Never Spoken Again: Rogue Stories of Science and Collections - On Exhibit at WAM Through May 17

Immature peregrine falcon, taxidermy by John Jarozs. Courtesy of Bell Museum. Photo: Rik Sferra.

What artifacts make their way into modern art collections? What is the backstory – which sometimes includes violence, erasures and just plain coincidence - that the object survived to be viewed today? Colombian curator David Ayala-Alfonso explores this question in the Weisman Art Museum (WAM) exhibit Never Spoken Again: Rogue Stories of Science and Collections, on view until May 17. The exhibit is produced by Independent Curators International and will make you think more than twice about modern art collections, modern art museums, and the origin stories of the artworks.  

That’s a lot to process. So, we asked WAM’s Director of Public Engagement and Learning, Kaitie Covey, for five reasons to visit the Never Spoken Again exhibition. Her reasons are compelling: 

1) Visit the show, and rethink all the museum exhibits you've experienced during your life: Who made those displays, and what was their point of view, their intention in creating them? What sorts of stories are our institutions invested in, and who gets to author them? What kinds of preconceptions are we bringing to a museum visit? (And what happens when those expectations are subverted?)

2) See the provocative gold dies, created by Brazilian artist Felipe Steinberg (one of the Weisman's featured speakers in a panel conversation on April 8), which could be used to print ISIS five-dinar coins. This work asks the viewer to consider the intersection of money and power, and the production of currency as it's linked to sovereignty and influence on the global stage - the machinery that turns ideologies into something tangible and functional.

Above, Felipe Steinberg, In God We Trust, 2013, gold dies of a five dinar coin. Below, Ulrik López, Summon Song I (detail), Mayan screaming vase, 2018-2019. Object replicas, fabricated archeological site, and sound. Courtesy the artist, with support from the Foundation for Contemporary Arts Emergency Grant.

3) Listen to the eerie call of ceramic heads, similar to those unearthed in archaeological digs of the early 20th century and displayed in museums around the world, and hear their voices restored. 

4) See a perfectly preserved peregrine falcon (on loan from the University of Minnesota's Bell Museum), and learn about its surprising origins. 

5) Experience in this show precisely what makes the Weisman a distinctive place in the Twin Cities arts scene: As an academic art museum, the Weisman is uniquely positioned to hold conversations like those prompted by Never Spoken Again - where art, research, science, and critical thinking intersect. We’re not just presenting objects; we’re testing ideas together. And we’re also teaching. Every day we’re working with students - future curators, educators, scientists, artists, and museum practitioners - helping them learn how to question inherited narratives, how to care ethically for collections, and how to build institutions that are more reflective, inclusive, and accountable than the ones we inherited.

Plan your visit to WAM before the exhibition leaves in May. The museum is closed Monday and Tuesday. Hours are Wednesday to Friday 10 to 5 and 11 to 5 on Saturday and Sunday.

Reyes Santiago Rojas, Sugar Crush no. 1 (detail), 2019. Mixed-media installation. Courtesy the artist.

Graze Food Hall by Travail to Host MN Bars Bake Sale March 21

Over 40 Home Bakers - All Proceeds Donated To The Salt Cure Restaurant Recovery Fund To Help Local Restaurants

 

Graze Food Hall by Travail is hosting MN Bars Bake Sale on Saturday, March 21, from 12pm to 2pm with a DJ playing from 2pm to 4pm. Over 40 local home bakers are coming together to benefit The Salt Cure Restaurant Recovery Fund, which preserves the heart of Minnesota’s food culture and serves those who often serve us.

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“Building community is very important to us at Graze, and we are honored to help bring this event to life to help our restaurant community,” said Molly Herrmann, director of operations at Graze Food Hall by Travail.

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Each baker is bringing at least three dozen bars, and the event will feature celebrity bakers, such as Zoe Francois of Zoe Bakes, chef/TV host Andrew Zimmern, and singer/songwriter Jeremy Messersmith, making “Star Bars,” which will be sold separately in a pack of six.

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Guests are encouraged to pre-purchase tickets to guarantee bars don’t sell out. Tickets are just $4 and can be purchased online. A limited number of tickets will be available in person at the bake sale.

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“There is nothing more quintessentially Minnesotan than gathering a room full of bakers to help a neighbor,” said Zoe Francois, owner of Zoe Bakes. “We’re supporting the restaurant folks who nurture our community and need our love!”

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The Salt Cure Restaurant Recovery Fund is an act of preservation for the Minnesota restaurant community. Many small restaurants don’t have large enough platforms to ask for meaningful help, even though they have been directly and negatively impacted by actions this past winter. The Salt Cure Fund is a collective of local food advocates and industry professionals who have partnered with trusted community organizations, like The Minneapolis Foundation, to ensure that direct, critical aid gets into the right hands. Despite the fund recently hitting over one million dollars raised, applications for grants through the fund have already surpassed four million dollars, and time is running out to make an impact.

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“While raising a million bucks is a huge feat, the need far surpasses that,” said Stephanie March, co-founder of The Salt Cure Restaurant Recovery Fund. “In fact, we are currently working hard to distribute all the money we've collected quickly to help restaurants pay rent and payroll, so every dollar donated back stretches the mission to more restaurants.”

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Follow @grazenorthloop on social media or visit grazenorthloop.com for more information and a full list of upcoming Graze events.

Theatre in the Round Presents Conscience - a Story About Margaret Chase Smith, March 27-April 19

Theatre in the Round Players will present Conscience, a thought-provoking historical drama by acclaimed playwright Joe DiPietro. Performances run March 27 through April 19, with shows on Fridays and Saturdays at 7:30pm and Sundays at 2:00pm. Tickets 

Conscience tells the inspiring true story of Senator Margaret Chase Smith, the first woman elected to both the U.S. House of Representatives and the U.S. Senate, who in 1950 stood alone on the Senate floor to publicly challenge Senator Joseph McCarthy and the fear-driven politics of McCarthyism. Her courageous 'Declaration of Conscience' speech was a defining moment of political integrity—one that came with personal and professional cost but continues to resonate with striking relevance today.

Conscience is a stirring portrait of moral courage and the power of conviction—an intimate arena theatre experience that confronts history, politics, and the human heart with honesty and insight. This timely production invites audiences to reflect on leadership, integrity, and the responsibilities of public service.

SHOW DETAILS

Content Notice: Strong language; recommended for ages 13+

Audio-Described Performance: Sunday, April 12 at 2:00pm

Pay-What-You-Can Performance: Monday, April 6 at 7:30pm

Miller Lite’s Free Rides Program Returns to Minneapolis for St. Patrick's Day

Those in the Mpls/St. Paul area can visit the Metro Transit website to review routes and plan their St. Patrick’s Day travel. 

Molson Coors is once again partnering with Metro Transit to activate its Miller Lite Free Rides program for St. Patrick’s Day in the Twin Cities. Minnesotans will have access to fare-free public transportation from 6pm on Tuesday, March 17 to end of service on all Metro Transit routes – both buses and light rail.

Since its debut in Milwaukee in 1988, Free Rides has provided nearly 10 million rides nationwide through partnerships with local transit agencies.

St. Patrick’s Day Free Rides kicks off the 2026 program, which will extend to additional markets during major holidays and community events throughout the year. Further details will be released later in the year.

In 2025, Molson Coors partnered with local transit agencies in eight cities to provide fare-free rides on three different occasions. Last year, the program provided more than 29,000 rides in the Twin Cities area.

To help increase access to free rides on St. Patrick’s Day, Metro Transit has also partnered with the Minnesota Valley Transit Authority (MVTA), to provide transportation in the southern portion of the Twin Cities.

What’s it Like to be a Dinosaur Puppeteer? Meet Nat Speight, Puppetry Captain of Dinosaur World Live at Children's Theatre Company

Article by Becky Fillinger, photos provided

Dinosaur World Live opened at Children’s Theatre Company March 3rd and runs through April 5th. We wanted to know more about the role of puppeteers and especially the Puppetry Captain. Nat Speight was just the person to answer our questions. He told us all about the physicality required to be a puppeteer, how to get started in this career field and the importance of creating wonder in young audience members. This show will be extinct from Minneapolis before you know it – get your tickets today!

Nat Speight

Q:  What originally drew you to puppetry, and what’s kept you in the field?

A:  I think I've just always loved the idea of making something from nothing. What’s kept me doing it is that it’s such a unique challenge. You’re an actor, but your performance has to travel through this external thing to reach the audience. 

Q:  What does the role of Puppetry Captain involve beyond performing onstage?

A:  It’s a lot of 'keeping the vision alive' once the director isn't there every day. I’m basically the eyes for the puppeteers and puppetry in the show - checking that the dinosaurs still look as real as they did at the beginning and making sure the movements haven't gotten sloppy.

Q:  What physical or vocal techniques are essential for convincing puppetry that audiences may not consciously notice?

A:  Breath is such a key part of what we do as Puppeteers. If the puppet isn't 'breathing,' it’s just an object. We also do a lot of vocal work that matches the physical effort of the dinosaur, so if I’m lifting a heavy tail, the sound I make, even if it's just a grunt, helps the audience believe that the weight is real.

Q:  How do you pace energy and endurance across a full performance?

A:  It’s all about working smarter, not harder. You have to find those rest moments where the dinosaur is just observing or being still so you can catch your breath. If you go 100% at the start, you’ll be exhausted by the end of the show. It’s basically like being a marathon runner; you have to know exactly when to push and when to conserve your strength.

Q:  How do live audiences affect puppetry differently than other performance forms?

A:  Puppetry is so interactive. If a kid screams or laughs, the dinosaur has to react to that, you can't just ignore it or you ruin the magic. The audience is basically the final Puppeteer because their belief is what brings the show to life. You really feel that energy shift in the room, and it totally changes how we pace the movements from show to show.

Q:  Why do you think puppetry continues to resonate across cultures and generations?

A: I think it’s because it taps into that primal, 'playing with dolls' instinct we all have. There’s something universal about seeing an object come to life, it bypasses your brain and goes straight to your heart. It doesn't matter how old you are or where you're from, when you see a puppet come to life your imagination just takes over. 

Q:  Dinosaur World Live features life-sized creatures - what’s different about puppeteering something that big compared to smaller-scale puppets?

A:  The scale changes everything. With a smaller puppet, it’s all in the fingers and wrist, but with these guys, it’s a full-body workout. You’re using your legs, your core, and often working with other puppeteers just to make one step look natural.

Stage photos by Pamela Raith Photography

Q:  Dinosaur World Live might be many children’s first theater experience - how does that shape the way you approach the performance?

A:  It’s a huge responsibility, honestly! You want that first experience to be magical, not terrifying, though a little 'scary-cool' is good. We try to make the dinosaurs feel approachable and real so the kids feel like they’re part of the adventure. If we do our job right, they’ll hopefully want to keep coming back to the theatre for the rest of their lives.

Q:  What do you hope children take away from seeing dinosaurs “alive” on stage?

A:  I hope they walk away with a massive sense of wonder. I want them to feel like the world is bigger and more exciting than they thought. If they go home and start looking up facts about the Triceratops or, even better, start making their own puppets, then I’d say we nailed it.

Q:  For performers interested in puppetry, what skills should they start developing early? What advice would you give to young people inspired by this show?

A:  Start by watching how animals move, go to a park or a zoo and just observe. And honestly, get into a dance or yoga class! Puppetry is so physical, so the better you know your own body, the better you can control the puppet. My biggest advice, just grab anything around the house and try to make it look like it’s breathing. If you can make a pillow look sad, you’re a puppeteer.

Twin Cities Restaurants Announce Exclusive Specials for March ‘Eat for Impact’ Initiative

During the month of March, restaurants and community members across the Twin Cities are coming together to show how everyday food choices can become powerful climate action. Through familiar flavors and environmentally-friendly creativity, the Eat for Impact initiative is creating greater access to planet-friendly foods and demonstrating how local decisions can generate measurable global environmental benefits.

Nine local restaurants have created exclusive pro-climate, plant-based dishes that promote a healthier, more sustainable food system, which will be on their menus all March. Each featured meal reduces environmental impact while showcasing the creativity of plant-based ingredients. The specials include:

• Namaste Cafe

  • Roasted-Spice Pesto on durum wheat pasta with Fiery Spring Vegetables: Freshly roasted spices are blended into an aromatic, creamy pesto that coats our pasta, finished with a turmeric-chili sauté of fresh vegetables.

  • Bold All Almond Masala Tofu: Our signature and customer favorite Creamy Masala Curry, prepared with a velvety almond masala sauce with tofu cooked in a rich and aromatic curry prepared with onions, tomatoes, ginger, garlic and green peas (Gluten Free).

• Salt & Flour

  • Shaved Fennel & Citrus Salad: Fennel, spinach, orange, mint, chili oil and maldon salt

  • Winter Greens & Lemon Bucatini: Bucatini, olive oil, kale, spinach, swiss chard, sun-dried tomatoes, preserved lemon, toasted pine nuts

  • Mango Sorbetto: Macerated mangos, cane sugar, distilled water

• Food on the Fly

  • Crispy Tofu Tacos: Crispy marinated tofu tossed with savory taco seasoning and served in flour tortillas with citrus cabbage, pineapple salsa, and a refreshing strawberry vinaigrette.

  • Bulgogi Bowl: Jasmine rice with Thai basil aioli, topped with house-made ferments, fresh vegetables, plant-based beef bulgogi, and a savory butternut squash “egg yolk.”

• Hamburguesas El Gordo (two locations: Minneapolis and St. Paul)

  • Hamburgesa Fresca: Beyond meat, avocado, pickled peppers, lettuce, tomatoes, onion. mayo, ketchup and mustard.

  • Tacos Vibrantes: Vibrant tacos made with seasoned and fried soy curls, cilantro, onion, and avocado. Lime and salsa to taste.

• Sawatdee Thai Restaurants (three locations: Minneapolis, St. Paul, and Maple Grove)

  • Khao Soi Tofu: A Northern Thai noodle soup made with fried tofu, egg noodles, coconut milk curry broth, and napa. Topped with crispy fried noodles, red and green onions. 

  • Naked Tofu: Fresh tofu, mushrooms and dry chilis in a sweet sauce. Topped with cilantro and fried garlic. Served with rice.

• Hope Breakfast Bar

  • Specials to be announced soon!

At the end of March, a comprehensive climate report will be published about their impact. This report will highlight the greenhouse gas savings from all participants, including restaurant sales, and any additional food-related efforts from partners like climate offices, community events, and local businesses. Check out the website to learn more.

"Our goal is to make more sustainable, plant-based options available and accessible. By making products that everyone finds delicious, we hope to be able to introduce more people to plant-based eating. Especially people who might not have given it much consideration before." Samo Newman, chef and owner at Food on the Fly

Eat for Impact is an international initiative developed by Planted Society, which empowers cities to leverage the power of plant-based solutions to reverse environmental damage, conserve natural resources, and build healthier communities. In Minneapolis-St.Paul, the initiative is being led by local group Wholesome Minnesota, which has a mission to accelerate plant-based food offerings in Minnesota’s institutions and create a healthier community.

Per Anna Larsson, volunteer with Wholesome Minnesota, “This initiative encourages people to try delicious food that is good for the environment and our health. As a climate educator, I know that shifting to a more plant-rich diet is an absolute requirement for a healthy planet. I’ve lived in Minnesota for over 20 years, and we have a strong tradition of care for the natural environment and a fantastic food scene – Eat for Impact brings it all together.”

Since launching in 2022, Planted Society has worked with more than 391 restaurants and has launched 23 different Eat for Impact initiatives. On average, each initiative saves an impressive 40,000 pounds of greenhouse gasses and 585,000 gallons of water*, highlighting the substantial environmental impacts of plant-based choices. Further, partner restaurants report an impressive increase in sales during the campaign month; some past Eat for Impact initiatives have generated over $76,000 in sales from plant-based specials, directly benefiting the local economy. It’s estimated that each initiative reaches an average of 600,000 individuals, sparking conversations and driving awareness far and wide. 

*Based on 2025 averages.

Kolman & Reeb Gallery Announces Suyao Tian's Exhibition, Where We Meet

 Artist Reception: Saturday, March 14, 6:00pm–8:00pm 

The Kolman & Reeb Gallery has announced its next Project Space Grant Exhibition, Where We Meet, featuring new work by Suyao Tian. This series of immersive water-based media paintings continues her exploration of layered forms that remain open to interpretation. Each painting feels both complete and evolving—like a moment within something still unfolding. In this way, the exhibition marks a point within Tian’s lifelong artistic journey.

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Suyao TianFor Tian, her paintings are not separate pieces, but a continuous body of work that began when she first started painting and will continue until she is no longer able to make art. Each painting becomes a marker—evidence of where she is along a path that has no fixed endpoint.

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For this exhibition, Tian’s process begins outside the studio, where walks through neighborhoods and natural landscapes become inquiries, guiding what later unfolds on the canvas. Rather than trying to capture literal scenes, she reduces her observations into simplified lines and structural elements. This process includes both meditation and investigation—a way of thinking through place and perception.

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Material experimentation is central to her work. Ink, acrylic, and natural pigments, including handcrafted and internationally sourced materials, create images that shift from dense saturation to translucent washes, building depth and movement within fluid, biomorphic structures. Forms merge and dissolve without settling into fixed identities.

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Embedded within many compositions are subtle “hidden figures.” Viewers may glimpse a face, a mother and child, or another fleeting image depending on their perspective. Tian intentionally leaves these forms undefined, inviting interpretation rather than imposing meaning. Cultural background, memory, and lived experience shape what emerges, making the viewer a co-creator in the act of seeing. In this way, the work continues beyond the studio and into each viewer’s experience.

At the heart of Where We Meet is the concept that there is no clear beginning or end, no strict boundary between living forms and the spaces they inhabit. Everything unites—just as each painting merges into the next within her lifelong continuum of making.

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Per Anita Sue Kolman, founder and co-partner of Kolman & Reeb Gallery, “Suyao’s work embodies the spirit of the Project Space Grant. Her dedication to process and experimentation, combined with the openness she invites from viewers, creates an exhibition that feels both intimate and expansive.”

Gallery curator and co-partner Jodi Reeb added, “What moves me about Suyao’s paintings is the space they create. They ask us to slow down and look more closely. In that pause, something shifts—we begin to see connections we may not have noticed before.”

Suyao Tian is a professional artist based in the Twin Cities, MN. She serves as adjunct faculty at the Minneapolis College of Art and Design, teaching Water-Based Media studio classes. Tian earned her BA from the University of Central Arkansas and her MFA from the Minneapolis College of Art and Design. Her work has been exhibited nationally and internationally and is included in permanent collections such as the North Dakota Museum of Art and the University of Minnesota.

Kolman & Reeb Gallery is in Studio 395, Northrup King Building at 1500 Jackson Street NE. For more information, please visit: kolmanreebgallery.com or call 612-385-4239.

The Minneapolis Institute of Art and Minnesota Aurora FC Announce Partnership Connecting Art, Sport, and Community

The Minneapolis Institute of Art (Mia) has announced a multi-faceted partnership with Minnesota Aurora FC, a community-driven, women-led soccer club, that brings together visual art, design, and athletic movement in a new collaboration rooted in Minnesota’s creative and cultural life.

For its fifth season, Aurora’s jersey will become art in motion. Designed by Mia, in collaboration with local artist and educator Lindsay Nohl, the kit celebrates Minnesota through original artwork that moves with every sprint, pass, and goal. Nohl, a professor at Minneapolis College of Art and Design (MCAD) and an accomplished creative leader, partnered with both teams to create a design that transforms the field into a public gallery. Nationally recognized for past jersey releases, Aurora continues to treat its kit as more than a uniform. It is the most visible expression of the club’s identity and a powerful canvas for storytelling.

Lindsay Nohl

The collaboration unites two women-led, community-driven institutions that share a belief in Minnesota as a creative and cultural capital. Together, Mia and Minnesota Aurora FC will create experiences that bridge art and sport, expand audiences, and deepen community connection through storytelling, design, and shared public moments.

“Art doesn’t live in just one place, and neither do our audiences. We believe deeply in Minnesota and in the organizations that shape its cultural life. By partnering with Minnesota Aurora, we’re inviting fans into new spaces — including the museum — through shared experiences that blend creativity, community, and sport.”                                           Katie Luber, Mia’s Nivin and Duncan MacMillan Director and President

Minnesota Aurora FC, founded on the principle “For Community, By Community,” has built a loyal following around the joy of soccer as a collective experience—one defined by shared emotion, belonging, and celebration. 

"Minnesota Aurora exists because this community showed up and believed in something different. This partnership is an extension of that spirit. We want our players, our fans, and our cities to see themselves reflected in the spaces we create, whether that's at TCO Stadium or at Mia."                                                        Saara Hassoun, President, Minnesota Aurora

The partnership further affirms Mia’s commitment to equity, representation, and inclusive storytelling in a highly visible public space. It speaks directly to the museum’s mission to celebrate creativity, elevate artists, and invite broader, younger, and more diverse audiences into meaningful cultural experiences.

Launch Details

As a part of this partnership, Aurora’s official kit reveal will take place on April 2, 2026. Mia and Minnesota Aurora will be giving away tickets to this event to 20 lucky fans through their social media channels. Additional details about the event are forthcoming.

Minneapolis Creative: Cartoonist Jim Keefe

Article by Becky Fillinger, photos provided

Jim Keefe at work over the years.

Our neighbor Jim Keefe is the illustrator and colorist for the Sally Forth comic strip. He frequently references places in the Twin Cities in the strip – keep reading for fun examples. We talked to Jim about cartooning as a career (he’s had a great one!), typical workdays, social media influences and saying no to the laziness and theft of artificial intelligence. If you haven’t read Sally Forth in a while, give it a look!

Q:  What first drew you to cartooning as a career? 

A:  I've always loved to draw. Growing up I was big into comic books - Spider-Man, Batman, and the like. I know I'm dating myself, but this was back in the days where you could just go to a drugstore or a 7-Eleven and there would be a spinner rack full of comics. Four for a dollar. That's what got me hooked. 

After that, the trick was finding a school that taught what I needed to know to enter the field. A couple years after graduating High School, I discovered the Joe Kubert School of Cartoon in Dover, New Jersey. It was the only school in the country at that time that specialized in cartooning and was taught by professionals working in the field. It's still around. It just moved from Dover to Madison, New Jersey.

Q: You’ve been the illustrator for Sally Forth since 2013. For the comic strip, you supply the art, lettering and color guides. Francesco Marciuliano is the writer. Can you please describe the creative process between the two of you. 

A:  Francesco lives in New York, so he'll email me scripts with panel description and dialogue, and I take it from there. It's a good working relationship because if I wanna change stuff in regard to how it would work visually, he has no problem with it. I actually think he sometimes runs with crazier ideas for the strip just because he knows I’m game for illustrating it.

Q:  What does a typical workday look like for you as a cartoonist? 

• Wake up.

• Do some correspondence and social media posts.

• Get to the drawing table.

• Take a break around lunch - work again - then dinner time.

• Hang out with my wife Deb - then back to the drawing board to prepare for the next day.

• Bed and blessed sleep.

 

Q:  How do deadlines shape creativity - do they help sharpen ideas or add pressure?

A:  A relentless deadline means when you feel burnt out you just have to power through. Deadlines are great in that they give you a definitive time that you have to produce finished work. The downside being that time constaints mean you can only give as much time to a drawing as the deadline allows. Lastly, working as a cartoonist is also very labor intensive which doesn't give you a lot of down time, so a work/life balance can be very elusive at times.

Q:  You’ve drawn many Minneapolis buildings and locations as backgrounds in the Sally Forth strip – fun! Tell us more about why this is important to you.

A:  Being that Sally Forth is a homegrown original - launched in 1982 by Minnesotan Greg Howard - I like to use the Twin Cities' locales as a nod to its roots. I also think the reference shots I take around the Twin Cities helps ground the strip in reality. That suspension of belief that these are real characters living in a real place.

Above, Jim's father, Lt. Richard Keefe, in Nuremberg, Germany. Below, Jim's illustration of his father. Here is another family tribute unrelated to the Company I project. Beautiful!

Q:  I read about your Company I project – a tribute to your father Richard Keefe, and specifically his WWII service in Patton’s Third Army. What’s the current status of this project – I think it’s very interesting.

A:  That’s one of those projects I've had on the back burner for far too many years. I've been researching it literally for decades, which has included talking to veterans who served with my Dad, and a trip to the National Archives at College Park, Maryland. I also recently acquired a ton of letters my Dad sent home during his time in the Army in the 1940s that my aunt Pat had saved. With regard to the actual artwork, I’m using watercolor to do the illustrations and have a number of pages worked up.

Q:  How has your drawing style evolved over the years, and what influenced those changes?

A:  As with anyone in this field, I think it evolves with the work and influences you’re exposed to. I started out at The Kubert School surrounded by teachers and students with a wealth of knowledge and love for the art form. My first job in the field was at King Features as a colorist which opened up the world of comic strip art to me. Then there’s lettering manga for Viz Publications, teaching comic art at the Minneapolis College of Art and Design, working as the writer/artist on Flash Gordon, then working as an assistant to Craig MacIntosh on Sally Forth until taking over the art chores when he decided to retire… Every knew experience you have you end up learning from and inspired by. I also keep up on my skill set with classes at The Atelier Studio Program of Fine Arts in Minneapolis.

Q:  You mentioned social posting during your work day. How do you think social media has altered the way cartoons are consumed and interpreted?

A:  For social media it's about simplification to get the message across quickly and simply. Generally, comics are published online so small that any detailed line work ends up being lost. For Sally Forth I work hard to create a drawing that gets the pertinent info across needed for the reader with an image that can survive the multiple formats that comic strip art is cut up and digested for.

Then you have the added headache of AI slop on social media platforms. I dislike AI photography and AI art immensely. It’s hack mimicry strip-mines the hard work of creatives with no compensation or acknowledgement, not to mention the endless copyright issues it tries to skirt with the legalese rhetoric its proponents vomit forth. Using Al to create drawings means never acquiring the skills to draw yourself - or recognizing what makes your Al drawing bad. Add to that you’re turning a blind eye to the swiping of an artist's signature style that he worked a lifetime to create, to vomit forth a third-rate facsimile. Just - say - no to AI slop.

Q:  What advice do you give to young artists at MCAD who want to pursue cartooning today?

A:  First off get a good education, the fundamentals of how to draw. For me, that involved trying out three different local art schools before picking up and moving out east to go to the Joe Kubert School. There's a number of schools out there that teach comic art, like the Minneapolis College of Art and Design for instance. On the flip side, whereas I went to an art school to get an education, you do not need a degree or diploma to get into this field. What you do need is the skill set, whether acquired online and/or by jobs working with professionals who can show you the ropes.

Second is networking. I found this to be the key to getting work in the art field. If you're just out of art school, you have teachers and peers to draw on. Social media can give you an online community.

After that it's getting your work out there. I know this seems basic, but if an employer is not familiar with you and your work, then they won’t hire you. You should have an online presence where your work can be seen and is easily accessible. Research what's needed with regard to the work you want to get. The Graphic Artists Guild Handbook is a good place to start. Then check out companies you're interested in to see if submission guidelines are available.

And when submitting work, make sure your samples suit the client's need. What I mean by that is if you're looking for comic book work, a bunch of pin-ups, no matter how good, are not going to show that you can do sequential art. You need to draw up some comic book pages showing you can tell a story effectively. Another example of suiting the client's need is if you wanted to work for DC Comics, you need to create pages showing that you know how to draw their characters.

Q:  How may we follow your news or attend a live lecture by you?

A:  Most lectures or interviews I give of late have been podcasts. If interested, I have a number of them posted for free on Patreon. Click on "Collections" and then go to the folder "Interviews & Lectures."

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If you're interested in purchasing original Jim Keefe art:

Jim has an original Sally Forth Sunday comic for sale on eBay. His wife Deb works for the Minneapolis school district, and all net proceeds of this sale will go to the following GoFundMe that the Early Childhood Special Education (ECSE) in Minneapolis set up to aid families in crisis during the recent ICE surge: Aid for Families Facing Crisis. The original art for sale includes the drop panel, color guide, and the Sunday page clipped from the StarTibune. Artwork will be signed and can be personalized upon request.

Original Jim Keefe art is available for sale here: https://www.jimkeefe.com/archives/14642

2025 Recap from the February 25 Annual Meet Minneapolis Event

Credit: Coppersmith Photography

At its Annual Meeting on February 25, Meet Minneapolis reported 2025 performance results, significant progress on long-term strategy and major investments designed to strengthen the city’s visitor economy. Amid recent challenges that have required care and collective resolve, the organization emphasized its continued focus on securing future meetings, conventions and events which supports more than 31,000 tourism and hospitality workers and delivers meaningful economic impact for the city. 

Meet Minneapolis Key Performance Indicators for 2025*

Future Group Hotel Room Nights Booked: 532,100 

- Third consecutive year with more than 525,000 future rooms booked

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Minneapolis Lodging Taxes: $11.6 million 

- Second consecutive year with more than $11 million generated

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Minneapolis Convention Center Revenue Generated: $19.6 million 

- Third consecutive year with more than $18 million generated 

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Partnership Businesses: 493 

- 86 new partner businesses were added in 2025

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Tourism in Minneapolis directly supports hundreds of businesses and tens of thousands of workers – individuals whose livelihoods are built on the city’s ability to attract visitors and events. In 2025, Meet Minneapolis and its partners: 

• Brought more than 650 events to the city and region 
• Welcomed nearly 660,000 people to the Minneapolis Convention Center 
• Filled more than two million hotel rooms for the second consecutive year  

Per Melvin Tennant, President and CEO of Meet Minneapolis, “We are seeing the results of strong collaboration across our tourism and hospitality community. Tourism is an economic engine for Minneapolis. Every meeting we book, every convention we host and every event we attract sustains jobs and local businesses and generates critical tax revenue. Our focus is clear – increase visitation, support workers and keep Minneapolis competitive in an evolving meetings and travel landscape.”  

Launch of the Minneapolis Tourism Improvement District 

In June 2025, the local hotel community and city leadership, in partnership with Meet Minneapolis, established the Minneapolis Tourism Improvement District (MTID). The MTID is expected to generate approximately $7 million annually to support destination marketing, sales and event recruitment. In its first year, the MTID helped secure the Savannah Bananas for a high-profile Minneapolis stop and launched Winterapolis 2025-26, a targeted campaign designed to drive hotel room nights during the city’s slowest tourism season. This early momentum demonstrates how industry-led investment is strengthening the city’s ability to compete for meetings, conventions and major events while accelerating long-term growth. 

Destination Master Plan Momentum: Minneapolis as the #1 City for Women’s Sports 

Meet Minneapolis advanced a key priority from Destination Minneapolis: Charting the Future of Minneapolis Tourism, the city’s long-range tourism master plan aligning public, private and civic sectors around a shared vision. In October 2025, the organization launched Minneapolis: The #1 City for Women’s Sports, positioning the city as the leading U.S. destination for women’s sports based on decades of championship hosting, participation and competitive success. The initiative included a public announcement, a dedicated digital hub, a co-authored op-ed with Minnesota Sports & Events, and a stakeholder launch event. 

Key Future Bookings 

Meet Minneapolis secured more than 300 future events and conventions in 2025. Select future bookings: 

• American Choral Directors Association National Conference (March 2027) 
• United Methodist Church General Conference (May 2028) 
• Northern Lights Junior Volleyball Qualifier (March 2029 & 2030) 
• American Association of Immunologists Annual Meeting (May 2031) 
• American Political Science Association Annual Meeting & Exhibition (August 2031) 

Marketing Agency of Record Search 

Meet Minneapolis launched a Request for Proposals (RFP) to select a Marketing Agency of Record to lead a large-scale brand campaign launching in 2026. Supported by funding from the MTID, this effort represents a long-term investment in building a unified brand and demand marketing platform designed to inspire travel, attract meetings and conventions, and cultivate more ambassadors for Minneapolis. The RFP process is currently underway, with an agency partner expected to be selected later this spring.  

More 2025 Highlights 

• Best Week Ever for Minneapolis Hotels: On September 14-20, hotels in Minneapolis had their strongest week ever from a demand and room revenue standpoint, while also setting a new post-pandemic weekly occupancy record. The noteworthy hotel success was driven by many major events hosted throughout the city, including Farm Aid at Huntington Bank Stadium, and the North American Biochar Conference and World Workplace at the MCC.  
• Community Events Assistance Program: The Minneapolis Community Events Assistance Program launched in 2025. Minneapolis CEAP supports Minneapolis-based nonprofit organizations with financial assistance to help cover city-mandated service costs for community-driven events that support community engagement, cultural diversity, and the promotion of public events that enrich the lives of its residents and visitors. In 2025, 23 events were supported which attracted a combined one million attendees. 
• America’s Winter City: Winterapolis continued to serve as Meet Minneapolis’ signature winter leisure campaign in 2025, positioning Minneapolis as an inviting, active and culturally rich winter destination. The campaign was also adopted and amplified by a range of local partners, extending the reach of the messaging and reinforcing Winterapolis as a shared platform for celebrating and promoting winter experiences across the city. 
• Cultural Districts Tourism: To highlight the city’s designated Cultural Districts, Meet Minneapolis expanded this work through the Get Drawn In campaign, a multi-channel awareness effort designed to spotlight the businesses, culture and creative energy within each district. Across all tactics, the campaign delivered 3.2 million impressions and 27,600 clicks, reinforcing awareness of the districts and their role in strengthening Minneapolis neighborhoods. 
• Digital Engagement: The Meet Minneapolis website drew nearly three million sessions. There were also more than one million outbound clicks to partner websites. Social media channels generated more than 38 million impressions in 2025, and followers grew to more than 242,000 across all channels. 

To access the 2025 Meet Minneapolis Annual Impact Report, please go here.  

To address the challenges that Minneapolis has faced in the past few months, Meet Minneapolis launched the MPLS for MPLS marketing initiative to remind the local community and visitors of ways they can help support our local businesses and neighborhoods. More recently, the Go. Gift. Give. campaign was unveiled to encourage people outside Minneapolis (within driving distance) to support the city by coming in, buying gift cards and showing up for local businesses. 

*Regarding the audit line of our news release, CLA (CliftonLarsonAllen) performs “agreed upon procedures” in testing results for our KPIs in Future Room Nights and Partnership Retention concurrent with a financial audit. Results are released at the same time and are presented to the Meet Minneapolis board in April. MCC Revenue and Lodging taxes are not tested as those numbers are provided by the City.

Mpls St.Paul Magazine Winter Restaurant Week is Feb 23-March 1

Make your reservation and support our local restaurants!

Restaurant Week is your invitation to dine out, discover something new, and support the local restaurants that make the Twin Cities such a great place to eat.

From February 23–March 1, enjoy mouthwatering two- and three-course prix fixe menus from the Twin Cities’ top chefs, priced from $15 to $50. With over 80 incredible restaurants to choose from, there’s something for every taste and every budget!

View all the options!

Every reservation helps sustain the chefs, servers and teams behind our vibrant food scene.

Recap of the February 19 Minneapolis Downtown Council 70th Annual Meeting

Civic Leaders Showcased 2025 Accomplishments and What’s Next in 2026

Yesterday, February 19, the Minneapolis Downtown Council and Downtown Improvement District hosted its 70th Annual Meeting at The Armory. With approximately 1,000 guests in attendance, civic leaders relayed the collective wins of 2025, revealed key data points, and set the stage for what’s next for Minneapolis - fueling growth and building a stronger, more dynamic and thriving downtown.

Speakers included Adam Duininck, President and CEO of the Minneapolis Downtown Council and Downtown Improvement District; Matthew Caldwell, CEO of Timberwolves and Lynx; Tom Pohlad, Minnesota Twins Chair; and Isaac Thompson, CEO of the Minnesota Orchestra. The event was emceed by WCCO Radio’s Vineeta Sawkar with entertainment provided by Ashley DuBose. 

Per Adam Duininck, “What we heard at today’s meeting is exactly why downtown Minneapolis must be the place. When business leaders, residents, and community partners come together, momentum follows. Downtown is not standing still - we are advancing foundational safety, accelerating residential growth, and amplifying our cultural vitality. As the world watches what Minneapolis does next, they will see a community building downtown by design - with intention, with partnership, and with an irresistible vibe.” 

Below are key messages and data points shared during the event: 

Investments and Leadership

• More than $230 million in new construction permits were issued.
• Key investment examples included updates and redevelopment at U.S. Bancorp Center, Sheraton Minneapolis Downtown, Loring Green Condominiums, SPS Tower, and LaSalle Plaza. Additionally, the 20 Washington and 365 Nicollet buildings were sold.
• The reimagining of the First Avenue entertainment district will include a $30 million investment, reinforcing downtown’s position as a premier arts and culture hub.
• Downtown Minneapolis experienced nearly 60 ribbon cuttings and new business openings in 2025 as well as the appointment of eight new CEOs leading downtown companies. 

Return-to-Office and Growing Foot Traffic

• Sixteen of the 20 largest downtown employers now have return-to-office policies in place, with Tuesdays through Thursdays as the busiest days.
• Downtown workday foot traffic has climbed to approximately 80% of pre-pandemic levels. 

Transit Investment

• The METRO E Line marked a $60 million investment in public transit, delivering service that is 20% faster.

Cultural Vitality and Major Events

• In 2025, more than nine million people attended sports, concerts, and special events in Downtown Minneapolis. Highlights included:
  • U.S. Bank Stadium hosted 162 events, drawing 1,032,877 attendees.
  • The pre-Broadway debut of Purple Rain at the State Theatre, the first pre-Broadway launch in Minneapolis since 1997.
  • Twin Cities Pride welcomed 650,000 attendees.
  • The Taste of Minnesota hosted 125,000 guests.
  • The St. Patrick’s Day Parade returned to Nicollet Mall for the first time since 2019.
  • Other events that collectively drew hundreds of thousands of visitors included North Loop Christkindl, Luminescence, Stone Arch Festival, Dinner du Nord, and the Warehouse District Live Block Party.

Safety and Social Impact

• A new First Precinct location opened.
• The addition of late-night ambassadors (7pm–3am) in the warehouse district decreased violent crime by 55%.
• The Minneapolis Police Department hired more than 100 new recruits, cadets and transfers while also adding 68 community service officers.
• Our Downtown Ambassadors provided 80,000+ hospitality assists.
• More than 3,700 livability wellness checks were conducted.
• 24,000 youth were supported by services.
• Medica invested in emergency short-term food relief, activating hundreds of community members to pack enough food for 10,000 meals, while also supporting long-term systemic change efforts.

Residential Stability and Public Enhancements

• Downtown’s residential base remains strong with 60,689 residents living downtown, holding steady over 2024. 
• Leaders are exploring ways for downtown residents to have a formal voice in the Downtown Improvement District through a Residential Expansion Project.
• Green spaces in downtown received a $5.1 million investment to sites including Elliot Park, Franklin Steel Park and North Loop Park. Plus, more than 18,000 trees and flowers were planted.

Hands-on Activities for All Ages at Mill City Museum’s STEM Family Day, Feb 28

Guests can learn how science shaped the Twin Cities

Science, technology, engineering, and math have all played key roles in the history of Minneapolis. On February 28 from 11am–3pm, the Mill City Museum, 704 S 2nd Street, invites guests to its annual free STEM Family Day to get a hands-on look at how the field has affected the Twin Cities riverfront.

The day’s program will feature fun and educational activities and demonstrations from notable STEM organizations in Minnesota and Minnesota Historical Society staff. Families can learn the history of STEM in the Twin Cities and get a glimpse of the important work being done locally in the field.

Guest Organizations include:

●      General Mills Grain and Flour Quality Lab

●      Minnesota Raptor Center

●      National Park Service

●      Minnesota Herpetological Society

●      Geological Society of Minnesota

●      American Chemical Society - Minnesota Local Section

Mill City Museum STEM Family Day 

Inspirational Leader: Karla Henderson, President and CEO, Project for Pride in Living

Article by Becky Fillinger, photos provided

Karla Henderson recently completed her first year at the helm of Project for Pride in Living (PPL), a leading nonprofit dedicated to affordable housing and career readiness. We discussed new projects, building capacity (of clients, staff and architects), how community voices impact decisions and the many ways you may volunteer your time to help this innovative, changemaking nonprofit. You’ll be impressed – keep reading.

Karla HendersonQ:  Congratulations on completing your first year as President and CEO of Project for Pride in Living. When you think about PPL’s mission, what part feels most urgent right now for the communities you serve?

A:  At PPL, our mission is to build hope, assets, and self-reliance for individuals and families with lower incomes by providing transformative affordable housing and career readiness services. For me, the word hope feels especially urgent right now. We’re living in a time where there's not a lot of hope, and that makes our work even more important. Every day, we have the privilege and responsibility to walk alongside our residents, participants, and families to help restore that hope and to help them envision a future filled with possibility

Q:  What trends in affordable housing are most impacting PPL’s work today?

Q:  Affordable housing is facing some tough realities right now. The cost to build and maintain properties keeps climbing, while resources for new buildings and reinvestment in improvements are limited. Even if we had enough units, many families still aren’t earning a livable wage to afford them. On top of that, we’re dealing with major economic pressures like insurance costs that have skyrocketed by as much as 300%, and we’ve had to add security expenses to keep residents safe during challenges like the fentanyl crisis and rising number of people experiencing homelessness. These are costs we never had to plan for before, and they’re reshaping how we think about affordable housing and plan for the future.

Above, a volunteer group known as Shane's Crew. (Shane is front left, with the red hair.) Per Karla, Shane is a rockstar volunteer who has done much to help PPL - everything from collecting hundreds of coats for their annual coat drive to work on beautification projects at their properties, such as the one in the photo below.

Q:  How does PPL balance the immediate need for housing with the longer-term goal of economic mobility for families?

A:  At PPL, we take pride in meeting people where they are. We serve individuals and families across a full housing continuum. On one end, we provide housing for people at 30% AMI - those with very low incomes, often exiting long-term homelessness and in need of stability and support. On the other end, we offer workforce housing for people who are employed, including truck drivers, nurse aides, school staff, who are earning too much to qualify for deeply subsidized housing, but not enough to afford market-rate rents. These individuals need affordable options to stay housed and thrive. And for those ready to take the next step, we provide financial literacy and homeownership programs, helping families build assets and achieve the dream of owning a home. Housing needs aren’t one-size-fits-all. Families move through different stages of life and stability, and by offering a full continuum, from affordable and supportive housing to homeownership, we ensure that people have the support they need at every step. This approach creates lasting impact, creating generational wealth, and building stronger, more resilient communities.

Q:  I heard you speak at the For Women, By Women conference in Minneapolis and you mentioned a collaboration with an architect from Brazil. Would you please share that story with our readers? I think it was a great example of your innovative leadership style.

A:  When we began planning our development of Opportunity Crossing at 3030 Nicollet in Minneapolis, the site of the former Wells Fargo bank branch that burned down in the social unrest following the murder of George Floyd, we knew equitable development had to be at the heart of the project. That’s why we connected with Damaris Hollingsworth of Design by Melo. She is a talented architect whose vision aligned perfectly with our values. At the time, Damaris had never worked on an affordable housing project, and these developments come with unique requirements, especially when applying for low-income housing tax credits. Rather than seeing that as a barrier, we saw an opportunity. We partnered with a local firm experienced in affordable housing and invested in training for Damaris and her team so they could learn the process and meet the state’s guidelines. Damaris became the lead architect, submitted the drawings, and helped us secure the tax credits needed to bring Opportunity Crossing to life. Today, she can proudly point to this building as part of her portfolio and a testament to her talent and growth. This experience reflects a core belief at PPL: It’s not just about building housing; it’s about building capacity and creating opportunities. As the saying goes, “Give a man a fish and you feed him for a day. Teach him how to fish and you feed him for a lifetime.” That philosophy is woven into everything we do.

Damaris Hollingsworth speaking at PPL's Under our Roof Fundraiser event at Opportunity Crossing, one of PPL's newest affordable housing properties to come online. Located at 3030 Nicollet, it is the site of the former Wells Fargo Bank branch that burned down during the social unrest following the murder of George Floyd. 

Q:  Thank you and PPL for all the ways you build capacity. How does PPL ensure that community voices - especially those directly impacted by inequities - shape its programs and decisions?

A:  In our development work, community engagement is always at the forefront. My predecessor often said, “How we build is just as important as what we build,” and that idea is still very true for us today. It means building with the community, not just for the community. Take The Williams, a new project that's now open on the east side of St. Paul. Before breaking ground, we engaged deeply with residents and learned that this neighborhood has a high immigrant population, primarily Hmong, and many multi-generational families living together. That insight shaped our design. We created units with large bedrooms to accommodate families of three, four, even five people, which is something almost unheard of in market-rate housing, but essential in affordable housing. We also heard that many households include older relatives, like grandparents or aunts, so we incorporated designated gathering spaces tailored to different age groups rather than one large community room. Every decision reflects our commitment to meeting the unique needs of the community and addressing inequities that have historically limited housing options for families like these

Q:  Can you share a story where you saw community partnerships make a meaningful difference?

A:  We have a program called RE-Seed, which focuses on selling some of our developments and assets to emerging developers. Through this work, we identified a significant barrier: Many of these developers struggle to secure enough capital for a down payment. To address this, we partnered with the GroundBreak Coalition to explore whether their entrepreneurship model aligned with our vision, and it did. With their support, we applied for funding and are now able to offer down payment assistance in the form of a $50,000 forgivable loan. This resource makes a meaningful difference for entrepreneurs looking to purchase these properties and grow their businesses. This initiative does more than help entrepreneurs purchase properties. It creates a pathway for long-term success and helps build generational wealth within communities that have historically faced barriers to ownership. By reducing financial hurdles, we’re investing in a future where diverse developers can thrive and strengthen the economic fabric of our neighborhoods.

Q:  Where do you see opportunities for the next generation of leaders in community development?

A:  I would once again highlight our RE-Seed program, which is designed for individuals with some experience in real estate development who are ready to take the next step toward becoming property owners, landlords, and developers. Through this initiative, we plan to transition 83 of our smaller apartment complexes to local and emerging developers over the next three to five years. This program isn’t just about transactions. It’s about cultivating the next generation of developers and creating opportunities for ownership that strengthen communities and build lasting economic impact.

Join My Very Own Bed on March 7 for an Evening of Music, Community and Impact - Because Every Child Deserves a Bed of Their Own

An evening of music and generosity benefiting My Very Own Bed
March 7, 7:00–9:30pm, at Nicollet Island Pavilion

My Very Own Bed, a Minneapolis nonprofit that provides children transitioning into stable housing with new beds and Dream Kits, will host its second annual Bed Rocks fundraiser on March 7. This year’s event moves to the Nicollet Island Pavilion, 40 Power Street, offering more room to celebrate a growing mission and deepen the organization’s impact. Bed Rocks aims to raise $120,000 to provide more Twin Cities kids with comfortable places to rest and call their own. Learn more and register.

The Power of a Good Night’s Sleep

Many children in the Twin Cities sleep on the floor or share a bed, making it difficult to get the rest they need to grow and thrive. Studies show that quality sleep improves focus, memory, problem-solving, mental health, and physical well-being. Receiving a new bed provides immediate benefits, helping kids succeed in school, build relationships, and feel happier and healthier. 

Since 2014, My Very Own Bed has provided more than 11,000 children with new beds and Dream Kits, complete with bedding, pillows, books, and stuffed animals. 

After receiving their new beds, parents have said:

• "She is sleeping well, going to school, and playing with friends. Teachers have noticed a difference.”

• "My five year old makes his own bed. I was shocked. He cleans his room. He is normally all over the place but now he has ownership and a change of attitude. Coming from the shelter and sleeping on the floor to this - it gives the kids some dignity and some security and something of their own."

• "It really made them feel loved because this is a new state and a new house for us. It really helped them get comfortable. They feel like they have their own rooms now."

Live Music and Entertainment for a Cause

With a goal of providing 2,100 children with new beds and Dream Kits in 2026, Bed Rocks plays a crucial role in expanding My Very Own Bed’s impact. This vibrant event, designed for adults in the community who want to make a meaningful difference in children's lives, will feature:

• A program and live auction hosted by comedian Miss Shannan, one of the few Black women working in the United States professionally as a Certified Benefit Auctioneer. Host to countless corporate and charity events, Miss Shannan's storytelling, comedy, and infectious smile make her performances unforgettable. 

• Live music by Brass Messengers: A sprawling fun factory of ten musicians based in the Twin Cities, known for creating joyful noise. Their sound ranges from inspired originals to globe-spanning sing-alongs and reimagined covers, all rooted in a distinctly homegrown Minneapolis street music spirit.

• Delicious appetizers, free NA cocktails, and a cash bar.

• An online silent auction starting on March 2.

Price: $50 for individual tickets, $500 for a table of 8
Silent Auction: Begins March 2 – participation does not require event attendance.

Warm and Tender Comedy, The Cake, Opens Feb 20 at Theatre in the Round

Theatre in the Round Players (TRP) will present The Cake, February 20 to March 15. 

In this sweet comedy by Bekah Brunstetter (This is Us), Southern baker Della is content with her life and world of sugar and flour - until she’s asked by her late best friend’s daughter to bake a wedding cake for her… and her future wife.

What follows is sweet, sad, sensual, and absurd as three women must reconstruct their deepest selves – or lose the people they love most. As they navigate sex, marriage, moral codes – and the fraught politics of cake – they bump up against unquestioned patterns, unspoken desires, and the hilarious contradictions of a life lived honestly.

Directed by Jennie Ward, this warm and poignant comedy invites audiences to the kitchen table for a story about hearts and beliefs colliding — and reminds us that sometimes the sweetest acts of courage are also the most human.

The production features Jenny Ramirez as Della, Daniel Stock as Tim, Via Logan as Jen, Natavia Lewis as Macy, and Kjer Whiting as George. 

The creative and production team includes Stage Manager Indigo Cabanela-Leiseth, Assistant Stage Manager Taylor Koehler, Set Designer Keven Lock, Lighting Designer Todd Reemtsma, Costume Designer Emma Shook, Prop Designer PJ Graber, and Sound Designer Jennie Ward.

A Pay-What-You-Can performance is scheduled for Monday, March 2 at 7:30pm, and an Audio-Described performance will be held on Sunday, March 8 at 2:00pm (email tix@theatreintheround.org to RSVP).

A Discussion with Dustin Bronson, Portayer of Tom Winfield in Theater Latté Da’s Production of The Glass Menagerie

Article by Becky Fillinger, photo provided

Dustin Bronson

A Discussion with Dustin Bronson, portrayer of Tom Winfield in Theater Latté Da’s Production of The Glass Menagerie

Tennessee Williams' The Glass Menagerie is playing at Theater Latté Da now through March 1. That’s a short run for an amazing theatrical experience, directed by Justin Lucero, and you’ll want to reserve your seats now. Dustin Bronson is cast as Tom Wingfield in the production and we wanted to know more about how he would approach the iconic dual role and the play’s relevance in today’s world. Purchase tickets here.

Q:  You’re stepping into one of American theater’s most iconic roles. What excites you most about playing Tom Wingfield in Theater Latté Da’s production?

A:  It is humbling and exciting to step into his shoes. In our production, Tom uses a film camera to explore and revisit his memories, so oftentimes I am behind the camera zooming in on the performance of one of the other characters in the play. It is often in those moments when I am inches away from one of my memories that I discover something new about Tom. It is through revisiting this play over and over again that Tom reveals another part of himself to me and I am able to see more of myself in him.

Q:  Why is The Glass Menagerie a play that still needs to be seen live in Minneapolis in 2026?

A:  There are so many moments in this play where Tom directly addresses the audience and warns them about the dangers that wait around the corner. I think that those warnings will ring clearly to people in Minneapolis given what we have all experienced in the last month.

Q:  Tom Wingfield is both narrator and character. How does that dual role shape your approach to the performance?

A:  As the narrator I am exploring a memory from my past. As the character I get to experience that memory in real time. What becomes very interesting is finding when the lines between those two roles are blurred.

Q:  Many actors describe Tom as autobiographical for Tennessee Williams. Does that influence your portrayal?

A:  I do think Tennessee Williams was sharing a part of himself with us when he wrote this play. In return, I think it is my job to reveal the most honest version of myself when sharing his words.

Q:  Tom famously longs for “adventure.” What does that word mean to you - and what do you think it means to a Twin Cities audience?

A:  I think we all long for adventure of some kind and think Tom would argue that it’s a fundamental part of what makes us human. It was actually a sense of adventure that brought me to the Twin Cities. I moved here when I was 18 years old from California, I had never experienced temperatures below 32 degrees. I had no concept of subzero temperatures. Now I’m happily walking to rehearsal when it's -5. I think adventure is often about the unknown, what can we find beyond our “two by four situation.”

Director Justin Lucero and team discuss their approach to this production.

Q:  Has playing Tom shaped your own thinking about family obligation, freedom, or regret? Why or why not?

A:  I would be lying to you if I said I wasn’t spending my Christmas with my family clocking the parallels between them and the Wingfields. I think the tension we feel with our families is one of the most interesting dynamics we can explore as humans. I doubt there is a family in the Twin Cities who wouldn’t see a part of their family depicted in this story. I love my family so much and there are times when they drive me absolutely crazy, it's fun to get to explore that onstage with my fake family who hopefully won’t get their real feelings hurt if I freak out at them.

Q:  Was there a specific moment, line, or monologue that unlocked the character for you during rehearsal?

A:  Tom starts the play by saying, “This play is Memory. Being a memory play, it is dimly lighted, it is sentimental, it is not realistic…” Justin, our Director, and the creative team are really leaning into the memory play presentation of this story. It is exciting to see how we are able to find a deeper truth if we don’t limit ourselves to the confines of naturalism or realism.

Q:  What’s next for you and how may we follow your news?

A:  Well, after we open I will be finding more time to play pickleball. But beyond that I usually post about my upcoming projects on Instagram.

2022 DMNA Volunteer of the Year Winner Continues Volunteerism in Spain

Wanda covers graffiti before fresh, colorful images are applied.

Longtime Mill District resident Wanda Ortiz-Maysonet has spent a great deal of time in Spain over the past years. When she's in town she gives freely of her time, and that volunteer spirit is alive and well in Spain where she continues her work, proudly representing Minneapolis while helping improve Spanish communities. Wanda said not long ago very few people there knew about Minneapolis, but now they have great things to say about Minneapolitans.

Wanda been working with volunteer group Asociacion Ambiental Costa del Silencio Limpio in Tenerife, Canary Islands, Spain. They began in September 2023 when the president of their association, Hannelore Ottevaere, posted on Facebook that she was looking for help to clean up around the neighborhood. Since Wanda had already been doing that on her own, it was a perfect opportunity to join forces and she become vice president of the group. Per Wanda, "I believe what we have accomplished is pretty remarkable!"

Wanda, Hannelore Ottevaere, president and founder, and Marcia Hernandez, Secretary, attend a City Council meeting at Arona City Hall where their group was recognized for their work.

The start of their mission in 2023.

Through social media, they recruited more volunteers and have about 60 now. "We have people from many different countries, the majority retirees who spend their winters in Tenerife. I’m the only American, and we have people from Italy, Belgium, Uruguay, Germany, Austria, Cuba and a couple from Spain. It seems that volunteerism is not as big a thing with the locals," observed Wanda.

The group concentrates on trash pickup, graffiti removal, and they even installed a Little Free Library (a concept that originated in Minnesota). They've repaired children’s playgrounds and a mini golf course, and have painted murals on old abandoned advertising walls.

Above, the abandoned advertising wall before the project, and below, the completed project.

Learn more about their work on Facebook, Instagram and YouTube - check out the results of their efforts! Always the volunteer, Wanda also maintains the group's social media channels.

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Editor's note: One thing that stands out to me is the absolute joy this work brings to the volunteers. Cheers to Wanda - I feel so very fortunate to know her! :)

Children’s Theatre Company announces Forts! Build Your Own Adventure An Interactive Experience, Feb 13-April 5

Coming to Children’s Theatre Company (CTC), 2400 3rd Avenue S, February 13-April 5 - Forts! Build Your Own Adventure, an interactive experience!

Pull back the curtains and there you are - surrounded by old sofas, crazy lampshades, piles of blankets, and towering towers of cardboard boxes! It’s like the coolest attic you’ve ever seen, where everything’s up for grabs. Use whatever you want to build…whatever you want - the tallest fort, the longest fort, tons of cozy little forts… Quick, someone hands you a flashlight - what will you do? In Forts! you make it all happen. This experience is best enjoyed by all ages. 

 

Per Rick Dildine, CTC Artistic Director, “Forts! celebrates the power of imagination in its purest and most exhilarating form. From the moment you step inside, you’re transported into a world of boundless possibility - playful, inventive, and alive with creativity. We’re thrilled to invite families into an experience where play leads the way, creativity is limitless, and every child becomes the architect of their own adventure.”

Forts! creator Julie Ritchey adds, “Twenty years ago, as a student at Northwestern University, I did a research presentation about Children's Theatre Company. The thought that Forts!, a piece I am so proud of, will be presented at CTC, a company I have so long admired, is a true full-circle moment. I am overjoyed and honored to bring Forts! to Minneapolis, and I can't wait to see what the imaginations of the incredible CTC audiences build!”

 

Tickets for Forts! may be purchased at childrenstheatre.org/forts or by calling the ticket office at 612.874.0400. All tickets are $30.

 

There will be weekday sessions available during Spring Break (March 17-April 3). School groups interested in attending Forts! can contact schools@childrenstheatre.org for more information.

 

Forts! has a run time of 60 minutes with no intermission, and is best for all ages.

Puppy Cuddle Returns to Meet Minneapolis Visitor Center, February 12

Pick me! Pick me! Pick me!

Meet Minneapolis Visitor Center invites the public to a special Puppy Cuddle event featuring adorable, adoptable pups from a local animal rescue organization. From 11:30am to 1pm on Thursday, February 12, attendees can enjoy stress-relieving snuggles, learn about adoption opportunities, and support a great cause. A $5 donation is suggested to benefit Healing Hearts Rescue. Cash, credit and Venmo accepted, 100% of donations will go to Healing Hearts Rescue.

Healing Hearts Rescue is a volunteer-based nonprofit dog rescue dedicated to changing the lives of animals by finding them safe and loving homes. 

The Meet Minneapolis Visitor Center is located at 505 Nicollet Mall, Suite 100, directly across from the Nicollet station.