Kim Eslinger
Editor
612-321-8040
kim@millcitymedia.org

Brianna Ojard
Associate Editor

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Publisher
612-321-8020
dave@millcitymedia.org

Becky Fillinger

Small Business Reporter
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Covering life, work, and play in the Historic Mill District and Downtown Minneapolis Riverfront neighborhoods. Have an opinion, local news or events to share?  Contact us.

Friday
Nov072025

Small Business Spotlight: La Madre

Article by Becky Fillinger, photos provided

If you're new to Mexican street food, Abraham recommends trying the tacos.

Looking for delicious Mexican food in the Mill District? Check out La Madre, 205 Park Avenue (corner of Washington and Park) for freshly made salsas, tacos, tostadas, guacamole, and many other Mexican street foods. We talked to owner Abraham Ponce Delgadillo about the inspiration for the restaurant and how Guadalajara Mexico cuisine forms the backbone for the menu.  

Abraham and Martha

Q:  You’ve said that La Madre is a tribute to your mother, Martha Ponce. Can you talk a bit more about what that means to you and how the menu reflects her influence.

A:  La Madre is my mom's! It's her home cooking and her love and passion for food. As head chef, she is very present and involved with menu development. Her recipes and tenacity have driven our success through the years. You can see and taste her influence in every creation. 

QuesadillasQ:  Did you grow up eating the dishes on La Madre’s menu, and if so, do you incorporate family recipes into your cooking?

A:  Yes! Every dish on the menu reminds me of my childhood: the pozole, the beans and rice, the tacos, salsas and so much more. 

Q:  From a single food trailer in 2014 to today – you have grown the business to now include two restaurants, a food truck and two locations in Target Center. Congratulations! What have been the biggest, most delightful surprises to you over this 10-year period of business growth?

A:  The biggest surprise in the last 10 years is how many people have followed our journey. I'm humbled to know that there are people who understand the hard work and tenacity needed to keep going. I'm also delighted when we get to cater to people's special moments like weddings, and retirements, and to have us be their choice is very meaningful to us. 

Q:  Are there specific regional influences from Mexico that shine through in your menus?

A:  Yes! Our home city of Guadalajara. Most dishes are inspired by and influenced by Guadalajara Mexico. In Guadalajara, you see the combination of indigenous influences (corn, beans and squash), colonial contributions (rice, beef, pork, dairy) and even more global influences from places like Africa. Guadalajara has a rich culinary heritage which we proudly bring to you, our customers.

Selection of homemade salsas

Madres Wraps

Sumadre burger

Satisfy your sweet tooth with the Fried Platains Dessert

Q:  What’s your philosophy on the balance between authenticity and innovation in your menus?

A:  Our philosophy is simple. Home-cooked honest Mexican meals. We balance authenticity with fair wages for our prep and line cooks. If we stay true to our principles everyone wins – our customers, our staff and our business. We don’t worry about innovation if we’re staying true to our roots.

Q:  If someone is new to Mexican street food, what dish would you recommend they try first?

A:  The tacos! Your specific spice level is on the salsa you choose on the side. We make all of our salsas fresh daily. I can’t recommend a specific taco – one day I might choose, carnitas or al pastor or chorizo or carne asada or pescado. I feel confident that we have a taco that will appeal to every taste.

Q:  We know we’re only seeing the beginning stages of your success story - how do we stay current with your news? 

A:  Our Instagram will be our ongoing platform for specials, and seasonal dishes, news, updates, etc. Please follow us and come by to visit.

Thursday
Nov062025

2025 Dayton’s Holiday Market to Celebrate Santa Bear’s 40th Birthday

Relive the Tastes of the Season with Dayton’s Oak Grill’s Wild Rice Soup, Popovers and Ginger Cookies from the ‘8th Floor’

Nov 13 – Dec 27

Dayton’s Holiday Market will be ringing in its fifth year with more than 100 local makers and brands, nostalgic food and beverage options, and the celebration of the beloved Santa Bear’s 40th birthday.

The 2025 market, curated and founded by Mich Berthiaume of Mich’s Markets, opens November 13 and runs through December 27 inside the historic Dayton’s building in downtown Minneapolis (700 Nicollet Mall). “I’m delighted to welcome our community to share the true spirit of the holiday season by supporting our 100+ vendors while reliving the magic and nostalgia of Santa Bear on his 40th birthday,” says Berthiaume.

Celebrating Santa Bear’s 40th Birthday

Santa Bear (pictured left) made its debut on Friday, November 22, 1985. On that Black Friday - and on many following - Minnesotans eagerly waited in line outside their Dayton’s store to secure their own cuddly costumed treasure.

The 40th Birthday Santa Bear collection was designed exclusively by Shop in the City, creators of the nostalgic Dayton’s-branded merchandise line. Two special-edition Santa Bears will be released, one in the original 1985 Dayton’s size for $69.95 as well as a smaller version representing the “next generation” for $44.95. Both will launch and be available for sale on Black Friday, November 28.

Santa Bears notoriously sell out, so it is highly recommended to order yours in advance. You may preorder in person at Dayton’s Holiday Market or on the Shop in the City website: shopinthecity.com.

The original “life size” Santa Bear mascot (pictured right) will make several visits to Dayton’s Holiday Market to greet shoppers and pose for family photos. His appearance schedule will be announced on social media. Follow on Facebook and Instagram: @daytonsmarkets, @michberthiaume.

Oak Grill Culinary Classics and Jingle Giles Bar

New for 2025: Dayton’s Holiday Market has partnered with Jester Concepts to bring back flavors that Minnesotans remember and love. Visitors can enjoy Dayton’s Oak Grill’s iconic wild rice soup and popovers prepared by Butcher & the Boar. In a sweet nod to Dayton’s 8th Floor holiday experience, Rustica Bakery will be providing ginger cookies.

Adding to the holiday “cheers” inside Dayton’s Holiday Market will be the Jingle Giles Bar hosted by Earl Giles. On the menu will be festive cocktails, mocktails, meatballs, chips and dip, and cookies.

A Showcase of Minnesota Creators

Dayton’s Holiday Market’s 2025 roster of vendors is bigger than ever at 107 and it continues to highlight Minnesota creativity. Featured vendors include:

  • Minnesota Sports and Events, unveiling a Bold North Minnesota merchandise line celebrating the World Junior Hockey Championships.
  • Love Your Melon, offering build-your-own beanie experiences on select weekends.
  • WACSO (Wasco Was Here), beloved for his “Walkin’ Around Checkin’ Stuff Out” art series.
  • Molly Pepper, LA-based designer and St. Paul native, returning for her fifth year.
  • Anti-Cancer Club, a mission-driven line founded by cancer survivor Oskar Nord.
  • Minnesota Aurora FC, the state’s community-owned women’s soccer team, with apparel and accessories for fans.

Market Dates and Hours 

  • Thursday, November 13 – Saturday, December 27
  • Monday - Saturday 10am-6pm
  • Sunday 11am-5pm
  • Open until 8pm on Black Friday, November 28
  • Closed on Thanksgiving, Christmas Day, and December 26 

Dayton’s Holiday Market is a proud partner of Winterapolis 2025–26, a citywide campaign celebrating Minneapolis as “America’s Winter City.” The season kicks off Friday, November 28 with the Light Up & Winter Kickoff event at the IDS Center, supported by the Minneapolis Foundation, Xcel Energy, and the Pohlad Family Foundation.

Thursday
Nov062025

Pritzker Hageman Law Firm Community Blood Drive is December 8

Red Cross Community Blood Drive at Pritzker Hageman

When: Monday, December 8 from 10:00 AM to 6:00 PM

Where: The Pritzker Hageman Law Firm | 100 University Ave SE

Make an Appointment to Donate Blood: pritzlaw.us/donateblood 

Thursday
Nov062025

Be Prepared for the 2025-2026 Snow Season

The City of Minneapolis has a number of ways to keep you informed of snow emergencies. Visit https://www.minneapolismn.gov/getting-around/snow/ to get all the details.

Wednesday
Nov052025

November 5 Bridge 9 Improvement Project Update

Bridge No. 9 was constructed in 1922 by the Northern Pacific Railroad to carry freight over the Mississippi. The City of Minneapolis acquired this bridge in 1986 and converted the bridge to a pedestrian use bridge in 1999. The bridge currently provides a Mississippi River crossing for the Dinkytown Greenway bike trail.

Beginning in April, 2025, the City of Minneapolis started making repairs and improvements to Bridge 9, Abutment 1 and the approach spans on both ends of the bridge

*  *  *  Latest project news  *  *  * 

2025 Construction Phase

Public Works has been working on this bridge in phases over the past few years, starting with the substructure work (piers and abutments).

In 2025, the scope of work will focus on the superstructure, which includes removing and replacing the approach span decks, replacing the existing railing with a high-safety railing and rehabilitating the east side abutment.

Rehabilitation work on the abutment consists of the removal of degraded concrete, then repairing and strengthening the concrete to remain with new reinforced concrete. The work on the approach spans consists of the removal of the old ballast slab, aggregate and bituminous pavement, then constructing a new reinforced concrete deck.

North approach spans at the beginning of the concrete deck pour

North approach spans at the end of the concrete deck pour

The abutment work takes place within Bridge 9 right of way through University of Minnesota property.  It is occurring adjacent to the U of M Main Energy Plant. Access and staging for the work were closely coordinated with University officials.

Southern approach spans curing, after concrete deck pour

Overview of Bridge 9 after both approach spans were poured

Schedule

Construction activities this season started on April 7, 2025. The scheduled completion date is the end of December 2025. The contractor is currently anticipating substantial completion by mid December 2025.

Traffic Impact

The bridge is closed to bicyclists and pedestrians this season. The Detour route is below, and it is also posted to the project webpage.

Current Work

October was a big month for the Bridge 9 project, the following construction operations were performed: setting reinforcement on the southern approach spans, pouring the new deck on both the North and the South approach spans, final backfilling behind abutment 1, and starting to excavate for a retaining wall on the south end of the bridge.

Abutment 1 during restoration

Coming Up

Retaining wall construction on the south end of the bridge, final restoration at abutment 1, repaving a portion of the trail south of bridge 9, and bridge railing installation.

Stay Connected

For more details and to sign up for email updates please visit the project page

For concerns or questions about the Bridge 9 project please contact:

Contact the project engineer: Oscar Weber,
651-470-4790 or Oscar.Weber@minneapolismn.gov 

Contact the engineer: Petru Vizoli,
612-201-1905, or Petru.Vizoli@minneapolismn.gov.

Contact the design team project manager: Rich Revering,
612-718-8412 or Richard.Revering@Bolton-Menk.com

Tuesday
Nov042025

A Discussion with Anna Hashizume, portrayer of Eliza Doolittle in Theater Latté Da's Production of My Fair Lady, Opening November 12

Article by Becky Fillinger, photos provided

Anna HashizumeMy Fair Lady, one of the greatest musicals of all time, opens on November 12 at Theater Latté Da. Artistic Director Justin Lucero notes that the production will have fierce artistry, signature heart and devotion to music-centered magic.

The role of Eliza Doolittle is being played by Anna Hashizume – a role that requires her to sing, act, dance and change accents. In addition to being an actor, Anna is a trained voice coach so some aspects of the role might come more easily than others. We talked to her about favorite songs in the production, learning and unlearning Cockney and recognizing Eliza’s strength throughout her journey. The show runs through December 28 - get tickets here.

Q:  Some see My Fair Lady as a romance, others as a story about independence and identity - how do you see Eliza’s journey?

A:  I definitely see it as a story of independence and self-actualization. 

Q:  Do you draw on any personal experiences to connect with Eliza’s struggle for identity and respect?

A:  Definitely! I studied opera in school and when I wanted to get back into musical theater, I really felt like a fish out of water. As I started to re-learn how to sing in order to fit into the musical theater world, I started to realize that, although my voice can “fit in,” I will never be able to actually shake my classical background. Similarly, adjusting how I sing and how I work meant I couldn’t ever really go back to opera. So, as Eliza says in Act 2, “What am I fit for?” I really feel that line in my bones.

Q:  Eliza undergoes such a dramatic shift in language, class, and self-perception - what’s the most challenging part of embodying that transformation on stage?

A:  The Cockney accent is so challenging for me! Making shifts quickly between Cockney and RP (British Received Pronunciation) and making my voice sound somewhat cohesive is proving to be a bit difficult. We have a fantastic dialect coach who is helping all of us navigate our accents!

Q:  What physical choices (movement, posture, gestures) are you developing to highlight her evolution?

A:  I’m playing a lot with fluidity and rigidity. When Eliza is in the “Cockney world,” she has a more fluid way of moving and existing. When she’s in the upper-class world, she’s required to be more rigid. Then, at the end of the play, the question is, how do the two exist together? Can they? I guess we’ll find out!

Q:  What is your favorite musical number to perform as Eliza, and why? This is such a tough question!

A:  My first instinct is to say I Could Have Danced All Night because it’s so iconic. However, I think Without You might be my favorite! She really takes back her power in the moment.

Q:  Eliza challenges the rigid class and gender expectations of her time - how do you feel that resonates with current conversations about power and equality?

A:  I feel like this is something that resonates with most generations - that’s why this piece has stood the test of time. We’re all looking to stand in our power and we watch Eliza do that. She really is an inspirational character.

Q:  What is it like to perform this role in Theater Latté Da’s more intimate setting compared to a larger-scale production?

A:  I love an intimate space as an actor - you can play more subtleties, which is fun for me.

Q:  What do you hope audiences notice about Eliza’s agency in this story?

A:  I hope they notice her strength throughout the show. I think this story is more about her realizing how strong she’s always been, more so than a story of her becoming strong. I hope audiences resonate with that journey. 

Q:  How do you think My Fair Lady resonates differently with today’s audiences compared to when it was first written in 1956?

A:  This is a great question and I think musicals of this caliber are always growing and shifting with our culture. I definitely think characters like Professor Henry Higgins are seen very differently now than in the 1950s. I also want to believe how I see and portray Eliza is different with my modern lens. Not that I’m changing the essence of the character, but that I’m perhaps pulling out and highlighting certain parts of her that may not have been highlighted back then.

Q:  What’s next for you? How may we follow your news? 

A:  I will be doing a new musical at Open Eye called STRANGE HEART: The Dream Songs of John Berryman with Theater Latté Da favorite, Bradley Greenwald! And you can follow me on Instagram @annahashizume or TikTok @anna_hashizume.

Wednesday
Oct292025

Kolman & Reeb Gallery Announces Celebrate! 15th Anniversary Show

Spring Rain by Betsy Ruth Byers

Celebrate! 15th Anniversary Show runs November 14 – December 27 in Studio 395 at the Northrup King Building

The Kolman & Reeb Gallery proudly announces its Celebrate! 15th Anniversary Show, honoring fifteen years of contemporary art, visionary curation, and community. It will feature new works by gallery artists whose creativity and vision reflect the Gallery’s evolution and the enduring relationships at its core.

The opening reception is Friday, November 14, from 6:00pm-8:00pm during Art Attack weekend, and will feature DJ Holly Wayzata, anniversary cake, light refreshments, surprise giveaways, and 15% off all artwork throughout the weekend.

The Gallery has become a cornerstone of Minnesota’s visual arts scene - celebrating the abstract, the experimental, and the ever-changing nature of creative expression. Over the past fifteen years, Kolman & Reeb has connected local artists and collectors through exhibitions and its recognized Project Space Grant Program, while fostering dialogue that deepens the public’s appreciation of art.

Founded by Anita Sue Kolman, art patron and advocate, the Gallery was first known as the Anita Sue Kolman Gallery and later as the Kolman & Pryor Gallery. Its name changed again to the Kolman & Reeb Gallery when Jodi Reeb, artist and curator, joined Anita as a partner in 2022. The Kolman & Reeb Gallery has become an integral part of the Twin Cities’ visual arts landscape.

Over the past 15 years, Kolman & Reeb Gallery has evolved into a hub of artistic discovery. The Gallery hosts and participates in open forums to advance the public’s understanding of the value of art and art collecting, and to advance artists’ professional development. It’s a community resource that invites everyone to discover the most singular artistic voices working in Minnesota today. The Gallery’s resilience through economic shifts and the pandemic underscores its commitment to adaptation and innovation, expanding online sales, social media storytelling, and video features to bring Minnesota art to a national audience.

Anita Sue Kolman“Kolman & Reeb Gallery is a gift I gave to myself in my 60s. When I opened the gallery, I wanted to create a space where artists could thrive, and audiences could fall in love with art. Fifteen years later, I’m grateful to see that this vision has come to life.

This gallery has been one of the greatest adventures of my life — not because it was easy, but because it was meaningful. Every exhibition, every artist, every visitor has become part of this story.”  Anita Sue Kolman



Jodi Reeb“As an artist who became the Gallery’s curator and partner, it’s been an incredible journey. This anniversary honors not just our longevity, but the community that has grown around us, from collectors, artists, and art lovers who all believe in the power of creativity.

To me, fifteen years is more than a number, in the life of an art gallery, it’s a milestone of endurance, evolution, and community trust.”  Jodi Reeb

The 15th Anniversary Exhibition celebrates this legacy of collaboration and creativity, featuring works that reflect the Gallery’s evolution and the enduring relationships at its core. Over these past fifteen years, the Gallery has grown from a single vision into a dynamic hub for abstract and contemporary expression. It reflects trust and belonging — a space that has connected thousands of visitors, artists, and collectors through art. 

Tuesday
Oct282025

RugLife at WAM: Rethinking the Rug

Article by Becky Fillinger, photos provided

Johannah Herr, War Rug III (El Paso Shooting), 2020, acrylic and wool, 28 x 48in. Image courtesy of the artist.

The exhibition RugLife at the Weisman Art Museum (WAM) is a contemporary art show that centers on the rug — an item that has been in use by humans since animal skins were first placed on the floor of caves.  The rugs in this exhibit move beyond decorative object to become the medium for cultural expression by 14 international artists. We talked to curator Judith Fox of curatorsquared about the traveling exhibition, who pointed out the artists cover major issues in their works – identity, politics, memory, environment, community, displacement, religion, gun violence, technology, home – taking the notion of a rug beyond the traditional role of item providing warmth and decoration. 

You can expect free admission, every day, at the Weisman and a warm welcome for the general public as well as campus visitors. RugLife is at the Weisman until December 28 – please open your calendars and pick a date to visit.

Things to know and look for as you plan your visit: 

  • Featured Artists include Nevin Aladağ, Azra Aksamija, Ali Cha’aban, Sonya Clark, Liselot Cobelens, Johannah Herr, Oksana Levchenya, Noelle Mason, Wendy Plomp, Stéphanie Saadé, Slavs & Tatars, Ai Weiwei, and Andrea Zittel.
  • On your tour, look for both familiar and unexpected use of color and design punctuated with the occasional pop culture trope and internet-famous meme, remixing form and function in wholly surprising ways.
  • Among the rugs on view, be sure to see a tricksy rug made of painstakingly "woven" barbershop-black combs (from a distance, it looks like woven black velvet) and Pac Man chasing stylized Cossacks around a traditional Ukrainian folklore textile pattern.

Sonya Clark, Comb Carpet, 2008, combs, cable wire, 20 3/4  x 28 1/2 x 19in. Image courtesy of Taylor Dabney.

Oksana Levchenya, Pac Man and Cossacks, 2022, hemp thread and natural dyed wool, 80 x 140in. Image courtesy of the artist.

Thursday
Oct232025

Outstanding Nonprofit: Better Futures Minnesota 

Article by Becky Fillinger, photos provided

A Discussion with Alex Baldwin, Waste Diversion Manager

Better Futures Minnesota is a non-profit deserving of your attention. The organization works with men returning from incarceration – they build purpose, life plans and career paths for these individuals, all while operating at the intersection of racial, social, economic, and environmental justice. Sounds intriguing, right?  We spoke with Alex Baldwin, Waste Diversion Manager, about the mission and structure of the organization, focus on environmental sustainability and how you can help – hint – they need to purchase two new hybrid trucks – can you spare $20?

Alex Baldwin

Q:  Can you explain the mission of Better Futures Minnesota and what makes your approach unique?

A:  At Better Futures Minnesota, our mission is to provide men returning from incarceration a real chance at rebuilding their lives. We combine stable employment, training, and mentorship with accountability and support so that participants aren’t just surviving, they’re thriving. What makes us unique is the way we tie together social justice and environmental stewardship. We don’t just provide jobs; we connect men to meaningful work in green industries like deconstruction, recycling, and reuse - work that heals both people and the planet.

Q:  What kind of measurable impact has Better Futures had on the men you serve - and on the broader community?

A:  We primarily serve men of color because that’s where the biggest gaps exist when it comes to reentry and employment. Since 2007, we’ve helped thousands of men find stability through work, housing, and community. Many participants go on to steady employment in construction, recycling, and related industries. On the community side, our deconstruction and recycling efforts have kept thousands of tons of building materials and appliances out of Minnesota landfills. That means cleaner air, cleaner water, and less waste in our neighborhoods.

Deconstruction work breaking down a house.

Removing a roof at an exterior deconstruction site.

Appliance recycling for Hennepin County.

Q:  What types of programs or services do participants go through?

A:  Better Futures Minnesota is a four-phase model:

Phase 1: Stabilization (First 45 Days)
Every participant starts their journey with paid training. During this phase, they create an Individual Prosperity Plan, complete our Basics for Change Academy, and finish all 12 enterprise trainings and certifications. In their very first week, they earn industry-standard credentials in OSHA 10, Fall Protection, Bloodborne Pathogens, Warehouse Safety, and Hazard Training. This foundation sets them up with the skills and confidence they need to move forward.

Phase 2: Integration (4–6 Months)
Participants rotate through our four business lines: deconstruction, the ReUse Warehouse, waste diversion, and property services, all while continuing to follow their Prosperity Plan. They also begin job search activities and start setting longer-term career goals.

Phase 3: Transition (4–8 Months)
In this stage, participants work with management to determine which business line best fits their skills and interests. They continue updating their Prosperity Plan, refining their employment goals, and begin preparing for permanent job placement.

Phase 4: Mobilization (12 Months)
This is where everything comes together. Participants maintain their Prosperity Plan, secure outside employment, and continue to receive support as they step into independence and long-term stability.

Throughout every phase, each participant is paired with a life coach who provides one-on-one mentoring. Life coaches help set personal goals, whether it’s getting a driver’s license, finishing a GED, or developing everyday life skills. This blend of professional training and personal support is what makes our model unique: it’s not just about finding a job; it’s about building a foundation for a better future.

Certificate presentation!

Q: What do you think meaningful work represents in in a person’s reentry and recovery journey?

A: It’s everything. Having a paycheck matters, but having purpose matters more. Our men take pride in salvaging materials that would otherwise end up in the landfill, while helping a homeowner complete a project. That pride builds confidence, and confidence leads to stability. For many of our guys, this is the first time they’ve been trusted with responsibility, and they rise to the occasion. Work becomes not just a way to make ends meet, but a foundation for building a new life.

Q:  I noticed the words "innovative waste management and sustainability programs" on the Better Futures website. Please tell us more about these concepts in your organization.

A: That’s a big part of our identity. Instead of sending old building materials, appliances, and fixtures to the landfill, we carefully deconstruct buildings and salvage anything reusable. Those materials are resold at our ReUse Warehouse Store or recycled responsibly. It’s a win-win: fewer toxins in the environment and more affordable materials for the community. We’re one of the only organizations in Minnesota tying sustainability directly to second chances for people returning from incarceration. We also bring our ReUse Warehouse services to county transfer stations and run community programs like monthly bulky item pickups in Bloomington and organics collection in Columbia Heights.

Above and below - examples of items you will find at the ReUse Warehouse Store. 

Q:  What can the general public or private sector do to support your mission more effectively?

A:  There are so many ways to help. Homeowners and contractors can choose Better Futures deconstruction instead of demolition when remodeling. Shoppers can support us by visiting the ReUse Warehouse store and purchasing salvaged materials. We’re also launching a fundraiser to purchase two brand-new Ford Maverick Hybrid trucks. Our goal is simple: if 2,000 people each give $20, we’ll be able to replace aging vehicles with hybrids, reducing fuel use, cutting down on costly repairs, and helping us operate more sustainably.

Q:  Is there a success story that captures the essence of Better Futures’ mission?

A:  One story that always stands out is about a participant who came to us after years of incarceration. He started out in janitorial and property maintenance while in our program and discovered he had a real passion for the work. By the time he completed the program, he decided to take a leap and start his own janitorial company. Today, he’s running a successful business and building a life on his own terms.

And he’s not alone; we’ve seen so many similar stories. Our men are gaining custody of their children, becoming steady providers for their families, and finding stability through meaningful employment. These moments capture exactly what Better Futures is about: second chances that transform lives and ripple out into the community. We’re proud that some of our current managers first came to us as participants, proof that growth and leadership can come from within.

Q:  What’s next for Better Futures Minnesota? Are there any expansions, innovations, or advocacy efforts on the horizon? How may we follow your news?

A:  We’re always pushing forward. Right now, we’re looking at expanding our deconstruction services, building stronger partnerships in recycling, and advocating for policies that create real opportunities for people coming out of incarceration. We’re also excited about building more community awareness of the environmental benefits of Reuse and Deconstruction.

Folks can follow our work on our website, betterfuturesminnesota.com, or on our social media channels – Facebook, Instagram and YouTube. We post regular updates, stories and ways to get involved, and would love for your readers to be involved in our efforts.

Monday
Oct202025

Good News For Larry Millett Fans!

Local author Larry Millett will launch his newest collection of mystery novellas, Mysterious Tales of Old Minneapolis, on Thursday, November 13 at 6:00pm at Once Upon a Crime, 604 W 26th Street.

Millett presents three tales of intrigue and murder in historic Minneapolis, introducing three unlikely but talented new detectives: in-laws Sophia Westerly and Annie Nichols, and the incomparable Oscar Wilde. Shining light on the colorful characters and curious corners of Twin Cities history, Mysterious Tales of Old Minneapolis brings the nineteenth-century city to vibrant life - and dastardly death - in the spellbinding style that Millett’s legion of readers has come to love.

Larry Millett is author of ten mysteries that feature Sherlock Holmes and St. Paul detective Shadwell Rafferty, including the collection Mysterious Tales of Old St. Paul, and his nonfiction works include Once There Were Castles and Minnesota Modern, 2016 Minnesota Book Award winner  - all from the University of Minnesota Press.

Sunday
Oct192025

Iconic Minneapolis Restaurant: Jax Cafe

Article by Becky Fillinger, photos provided

A Discussion with owner, Bill Kozlak, Jr.

Jax Cafe was established in 1933 and has been a mainstay of fine dining in Minneapolis for over 90 years. The Jax Cafe story is a rarity today – one family maintaining a business for generations. We talked to owner Bill Kozlak, Jr. about the challenges of maintaining an independent restaurant for decades, what’s delicious on the menu and reasons for you to become a regular. Make a reservation here and visit the glorious establishment at 1928 University Avenue NE. 

Bill Kozlak, Jr.Q:  Jax Cafe has been a Minneapolis staple since 1933 - how do you preserve its legacy while staying relevant today?

A:  It takes a lot of work and commitment to your mission and values. We have third and fourth generation customers who have different tastes, but many of the same memories and introduction to Jax. We listen to our guests and try our best to please them. 

Q:  What’s one piece of advice from a previous generation that you still follow today? 

A:  This formula works for us at Jax - Work hard, treat your staff and customers like family and stay true to what you do.

Q:  What do you think are the biggest challenges of maintaining a historic, independent restaurant in today’s dining climate?

A:  There are too many to list… The cost of doing business is sky high, the buying power for an independent is not favorable for sure. We concentrate on making every visit an “experience” and want to help our guests make memories, not just coming in for food and beverage.

Prime rib with hash browns and a bottle of cabernet

Q:  What dish best represents the spirit of Jax Cafe? 

A:  There are a few, but I think prime rib with crispy hash browns or au gratin potatoes with a nice cabernet and an ice cream drink for dessert.

Q:  Do you have a personal favorite item on the menu?  

A:  I love all of the beef and steak items, but my sleeper is our amazing Pork Chop. It is seasoned with Jax seasoning and a special molasses dry rub which really helps sear the pork.

Q:  How do you keep the dining experience special for both longtime regulars and first-time visitors?  

A:  We treat everyone like they are family and we want them to become regulars. Often it starts with their high school prom dinner. We create a special menu for the kids to help them navigate the choices and have a set price to make the night special. We do see families celebrate special events here, generation after generation.

Q:  Where do you see Jax Cafe in the next 5–10 years? How may we follow your news? 

A: Well, in nine years Jax will turn 100 and I will be 65 so it is lining up to be a great celebration!!! Our website or social media, Facebook, X and Instagram are great ways to follow our news.

Jax is home to one of the loveliest patios in the Twin Cities. Photo credit - The Minnesota Star Tribune

Friday
Oct172025

October 17 Bridge 9 Improvements Project Update

Bridge No. 9 was constructed in 1922 by the Northern Pacific Railroad to carry freight over the Mississippi. The City of Minneapolis acquired this bridge in 1986 and converted the bridge to a pedestrian use bridge in 1999. The bridge currently provides a Mississippi River crossing for the Dinkytown Greenway bike trail.

Beginning in April, 2025, the City of Minneapolis started making repairs and improvements to Bridge 9, Abutment 1 and the approach spans on both ends of the bridge

*  *  *  Latest project news  *  *  * 

NOTE: On October 23 West River Parkway and trail is scheduled to be closed to all traffic underneath the bridge to allow for the southern approach span deck to be poured. The closure will start at 8:00 am and the parkway is expected to be open by about 3:00 pm. The detour routes for those walking, biking and driving are shown on the image below and linked on the project website. Additional updates will be sent if the closure is changed.

Parkway detour routes

For the week following the concrete pour the deck will be curing, which involves keeping moisture on the surface of the concrete. During that time excess water may occasionally drip from the formwork, this is a normal part of the process to ensure bridge decks achieve their design strength and durability.

The bridge is still closed to people biking and walking. The Detour route for bridge 9 is below, and it is also posted to the project webpage

Traffic Impact

The bridge is closed to bicyclists and pedestrians this season. The Detour route is below, and it is also posted to the project webpage.

Stay Connected

For more details and to sign up for email updates please visit the project page

For concerns or questions about the Bridge 9 project please contact:

Contact the project engineer: Oscar Weber,
651-470-4790 or Oscar.Weber@minneapolismn.gov 

Contact the engineer: Petru Vizoli,
612-201-1905, or Petru.Vizoli@minneapolismn.gov.

Contact the design team project manager: Rich Revering,
612-718-8412 or Richard.Revering@Bolton-Menk.com

Tuesday
Oct142025

Marshall Jones III on Directing Primary Trust at Guthrie Theater

Article by Becky Fillinger, photo provided

Marshall Jones III is directing the Guthrie production of Primary Trust, on stage now through November 16. Primary Trust was written by American playwright Eboni Booth and won the Pulitzer Prize for Drama in 2024. Professor Jones is thrilled to be directing for the first time at the Guthrie – check out what he has to say about our magnificent local theater, the talent involved in the show, and why the play is important today. Get tickets here.

Marshall Jones IIIQ:  What does making your directorial debut at the Guthrie mean to you at this point in your career? 

A:  This means a lot. The Guthrie is the epitome of the regional theater model. I'm humbled and honored to work here.

Q:  What drew you to Primary Trust, and what do you think makes it such a powerful story for today’s audiences? 

A:  This play is about discovering the power of friendship. We're told you only need 1 best friend, and I interpret that as having 1 friend that you primarily trust.

Q:  How has your experience leading major venues like the Apollo Theater, Radio City Music Hall and Madison Square Garden shaped your approach to directing?  

A:  Wow, great question. I was producing at those venues, but I got to observe great theater directors - Susan Stroman, Robert (Bobby) Longbottom, Mike Ockrent, and the TV side people like Kenneth Ehrlich and Stan Lathan (Sanaa's pop). I also observed directors who refused to engage in promoting the show, so I developed strong opinions about that school of thought. Our job as directors is to bring the script to three-dimensional life in a compelling fashion in order to impact the audience. Well, if you have to wake up at the crack of dawn to do the TV morning show interview, then the reach of your impact increases. To me, that's a part of the director's job.

Q:  What conversations or choices have been most important in shaping this production with your cast and creative team?

A:  Another great question. Let's start with the Creative Team. I knew instantly I wanted Lindsay Jones, the Tony nominated composer/sound designer. There's no doubt Lindsay will create transitional music and underscoring that will greatly elevate the storytelling. He and I have done several shows together, so he gets me. When Joe Haj reached out about directing here, I was directing LADY DAY in Naples, Florida and we were in tech. Our lighting designer was Jason Lynch, who fortunately has worked at the Guthrie before. So, right at the start, we have half our Creative Team. Then working with the Guthrie's most capable line producer, Addie Gorlin-Han, we landed on 2 outstanding designers - Sara Ryung Clement and An-Lin Dauber. Sara is just an insightful visionary designer where her vision drives the story. An-Lin designed the show before but as a set designer. She's doing costumes for us and her familiarity with the story and characters has been helpful. With the cast, I was so impressed with the quality level of talent already here in the Twin Cities. We went to NYC to cast our lead, yet the chemistry between all four cast members is off the charts. I'm very pleased.

Catch Primary Trust at the Guthrie now thru November 16

Q:  What do you hope Guthrie audiences will carry with them after seeing Primary Trust?

A:  I hope they experience a truly intimate story in the McGuire Proscenium where they discover the power of friendship through the seemingly simple journey of Kenneth.

Q:  What excites you most about working with Minneapolis artists and audiences?  

A:  First of all, it's incredibly wonderful to have everything you need - I mean EVERYTHING - all under one roof. You walk through the halls (when I'm not getting lost) and you'll see the craftspeople who are building sets, costumes and props. Typically, in theaters around the country the shops are in totally separate facilities and many times they are separate entities. Then you jump in the elevator (while hoping you don't get lost) and you visit the Marketing, Community Engagement and Development departments. That is such a great feeling when you're bringing a show to life. As for the talent in the community - wow! I've been fortunate to see 4 shows here in the last few months. I heard so much positive news about CABARET, I booked a cheap July 4th flight to see it. The work is outstanding - just as good as the “Great White Way.” Now, a lot of regional theaters like to say that, and I'm sure they believe that, but it's not necessarily so. The work here is outstanding. As Joe Haj says when you work here, "Bring your A game,” and frankly, I don't know how NOT to bring my A-game, so I feel good.

Q:  How may we follow your news and encourage you to return to Minneapolis for other projects?

A:  Oh, jeez. I can hear my youngest daughter – “Daddy you need a website.” Um, I'm more on Facebook than Instagram. As a professor who has been teaching the next generation of artists since 2002, Facebook is great to keep up with my former students. So, check out my Facebook. I am an independent director so it's great to travel to other communities to bring stories to life. I served on the Theatre Communications Group (TCG) Board with both Sarah Bellamy and Mark Valdez so it's so pleasing to see the great work that both of them are doing.

Saturday
Oct112025

Fall Street Sweeping Begins October 21

City crews are getting ready to sweep streets across Minneapolis!

Street sweeping helps keep leaves and debris out of the storm drains. That helps keep them out of our lakes and creeks and the Mississippi River. Minneapolis Public Works will begin the big task of curb-to-curb street sweeping throughout the city Tuesday, October 21.

During the four weeks in October and November, crews clean about 1,000 miles of city streets.

Stay informed

Temporary hot pink “No Parking” signs will be posted at least 24 hours before they start so the street will be clear of cars when they’re swept. The first signs will be posted Monday, October 20, and sweeping will begin the next day. Anyone who parks on the street will need to follow posted parking rules, or their cars may be ticketed and towed.

Stay informed about the parking rules through a web map showing when your street is scheduled for sweeping, “no parking” signs on the street, and email and text alerts.

Learn more about street sweeping on the City websiteFacebookBlueskyThreads and X; and videos in EnglishSpanishSomali and Hmong.

Friday
Oct102025

Owámni Falling Water Festival is Saturday, October 18

The 2025 Owámni Falling Water Festival will take place on Saturday, October 18, 11 am-4 pm. We are excited to share that this year’s festival will span both sides of the Mississippi River by the Stone Arch Bridge (near both Mill Ruins Park and Father Hennepin Bluff Park), offering a celebration of Indigenous culture, music, food and history.

11:00 am: Opening and Blessing
11:30 am: Jackie Bird
  1:00 pm: Laura Hugo 
  2:00 pm: Bear Runner and Twin Cities Intertribal Dancers
  2:30 pm: Bluedog
  3:30 pm: Round Dance
  4:00 pm: Closing Remarks

The festival will highlight the cultural and historical significance of Owámniyomni, the Dakota name for the falls, meaning “turbulent water.” The Minneapolis Park and Recreation Board (MPRB) is proud to partner with Owámniyomni Okhódayapi, the nonprofit organization that will begin transforming five acres along the riverfront in the coming years. The event is generously funded by a grant from the Saint Anthony Falls Heritage Board.

Attendees will find Indigenous-owned food vendors, arts and crafts vendors, nonprofit partner booths, and opportunities to participate in traditional games such as lacrosse and kaŋsú kutepi (plum stone games).

As visitors walk across the newly reopened Stone Arch Bridge, you'll also have the opportunity to listen to the newly installed Owámniyomni Audio Tour, offering stories and historical context about the falls and their importance.

Visit the Owámni Falling Water Festival page for more information. For inquiries or requests for accommodation, contact specialevents@minneapolisparks.org.

Friday
Oct102025

A Minneapolis Artist You Need to Know: Leslie Barlow

Article by Becky Fillinger, photos provided

Leslie Barlow is a visual artist based in Minneapolis – her work is included in the permanent collections of Mia, Weisman Art Museum, Minnesota Museum of American Art, Minnesota Historical Society and the Minnesota Vikings Fine Art Collection. She was recently awarded a 2025 McKnight Visual Art Fellowship. We talked to her about how Minneapolis has shaped her outlook as an artist, healing through art, collaborations covering so many topics and even a children’s book coming out on November 4!  

Leslie BarlowQ:  How do you feel that living and working in Minneapolis has shaped your art?

A:  Minneapolis is where I came into myself as an artist, and this place continues to shape my practice in deep and complicated ways. Growing up and building a creative practice here means my neighborhoods and communities have impacted a lot of the work I make, as well as the social structures and systemic advantages and disadvantages of this particular place.

Q:  Your work often explores race, family, and belonging - what experiences in your life most shaped these interests?

A:  I come from a mixed-race background and was raised in Minnesota, where I didn’t always see myself or my family reflected in the visual or written media I was consuming. Questions about identity, proximity, visibility, and belonging were part of my life long before they became part of my studio practice. Art gave me a language to explore the complexities of love, family, and racialization. Over time, I’ve developed a portraiture-based practice that is a vehicle for storytelling - centering questions around the “how” we are in relationship with one another. I’m drawn to stories that resist flattening and over-simplification, and want my work to hold space for the full spectrum of who we are.

Q:  Since graduating from MCAD in 2016, your art pops up everywhere - public murals, book art, museum permanent installations - and you are also a 2025 McKnight Visual Art Fellowship recipient. Congratulations! Please tell us how the last 9 years have felt to you, as an artist and an engaged community member.

A:  Thank you so much! It honestly doesn’t feel real sometimes, and I’m truly grateful that art is such a driving force in my life. My journey has been full, overwhelming at times, and deeply rewarding. When I graduated in 2016, I was just trying to find steady ground as an artist. I was often juggling multiple jobs and commissioned projects to cover my bills and expenses, while also working in the studio towards something that felt truer to me. I’ve worn many hats - painter, muralist, organizer, mentor, educator, illustrator - and each role has helped expand the way I think about art as a tool for connection, healing, and transformation. I’ve gotten to support, and lead, some pretty inspiring projects and thank God every day that this is how I get to spend my time.

Heavenly 2025 Oil fabric acrylic on canvas from the Us Becoming project

Sierra and her family, on the Mississippi shore, 2021, was featured in the solo exhibition Leslie Barlow: Within, Between, and Beyond at Mia.

Q:  What does healing through art look like to you, especially in community spaces?

A:  Healing, for me, is relational. In community spaces, healing through art often looks like co-creating something that reflects our shared humanity. It might be a mural painted together in a time of deep pain, or a gathering that honors stories often left to the margins. It might be simply being witnessed. The act of the mutual gaze can be powerful. I believe in art that helps us process, remember, and imagine other possibilities. Healing isn't a linear process, and I think art can be one part of a healing journey - perhaps a catalyst for conversations and connections that make healing possible.

Q:  Can you share more about your work with Public Functionary and how that intersects with your art practice?

A:  Public Functionary has been one of my most meaningful creative homes. It’s where I had my first solo exhibition in Minneapolis, it’s where I’ve made so many friends. In 2019, I launched PF Studios with Tricia and Mike, a subsidized studio program for emerging BIPOC artists - the first of its kind in Minnesota. It started with just nine artists and has grown to support over two dozen each year. This work is directly tied to my belief that artists need not just visibility, but access, resources, and community that understands and reflects them. As someone who didn't see a clear path forward in the arts in my youth, it means a lot to help build the kind of structures I once needed. My own studio practice is nourished by this work - it's reciprocal. Mentorship, collaboration, and collective care are at the core of both.

Q:  What are you currently working on or excited about?

A:  Right now, I’m working on a multi-year painting and research project called Us Becoming, which explores possibility through the masked form, speculative fiction, comic/pop culture, and performance. I’m also producing the second year of ConFluence with a kickass team of artists and nerds: a BIPOC-centered sci-fi, fantasy, arts, and fandom convention that celebrates all the ways our stories and creativity matters. Both of these projects are joyful and collaborative - they push me to grow and stretch beyond the studio in exciting ways. Also, I’m about to release my first illustrated children’s book! Written by Sun Yung Shin and Mélina Mangal, Revolutions are Made of Love comes out on November 4th, and I created over 20 hand-painted images for the book. 

Q:  What themes or questions are you eager to explore in the future, and how may we follow your news?

A:  Questions that are on my mind right now are: 

  • How can speculative art forms create new possibilities for self-representation and expansive visions of belonging?
  • What does radical joy look like as a visual, embodied, and communal practice?

I’m really excited about the work I’m getting into now and pretty much dream about it every night. I can’t wait to share it with the world. 

You can follow me on Instagram or visit my website to stay updated on exhibitions, projects, and events. If you’re curious about ConFluence, you can find us at www.confluencemn.com. The studio program at Public Functionary can be followed at www.publicfunctionary.org.  

Wednesday
Oct082025

Artistic ReUse-A-Thon presented by Art To Change the World

Artistic ReUse-A-Thon presented by Art to Change the World

November 1st 10:00am-5:00pm

Art exhibit that runs October 24 to November 9

The Flux Arts Building, 2505 NE Howard Street

Join the community to learn how to make art with reused materials. Free make and take workshops all day long. Plus vote on your favorite piece of art made from trash in the Mystery Trash Remix. Bring your old art supplies to participate in the Art Supply Swap. All activities are free thanks to funding from Minneapolis Public Works' Innovative Waste Reduction Grant. Find out more here.

This event has three parts:

1) The Mystery Trash Remix - 20 Art to Change the World artists have transformed single use items into Art! Exhibited October 24th to November 9th. Come and vote for your favorite piece. The winner gets $500. Contact Liisa Le at liisaleart@gmail.com for a full list of the artists.

2) Make and Take Workshops - Teachers design and lead workshops with single-use and reused materials. Classes and schedule are posted on the Art to Change the World website.

3) Art Supply Swap - Clean out your closets and refresh your tool kit. You can drop off art supplies anytime before November 1st at the Flux Arts Building, or bring them on November 1st where you can also pick out some new-to-you supplies to take home and create with! It's Free!

Questions? Email Layl McDill at layl@claysquared.com.

Saturday
Oct042025

Spooky Fun! The Nightmare Bar at Hyatt Centric Hotel

Article by Becky Fillinger

(End date has been extened to November 2.)

The Nightmare Bar at Hyatt Centric Hotel, 615 2nd Avenue S, is open now through November 2nd. What exactly happens at the Nightmare Bar? We spoke to the Breanna Fay, Site Manager, about what we can expect during the 90-minute immersive, Halloween-themed pop-up sessions.

When you enter the space, you’ll be transported into a Tim Burton–inspired world where some beloved undead characters will guide you through a night of spooky fun. During your visit, you’ll get to take part in:

  • Spooky Storytelling – Atmospheric tales that bring the eerie vibes to life. Jack Skellington might read a story or two to set the mood!
  • Trivia with a Twist - Test your spooky knowledge. If you’re a fan of Beetlejuice, The Nightmare Before Christmas and The Addams Family, you’ll be ahead of the curve in trivia. 
  • Nightmare Karaoke - Belt out creepy classics and unexpected favorites headed by one of our talented ghosts.
  • I-Spy Challenge - Keep your eyes peeled for surprises hidden throughout the bar.

On top of that, there’s a special surprise for the guest deemed the "best dressed of the night." Choose from a menu with themed cocktails, mocktails, and snacks, each designed to enhance the eerie yet playful atmosphere.

The Nightmare Bar is truly the perfect night out for anyone looking to step into a Halloween fantasy world filled with immersive activities, unique drinks, and plenty of spooky surprises. Tag your photos on these socials: Instagram and TikTok.

Breanna welcomes everyone 21+ to reserve a time to visit The Nightmare Bar from 5 to 9:30pm – get tickets here

SPECIAL OFFER FOR MILL CITY TIMES READERS!

Enter to win 2 FREE tickets to this spooky, Halloween-themed bar inspired by Tim Burton and your favorite horror classics!
How to Enter:
1️. Follow @nightmarebeforebar + @millcitytimes
2️. Tag your favorite ghosts & ghouls in the comments – Each tag = 1 entry (no limit).
3️. Share this post to your stories for BONUS entries!
Winners get access to a 90-minute experience packed with spooky fun and games. Themed food and cocktails will be available for purchase.
Friday
Oct032025

Meet the New Board President of The Downtown Minneapolis Neighborhood Association

Article by Becky Fillinger, photos provided

Dan BrophyA Discussion with Dan Brophy

Dan Brophy recently took on the role as Board President of the Downtown Minneapolis Neighborhood Association (DMNA). He has been a board member since 2023 and an active and engaged downtown resident for 19 years. We talked to him about downtown’s biggest opportunities, strengthening community safety, connecting with all residents and how to participate in the organization.  

Q:  Congratulations on being selected as President of the DMNA. You’ve been involved in DMNA for a few years in other roles – what do you see as the biggest opportunities for downtown’s growth and revitalization? 

A:  I think the biggest opportunity is tapping into the stakeholders of downtown Minneapolis. Everyone I speak to has a thought or idea of how to grow and revitalize downtown Minneapolis. Getting these people involved with community organizations to give them a platform to share and work with organizations and other stakeholders is important. Getting everyone involved will help make downtown a downtown that we all love.

Q:  What excites you the most about the future of downtown Minneapolis?

A:  What excites me the most is the unknown and the chance to make a difference. Who knows what downtown Minneapolis will look like 5-10 years from now. We know that the downtown of 5-10 years ago is not coming back, but that doesn’t mean the downtown of 5-10 years from now can’t be even better.

Q:  How does DMNA balance the needs of residents, businesses and visitors downtown?

A:  The DMNA makes it a priority to listen to everyone - residents, businesses, and visitors alike. No matter who comes to us, we take the time to hear their thoughts and give them the same attention, effort and energy.

Q:  What role do you see DMNA playing in strengthening community safety and livability?

A:  The DMNA has a Safety and Security Committee that is always looking for ways to make downtown safer and more livable. The committee activities range from hosting public safety forums throughout the year to working on “one-off” projects. For example, in early 2025 the committee distributed 1,000 safety whistles to residents and employees living and working downtown.

Q:  How do you plan to engage more residents - especially renters, who make up a large part of downtown?

A:  Engaging renters has been a challenge, and we’re honest about that. One of the biggest hurdles is simply getting information to them. With frequent turnover of managers and staff in rental buildings, reliable contact points change quickly. Still, we’re focused on finding better ways to connect and are constantly working to strengthen our engagement with renters. We are always looking to host pop-up outreach meetings at rental properties to engage and share information about the DMNA. If your building is interested in hosting such an event, please email info@thedmna.org and we’ll be pleased to set up a meeting.

Q: Downtown Minneapolis is home to many stakeholders - businesses, arts organizations, city officials and nonprofits. How does DMNA collaborate with them?

A:  The first step is engagement. It’s letting the stakeholders know who we are and that we are here for them. DMNA board members are very active in the community attending events to help accomplish that.  Personally, I love networking, and I know the other board members do as well. I have met so many great people that care about our community since joining the DMNA. 

Q:  What ideas do you have for building stronger connections among residents?

A:  We’re focused on creating more opportunities for people to come together – through events such as Neighborhood Day (May), Earth Day Clean Up (April), National Night Out (August) and my personal favorite “Take a Kid Fishing Day” in June. We want to connect with all residents in all housing types to explore both in-person and digital ways for neighbors to connect to make downtown an engaged community where people know and support each other.

At the Mill City Farmers Market

Neighborhood Day

Earth Day Clean Up

National Night Out 

Take a Kid Fishing Day

Public Safety Forum

Q:  Are there plans to make DMNA a welcoming space for new members and underrepresented voices? 

A:  Yes! The DMNA has always welcomed anyone who lives, works, or owns property downtown. But beyond that, we’re working to make sure new members, and underrepresented voices feel not just included - but heard.

Q:  How may we stay current with DMNA news?

A:  So many ways - People can stay updated on DMNA news by joining our e-newsletter. Please send an email to info@thedmna.org to join the email list. They can also follow us on Facebook. We also post our events, activities and news on our website. Finally, they can join a committee. Committee meeting information is on our calendar.

Friday
Oct032025

October 2 Bridge 9 Improvements Project Update

Bridge No. 9 was constructed in 1922 by the Northern Pacific Railroad to carry freight over the Mississippi. The City of Minneapolis acquired this bridge in 1986 and converted the bridge to a pedestrian use bridge in 1999. The bridge currently provides a Mississippi River crossing for the Dinkytown Greenway bike trail.

Beginning in April, 2025, the City of Minneapolis started making repairs and improvements to Bridge 9, Abutment 1 and the approach spans on both ends of the bridge

*  *  *  Latest project news  *  *  * 

2025 Construction Phase

Public Works has been working on this bridge in phases over the past few years, starting with the substructure work (piers and abutments).

In 2025, the scope of work will focus on the superstructure, which includes removing and replacing the approach span decks, replacing the existing railing with a high-safety railing and rehabilitating the east side abutment.

Rehabilitation work on the abutment consists of the removal of degraded concrete, then repairing and strengthening the concrete to remain with new reinforced concrete. The work on the approach spans consists of the removal of the old ballast slab, aggregate and bituminous pavement, then constructing a new reinforced concrete deck.

Reinforcement installation on the north approach span

The abutment work takes place within Bridge 9 right of way through University of Minnesota property.  It is occurring adjacent to the U of M Main Energy Plant. Access and staging for the work were closely coordinated with University officials.

Southern approach spans with forms being installed.

Schedule

Construction activities this season started on April 7, 2025. The scheduled completion date is the end of December 2025. The contractor is currently anticipating substantial completion by mid December 2025.

Traffic Impact

The bridge is closed to bicyclists and pedestrians this season. The Detour route is below, and it is also posted to the project webpage.

Current Work

For the month of September, the following construction operations were performed: Abutment 1 construction, setting reinforcement on the north approach span, removing the southern bridge end block and setting formwork on the southern approach span.

Abutment 1 prior to backfilling.

Coming Up

Backfilling at Abutment 1, finishing setting forms on the southern approach spans, setting reinforcement on the southern approach spans and pouring the deck on the northern and southern approach spans.

Stay Connected

For more details and to sign up for email updates please visit the project page

For concerns or questions about the Bridge 9 project please contact:

Contact the project engineer: Oscar Weber,
651-470-4790 or Oscar.Weber@minneapolismn.gov 

Contact the engineer: Petru Vizoli,
612-201-1905, or Petru.Vizoli@minneapolismn.gov.

Contact the design team project manager: Rich Revering,
612-718-8412 or Richard.Revering@Bolton-Menk.com