated to open in late 2024 and will feature craft cocktails and dishes inspired by flavors from around the world.

This new location will feature three highly engaging and competitive nine-hole mini golf courses, accentuated by a high-energy, upscale nightclub vibe featuring local DJs. The space will feature two bars and a main dining area. Like each Puttshack location, Minneapolis’s menus will be deliberately constructed through hands-on research to represent the city’s unique tastes and styles. A private event space with capacity for up to 70 guests will also be available for those in search of an exclusive space for a variety of gatherings from company outings to birthday parties and more.

“The North Loop neighborhood is a vibrant, trendy warehouse district with several exciting entertainment concepts. Puttshack will soon be a top attraction in the area for locals and visitors alike to experience our one-of-a-kind game and unrivaled food and beverage program,” said Puttshack President, Dave Diamond. “We’re excited to be a crucial part of CEDARst’s development strategy and to work with our partners at CEDARst to develop the second phase of this project.”

Puttshack is the latest leading concept in the emerging and growing market of competitive socializing. Founded by the creators of TopGolf, Flight Club, and AceBounce, Puttshack combines its patented Trackaball™ technology with a first-class, immersive social environment to elevate the game of mini golf into a cutting-edge, high-energy experience that is unlike anything currently on the market. Surrounded at every turn by colorful and eclectic décor, the brand’s ground-breaking technology is integrated throughout the game experience ensuring the gameplay experience is elevated by seamless automated scoring, bonus points opportunities, interactive games at each hole, and more.

Since opening its first location in 2018, Puttshack now has five locations in the United States - Atlanta, Boston, Chicago, Miami, and St. Louis - and four in the U.K. Minneapolis is one of 13 new locations that have already been announced to open through 2023 and beyond, with Denver, Houston, Pittsburgh, and Scottsdale projected to open in the coming months.

The Guthrie Theater’s Born with Teeth: A Discussion with Director, Rob Melrose

Article by Becky Fillinger, photos provided

Rob MelroseBorn with Teeth is at the Guthrie through April 2 – don’t delay in getting tickets. Yes, you could stay home and stream the latest video on Netflix, but you would miss the immediacy and vibrancy of two actors giving their all for 90 minutes with no intermission. We talked to Director Rob Melrose about why the play is relevant today and I can attest that you’re going to love the action, danger and betrayal. 

Q:  For people who shy away from Shakespeare productions, what would you tell them that might entice them to see Born with Teeth? 

A:  Although the play is set in Elizabethan times, the design and the language have a distinctively contemporary almost punk feel. So, it is not at all like hearing a Shakespeare play and not understanding some of the words. Also, the play is 90 minutes long with two actors and is packed with acting and action. There is a palpable tension between the two actors from the start of the play and it never lets up, right to the very end. Audiences do not need to know anything about Shakespeare or Marlowe when planning to see the show. I've had friends who are non-theater people come see it and it. I think there is just something undeniable about seeing two wonderful actors acting their hearts out.

Dylan Godwin (left) playing Will Shakespeare and Matthew Amendt playing Kit Marlowe

Q:  You do your research. For a production of Coriolanus you spent a week researching in DC at the Folger Shakespeare Library. Did Born with Teeth require research on your part? 

A:  Ha! Becky, how did you know that about Coriolanus? That was during my freelancing years when I had the luxury of spending a week in DC going to the Folger Shakespeare library. Now that I am the Artistic Director of the Alley Theatre in Houston, I have to spread out my research over a longer period in much smaller bursts. Part of my research is really a lifetime of studying, directing, and seeing plays by Shakespeare and Marlowe. There were a number of books I revisited specifically for this production, they were extremely helpful: Will in the World by Stephen Greenblatt, A Year in the Life of Shakespeare: 1599 by James Shapiro, The World of Christopher Marlowe by David Riggs, and The Reckoning by Charles Nicoll. 

Q:  Why is the play relevant for 2023 Minneapolis audiences? 

A:  The play is about being an artist during divisive and dangerous times. Playwright Liz Duffy Adams was inspired by a contemporary performance at the Belarus Free Theatre dealing with life under an authoritarian government. It made Liz think about the Renaissance Faires with turkey legs, dancing and beer drinking as being somewhat of a Disney-fied view of the time. People were split between Catholics and Protestants, and you could be executed if you were the wrong religion at the wrong time. There was spying and plague and riots and betrayal at every turn. I think that danger makes the play more immediate and makes it feel closer to our own uncertain times. There is nothing old-timey about it! 

Children’s Theatre Company Announces 2023-2024 Season

2023-2024 Season Includes Two World Premieres, an International Sensation, a Holiday Smash Hit and a 3-Time Tony Award®-Nominated Musical

Children’s Theatre Company (CTC) is excited to announce the 2023-2024 Season of seven productions featuring two world premieres, Morris Micklewhite and the Tangerine Dress and Babble Lab,  the international sensation Cookin’ from South Korea, the only Minnesota stop of the national tour of The Carp Who Would Not Quit and Other Animal Stories from Honolulu Theatre for Youth, the return of last year’s sold out production of Dr. Seuss’s How the Grinch Stole Christmas!, the 3-time Tony Award®-nominated musical A Year With Frog and Toad, and the wildly inventive Alice in Wonderland.

 

CTC Artistic Director Peter C. Brosius is directing three productions in the 2023-2024 Season. It was recently announced that Mr. Brosius has decided to depart CTC on June 30, 2024, at the end of the 2023-2024 Season. His artistic vision has transformed the theatre into the nation’s leading theatre that serves a multi-generational audience.

 

“We are thrilled to announce this season of imaginative and inventive world premieres, as well as touring productions, that have dazzled audiences across this country and around the world,” said Peter C. Brosius. “In addition we will be bringing you our very own Tony Award®-nominated musical and our wholly original reimagining of a hilarious classic tale, and of course the most beloved holiday show we know. We can’t wait for you to see all of these shows. It is a joy to share brand new works and productions that have never been to Minnesota and productions we just had to bring back to delight, surprise, and carry you away.”

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The season kicks off with knife-juggling, food-flying fun with a production from South Korea! With a crazy deadline looming, the four frenzied chefs of Cookin’ turn their kitchen into a dynamic, veggies-flying-everywhere performance as Korean samulnori drumming and martial arts take center stage. During this outlandish cooking competition, the chefs put on a masterful display of food chopping, knife throwing, pot banging and fire-blowing wizardry that will make you laugh, scream in delight, and even beg for a chance to sample their food. Get ready to stomp your feet and clap your hands for a show that’s truly Cookin’! Directed by Seung-Whan Song, Cookin’ comes to CTC from PMC Production Co. and Broadway Asia. Best for all ages, this production runs September 12-October 22, 2023 on the UnitedHealth Group Stage.

 

"I can’t wait to meet the audience in Minnesota at a prestigious theatre like Children’s Theatre Company,” said Director Seung-Whan Song. “I hope you will feel the freedom from the unique rhythm of Korea and, through the comedy on stage, also feel the great pleasure of getting away from your daily life."

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Next comes Morris Micklewhite and the Tangerine Dress, by juliany taveras, based on the book by Christine Baldacchino and Isabelle Malenfant, with direction by Heidi Stillman. Morris likes lots of things: doing puzzles, painting pictures, pretending to be an astronaut, and wearing a tangerine dress from his school’s dress-up box because it “reminds him of tigers, the sun, and his mother’s hair.” But some of his classmates think boys can’t wear dresses because … well, because they’re boys. With his vivid imagination and space-animal friends, Morris travels the galaxy in search of an answer to the all-important question: “Do astronauts wear dresses?” Running October 10-November 19, 2023 on the Cargill Stage, Morris Micklewhite and the Tangerine Dress is recommended for everyone aged 4 and up.

 

“It’s been an absolute delight to get to write this play,” said playwright juliany taveras. “Diving into the expansive, resilient imagination of Morris Micklewhite has nourished me in a way I hope our audiences will experience too, because this story is a salve. Amidst the (often fear-fueled) rules and binaries of the world around us, Morris reminds us of the power of authentic, loving self-expression—even (or at times, especially) when it ruffles the feathers of the status quo. CTC has been such a wonderful dream-maker and co-conspirator, and I’m thrilled that this tale we love so much will soon premiere on their stage!”

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He’s back by popular demand! CTC’s smash-hit crowd-pleaser Dr. Seuss’s How the Grinch Stole Christmas! returns for the holiday season. Featuring a book and lyrics by Timothy Mason and music by Mel Marvin, the production will once again be directed by CTC’s Artistic Director Peter C. Brosius with choreography by Linda Talcott Lee. A miserly and miserable, ever-so-cantankerous Grinch has observed the despicable Christmas joy of the Whos with disdain, from a distance, for decades. Enough! In this beloved holiday favorite, filled with music and Seussian rhymes, he plots the greatest heist imaginable—stealing the very thing they love the most!. Until, that is, the smallest of the Whos, tiny Cindy Lou, extends a hand. Through the combination of kindness and community, we witness not only a change in the course of Who-History, but the size and capacity of the old green guy’s heart. Best for all ages, this musical extravaganza runs November 7, 2023-January 7, 2024 on the UnitedHealth Group Stage.

 

“When composer Mel Marvin and I were writing this musical adaptation of the How the Grinch Stole Christmas nearly 30 years ago, we were aware that we’d been entrusted with the genius of Dr. Seuss and his irrepressible spirit,” said bookwriter and lyricist Timothy Mason. “We wanted the Seuss to shine through. It’s one of the great joys of our lives to know that children who saw the Grinch at Children’s Theater Company all those years ago are now bringing their own kids to see this show, and that for them and many others his spirit does indeed live on right here on this stage.”

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Winter magic continues at CTC with The Carp Who Would Not Quit and Other Animal Stories, by Reiko Ho and the Honolulu Theatre for Youth (HTY) Ensemble. Reiko Ho also directs the production. See a heroic carp climb up a waterfall (and so much more) in this energetic retelling of traditional fables from Japan and Okinawa. Through artful puppetry, masks, and three imaginative actors, you’ll also meet a grateful crane, a mouse who shares, and an industrious rabbit who teaches everyone to do the mochi dance! During this invigorating show from Hawaii, live music played on the koto and taiko drum will accompany young audiences as they dance, clap, and sing along. Running January 16-February 18, 2024 on the Cargill Stage, this production is best for everyone aged 4 and up.

 

“Sharing our cultural stories is one of the most important things I do as Asian American theatre maker,” said creator/director Reiko Ho. “I’m delighted to adapt a few of my own favorite childhood stories for the stage and introduce some of the beautiful performance traditions and aesthetics of Japanese and Okinawan culture to a new generation of young people and families.”

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Up next, prepare to take a tumble down the rabbit hole with Alice in Alice in Wonderland … and you’ll land in a wonderfully wacky world of rhymes and ridiculousness, checkerboards and cheeky cats, Mad Hatters and mayhem. In this head-spinning version of Lewis Carroll’s timeless classic, adapted for the stage by Sharon Holland with music by Victor Zupanc, Alice chases the White Rabbit through the audience, attends the most absurd tea party in history, and faces off with the ragingly red Queen of Hearts, all amidst a melee of teeny tiny songs. Humpty Dumpty on a ladder — what could possibly go wrong? Curiouser and curiouser. Directed by CTC’s Artistic Director Peter C. Brosius, Alice in Wonderland is recommended for everyone aged 6 and up and runs February 13-March 31, 2024 on the UnitedHealth Group Stage.

 

“Our Alice in Wonderland features an extraordinary scenic and costume design by the remarkable Skip Mercier,” said director Peter C. Brosius. “Skip created a world of illusion, surprise, mystery, and hilarity. We are thrilled to bring this wonderfully quirky and joyfully theatrical production to our stage. It is a magical tale of discovery, of standing your ground and following your curiosity. Alice is a musical and visual feast, a wild journey down the rabbit hole and into incredible new worlds.”

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 Strap on your safety goggles and clean out your ears! When an experiment unexpectedly goes awry, a concoction of sneaky, sprightly L E T T E R S takes over a weird and wondrous science lab in Babble Lab. Watch them jump into jars, spring from drawers, bounce around the room, and even play hide-and-seek as our scientist makes her surprising findings: Bluku terullala blaulala loooo! Rakete bee bee? Rekate bee zee! Enjoy the exploration of spoken blurbbles as they spring forth in this one-of-a-kind, gee-gaw-filled laboratory. Written by CTC Company Member Autumn Ness and directed by Sarah Agnew, Babble Lab runs March 9-April 14, 2024 on the Cargill Stage. Babble Lab was created with early learners in mind and is best enjoyed by audiences aged 0 to 105!

 

“I am so excited that with the world premiere of Babble Lab, I get to return to performing for my favorite audience, the pre-schoolers,” said playwright Autumn Ness. “This play is about discovering the power of your own voice, and learning to be fearless in using it. I want every preschooler that sees our show to find their own magical, musical, courageous, EPIC voice!”

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Returning for the first time since 2017, the cherished CTC original musical A Year With Frog and Toad will conclude the 2023-2024 Season. In the only show from Minnesota ever to be nominated for three Tony Awards® (including Best Musical), you’ll meet Frog and Toad: best friends who embark upon a year’s worth of adventures with great merriment, comedic agility, and joyful song-singing. A Year with Frog and Toad is based on Arnold Lobel’s Newbery and Caldecott Honor books, and features music by Robert Reale with lyrics and book by Willie Reale. The 2024 production will be directed by CTC’s Artistic Director Peter C. Brosius. Best enjoyed by audiences of all ages, this production runs April 23-June 16, 2024 on the UnitedHealth Group Stage.

 

“We are super stoked that A Year With Frog and Toad is returning to its birthplace at Children's Theatre Company to celebrate its 21st year," said Bookwriter & Lyricist Willie Reale and Composer Robert Reale. "Despite the fact that it is old enough to be welcomed in a saloon, we trust that the innocence and fun of the show will be on full display once again at CTC.”

 

Full season subscriptions and renewals for the 2023-2024 Season are now on sale and can be purchased online or by calling the ticket office at 612.874.0400. CTC’s 2023-2024 Season of artistic and educational programming is supported by The Shubert Foundation, Inc. and the Minnesota State Arts Board.

Mill City Museum to Premiere Fulbright Photo Exhibit, Ukraine: War and Resistance

Exhibit showcases photographs documenting the realities of contemporary life in Ukraine

A photo exhibit depicting life in Ukraine during the Russian invasion is coming to Mill City Museum this spring.

The exhibit, Ukraine: War and Resistance, will be on view from March 23 to May 14 in the Mill Commons area of the museum, which is free to visitors. Images, captured by Fulbright Scholars in the country, present the harsh consequences of Russia’s invasion of Ukraine and the resolve of Ukrainian people.

“I wish we didn't have a reason to organize this exhibit,” said Roman Tyshchenko, a Ukrainian Fulbright Scholar who worked with Mill City Museum to display the exhibit in Minneapolis. “But the least I can do is support my fellow Fulbrighters in Ukraine. They are routinely risking their lives, working under missile attacks, so people in the rest of the world can see what Ukraine is going through.”

This will be the North American premiere of these large-scale photographs, first exhibited last fall in Vinnytsia, a city under Russian missile attacks for the past year. Most were taken in the past 12 months, but some date back to 2014, when Russia annexed Ukraine’s Crimean Peninsula and invaded the Donetsk and Luhansk regions.

The exhibit is sponsored by Fulbright Ukraine and the Fulbright Association Minnesota Chapter. The Fulbright Association Minnesota Chapter paid for printing and mounting the photographs because the exhibit furthers the Fulbright goals of international understanding and peacemaking, according to Michael Dorsher, Ph.D., the chapter’s president.

The Minnesota Fulbrighters sought out the Mill City Museum for this premiere because they visited a similarly striking exhibit there a year ago, displaying the aftermath of George Floyd’s murder in Minneapolis. And recently, USA Today’s 10Best Readers’ Choice Awards recognized Mill City among the Top-5 history museums in the U.S.

Starting March 23, the exhibit will be open to the public during regular museum hours, 10 am–4 pm on Thursdays and Fridays, and 10 am–5 pm on Saturdays and Sundays. 

Minneapolis Attorney Leads Team Exonerating Louisiana Death Row Inmate

Article by Becky Fillinger, photos provided

Michael and Ed upon Michael’s release in February, 2023Ponchatoula, Louisiana native Michael Wearry spent the last 25 years in prison. He was charged with murder in the 1998 death of a 16-year-old pizza delivery driver and sentenced to death. Wearry spent 14 years on Angola Prison’s death row in an 8 by 9-foot cell in solitary confinement.

The U.S. Supreme Court reversed his conviction in 2016 after ruling that prosecutors failed to disclose evidence that could have helped his defense. The court stated that prosecutors should have turned over evidence casting doubt on the credibility of a prison informant and another witness who testified against Wearry.

The court also said the state failed to disclose medical records raising questions about a witness' description of the crime. Mr. Wearry’s case drew national attention.

Ed CassidyQ:  What does this have to do with Minneapolis?

A:  A lot. The attorney who led his death row exoneration is Edward Cassidy of Fredrikson & Byron. Cassidy spent countless hours as lead counsel, and Counsel of Record at the United States Supreme Court on Wearry’s case. For his pro bono efforts, he was named 2016 Attorney of the Year  from Minnesota Lawyer.

Q:  Why is this news now?

A:  Michael Wearry finally walked out of the Hunt Prison in Louisiana as a free man on February 15, 2023. Attorney Cassidy was there to greet him.

The path to overturning wrongful convictions is long and exhausting – for the wrongfully accused and the attorneys who take on the cases. Fredrikson took this case in 2009.

“I’m incredibly pleased with the outcome of this case and to see Michael finally leave the prison as a free man,” said Cassidy. “He is getting his life back and is able to reconnect with his family, including grandchildren.”

John Koneck“This case represents Fredrikson’s commitment, against all odds, to pro bono work,” said John M. Koneck, president of Fredrikson. “We applaud Ed and his team for the tremendous time, effort, and excellent skill and legal work to bring this case to a successful conclusion, given the many challenges over such a long period of time. We encourage our attorneys to take on pro bono work, and our attorneys and staff contribute thousands of hours in pro bono services to individuals in need and nonprofit organizations throughout the local and national community.”

We salute you, Ed Cassidy and Frederickson & Bryon, for your social justice work!

New Art Exhibit, Reawakening of Color, Opens at The Mill Yard April 2

 

Reawakening of Color

Opening Reception Sunday, April 2, 4:00 - 6:00PM

Stonebridge Lofts, 1120 S 2nd Street

Join us at The Mill Yard opening reception to meet the featured artists and engage with beautiful art. Wine, beverages and snacks are served.

Artists featured at this show: 

Tracy Frizzell, Painter

Growing up in a family of artists, Tracy began her artistic career early. Raised in northern Minnesota, her inspiration was always water and nature. Tracy graduated with degrees from North Dakota State University in landscape architecture, environmental design and art. With each piece she “strives not only to accurately portray a scene but also capture that elusive ‘something’.” Tracy paints in oil or watercolor utilizing a style that adds action to the scenes. Her favorite subjects are Minnesota and Canadian wilderness, but also urban and industrial landscapes that characterize much of Minneapolis.

Eddie Hamilton, Painter

Eddie is a painter living and working in Minnesota. A native of Los Angeles, his palette is inspired by his childhood in the sun and surf. His paintings use a gestural feel with attention to line and form to reflect childhood joys. Eddie has painted urban surreal and naïve scenes full of color and energy. Currently his work has evolved to bring that energy to paintings of nature and wildlife. Eddie’s work has been shown around the country.

Peder Hegland, Studio Potter

Peter has been a full time Studio Potter since 1976. He is grateful to have studied with masters: Dean Schwarz, Peter Deneen, David Stewart and Marguerite Wildenhain. Ancient pottery from around the world has also been his teacher. Making pots that are useful and beautiful to look at and touch has always been his goal and pleasure. For the past 30 years Peder has worked and lived on Pine Point, a little peninsula north of Sartell, MN surrounded on two sides by the Mississippi River. The river, it’s trees and animals, always provide daily lessons.  

Andy Ness, Painter

Andy earned his BFA from Pratt Institute and his MFA from the Rhode Island School of Design. His artist residencies have included the prestigious Vermont Studio Center, MacDowell Colony, Denniston Hill, and he was a two-year Fellow at the Fine Arts Work Center in Provincetown, MA. Andy has taught at RISD, Studio in a School in New York City, and the Grand Marais Art Colony. Andy’s work has shown both nationally and internationally. He currently has shows in Texas, Tennessee and in Trento, Italy.

Dean Seaton, Photographer

Dean has been using photography as art for over a dozen years. He perfects capturing a moment in time that “tells a story and evokes emotions through the use of line, shape, color, lack of color, shadow, texture, subject matter and composition.” He has learned the big difference between taking a picture and making a picture. He explains, “making a picture takes patience, thought, timing and sometimes a bit of luck.” All his images are Limited Editions that include a Certificate of Authenticity. Dean’s studio is in the Northrup King Building.

Anne Waddell Toohey, Jewelry Opening Reception Only

Anne has always been an artist. After graduating with a BFA in Metalsmithing and Jewelry Design she enjoyed a successful career selling high-end jewelry, always creating her own in a garage studio. For over five years Anne has focused exclusively on her own brand, drawing inspiration from her life experiences and nature. She works with gold, silver and precious and semi-precious gemstones. She has numerous successful collections and curated partnerships which allowed her to open a new studio in Deephaven, MN.

The Mill Yard at Stonebridge Lofts

Residents celebrate our area’s industrial heritage of the mighty Mississippi River and the mills. Today, what we see are the most recognizable Minneapolis landmarks. However, this is only part of the story. Rail lines were key to Minneapolis’ growth, and were particularly integral to the Mill District, bringing in wheat and timber and shipping out flour and lumber. We also honor the history of the mills, the reason for the rail yard’s existence. The Mill Yard aims to be both a gathering place for art and artists and a conduit by which art can be shared with and disseminated into the wider community. Contact: TheMillYard.Stonebridge@gmail.com

Universal Human Exhibit Reception at A-Mill Artist Lofts, April 5

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Beyond our ordinary worlds defined by our memory, our intellect, and our five senses is a mystical realm of beauty, magic and extraordinary potential.

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Universal Human

An Exhibit of Original Paintings by Lori Lentz 

Reception - April 15 12:00 - 5:00 pm

A-Mill Artist Lofts Gallery

315 SE Main Street, Minneapolis, MN 55414

AUTHENTICITY, Acrylics on gallery wrapped canvas 20 x 20" x 1 1/2"

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COMPASSION, Acrylics on gallery wrapped canvas 20" x 20" x 1 1/2"

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METAMORPHOSIS, Acrylics on gallery wrapped canvas 20" x 20" x 1 1/2"

March 2023 Minneapolis Central City Tunnel Project Update

Via a March 17 e-announcement from the City of Minneapolis:

Project Overview

The City of Minneapolis Public Works Department is constructing a new parallel storm tunnel, enlarging a portion of the existing storm tunnel, and constructing a new tunnel access in Downtown Minneapolis.

The new tunnel is being constructed parallel to the existing tunnel located under Washington Ave S between Nicollet Mall and Chicago Ave. The existing tunnel under Chicago Ave between Washington Ave S and the Mississippi River is being expanded to handle the increased stormwater capacity. The purpose of this project is to reduce pressure in the existing tunnel, provide more room for future growth, and to reduce the need for future repairs and tunnel failures.

Project Map

Latest Project News

Mississippi River Portal

• Crews continue enlarging the existing storm tunnel at the Mississippi River and continue to work on lining the tunnel with concrete.

2nd Ave

• Crews continue tunneling the new parallel storm tunnel under Washington Ave from the new tunnel access shaft in the southbound lanes of 2nd Ave S, just north of the Washington Ave intersection and continue to work on lining the tunnel with concrete.

Portland Ave

• Crews continue tunneling the new parallel storm tunnel under Washington Ave from the existing tunnel access shaft at the northeast corner of the Washington Ave and Portland Ave intersection and continue to work on lining the tunnel with concrete.

Tunneling Progress

In March, the project reached 88% completion with excavation. Crews have removed approximately 60,000 tons of material to date. As noted in the infographic above, 60,000 tons is equal to the weight of almost six Eiffel Towers.

Lining progress

In March, crews continued to work on the concrete tunnel lining. To date,1,800 cubic yards of concrete have been poured. As noted in the infographic above, 1,800 cubic yards is about half the volume of an Olympic swimming pool. This process is approximately 12% complete.

Long-term closures/restrictions

• The north westbound lane, bike lane, and parking lane remains closed on Washington Ave between Portland Ave and Park Ave. These closures will remain in place until the project is completed. This is necessary for the contractor to utilize the existing shaft to connect the existing tunnel to the new tunnel.
  • During this closure, pedestrians can still use the sidewalks along Washington Ave.
  • Crosswalks across Washington Ave and Portland Ave will remain open.
  • Bicyclists will share the traffic lane.
  • The existing left turn lane on Washington Ave at the Portland Ave intersection will temporarily become a left turn and through lane.

• The north sidewalk along Washington Ave remains restricted between Hennepin Ave and Nicollet Mall. The contractor will resume tunneling from the existing tunnel to the new tunnel at a later date.
  • During these restrictions, pedestrians share the bike lane on Washington Ave.
  • The crosswalks at the Washington Ave intersections of Nicollet Mall and Hennepin Ave remains open.

• The sidewalk on the east side of 4th Ave S remains restricted through the end of the project. The dewatering well and pumps are installed in this area.
  • Pedestrians can use the sidewalk on the west side of 4th Ave S.
  • The crosswalk at the Washington Ave and 4th Ave intersection remains open.
  • Access to driveways off 4th Ave S remains open.

• The west sidewalk of Portland Ave south of Washington Ave will remain restricted to pedestrians around the dewatering well and pumps until the project is completed.

• The parking lot and trail near Mill Runs Park will remain closed until spring 2023.

• 2nd Ave S remains a single lane in each direction using the northbound lanes between Washington Ave and 1st St S. Access will be restricted until the project is completed.
  • Access to driveways off 2nd Ave S remain open. There may be short-term access delays while crews move equipment and materials around.

Stay Connected

There are multiple ways to get information including email updates and ongoing stakeholder meetings. Visit the project website for more information and to sign up for project updates: https://www.minneapolismn.gov/government/projects/central-city-tunnel/

Email the project team: info@mplscentralcitytunnel.com

Contact the project hotline: 612-888-9418

“We Are What We Drink” - Free April 5 Workshop with Art to Change the World at MWMO

Workshop includes a takeaway memory from the drawers and a “Pearl” T-Shirt.

Join Art to Change the World for a workshop exploring the origins of our drinking water. Explore Pearl’s 21 discovery drawers and participate in experiments and activities focused on water quality.

The event takes place April 5th, 6:00-8:00pm at Mississippi Watershed Management Organization (WMWO) 2522 Marshall Street NE.

Workshop includes a takeaway memory from the drawers and a “Pearl” T-Shirt. Please state size in registration request. Maximum Registration 10. Ages 8 and up. For more information contact: francesbates22@gmail.com.

To register email: info@arttochangetheworld.org. Learn more about this Art to Change the World project here.

The 2023 Minneapolis Teen Job Fair is April 15th

Minneapolis Teen Job & Opportunity Fair
10 a.m.-1 p.m. Saturday, April 15
2117 West River Road N

The Minneapolis Teen Job & Opportunity Fair brings together hundreds of young people and youth-serving programs every year from around the city to learn about opportunities with many local employers. This is the perfect place for Minneapolis youths to power up their summer job search.

Employers attending and hiring at the job fair include:

• City of Bloomington
• Great Wolf Lodge
• Home Depot
• The Loppet Foundation
• Minneapolis Police Department
• Steven Scott Management
• True Friends

Young people can attend one of the prep rallies in the days and weeks before the April 15 event to meet employers, research jobs, discover their skills and interests, and create their resume.

Learn more about how to get involved.