November 5 Bridge 9 Improvement Project Update

Bridge No. 9 was constructed in 1922 by the Northern Pacific Railroad to carry freight over the Mississippi. The City of Minneapolis acquired this bridge in 1986 and converted the bridge to a pedestrian use bridge in 1999. The bridge currently provides a Mississippi River crossing for the Dinkytown Greenway bike trail.

Beginning in April, 2025, the City of Minneapolis started making repairs and improvements to Bridge 9, Abutment 1 and the approach spans on both ends of the bridge

*  *  *  Latest project news  *  *  * 

2025 Construction Phase

Public Works has been working on this bridge in phases over the past few years, starting with the substructure work (piers and abutments).

In 2025, the scope of work will focus on the superstructure, which includes removing and replacing the approach span decks, replacing the existing railing with a high-safety railing and rehabilitating the east side abutment.

Rehabilitation work on the abutment consists of the removal of degraded concrete, then repairing and strengthening the concrete to remain with new reinforced concrete. The work on the approach spans consists of the removal of the old ballast slab, aggregate and bituminous pavement, then constructing a new reinforced concrete deck.

North approach spans at the beginning of the concrete deck pour

North approach spans at the end of the concrete deck pour

The abutment work takes place within Bridge 9 right of way through University of Minnesota property.  It is occurring adjacent to the U of M Main Energy Plant. Access and staging for the work were closely coordinated with University officials.

Southern approach spans curing, after concrete deck pour

Overview of Bridge 9 after both approach spans were poured

Schedule

Construction activities this season started on April 7, 2025. The scheduled completion date is the end of December 2025. The contractor is currently anticipating substantial completion by mid December 2025.

Traffic Impact

The bridge is closed to bicyclists and pedestrians this season. The Detour route is below, and it is also posted to the project webpage.

Current Work

October was a big month for the Bridge 9 project, the following construction operations were performed: setting reinforcement on the southern approach spans, pouring the new deck on both the North and the South approach spans, final backfilling behind abutment 1, and starting to excavate for a retaining wall on the south end of the bridge.

Abutment 1 during restoration

Coming Up

Retaining wall construction on the south end of the bridge, final restoration at abutment 1, repaving a portion of the trail south of bridge 9, and bridge railing installation.

Stay Connected

For more details and to sign up for email updates please visit the project page. 

For concerns or questions about the Bridge 9 project please contact:

Contact the project engineer: Oscar Weber,
651-470-4790 or Oscar.Weber@minneapolismn.gov 

Contact the engineer: Petru Vizoli,
612-201-1905, or Petru.Vizoli@minneapolismn.gov.

Contact the design team project manager: Rich Revering,
612-718-8412 or Richard.Revering@Bolton-Menk.com

A Discussion with Anna Hashizume, portrayer of Eliza Doolittle in Theater Latté Da's Production of My Fair Lady, Opening November 12

Article by Becky Fillinger, photos provided

Anna HashizumeMy Fair Lady, one of the greatest musicals of all time, opens on November 12 at Theater Latté Da. Artistic Director Justin Lucero notes that the production will have fierce artistry, signature heart and devotion to music-centered magic.

The role of Eliza Doolittle is being played by Anna Hashizume – a role that requires her to sing, act, dance and change accents. In addition to being an actor, Anna is a trained voice coach so some aspects of the role might come more easily than others. We talked to her about favorite songs in the production, learning and unlearning Cockney and recognizing Eliza’s strength throughout her journey. The show runs through December 28 - get tickets here.

Q:  Some see My Fair Lady as a romance, others as a story about independence and identity - how do you see Eliza’s journey?

A:  I definitely see it as a story of independence and self-actualization. 

Q:  Do you draw on any personal experiences to connect with Eliza’s struggle for identity and respect?

A:  Definitely! I studied opera in school and when I wanted to get back into musical theater, I really felt like a fish out of water. As I started to re-learn how to sing in order to fit into the musical theater world, I started to realize that, although my voice can “fit in,” I will never be able to actually shake my classical background. Similarly, adjusting how I sing and how I work meant I couldn’t ever really go back to opera. So, as Eliza says in Act 2, “What am I fit for?” I really feel that line in my bones.

Q:  Eliza undergoes such a dramatic shift in language, class, and self-perception - what’s the most challenging part of embodying that transformation on stage?

A:  The Cockney accent is so challenging for me! Making shifts quickly between Cockney and RP (British Received Pronunciation) and making my voice sound somewhat cohesive is proving to be a bit difficult. We have a fantastic dialect coach who is helping all of us navigate our accents!

Q:  What physical choices (movement, posture, gestures) are you developing to highlight her evolution?

A:  I’m playing a lot with fluidity and rigidity. When Eliza is in the “Cockney world,” she has a more fluid way of moving and existing. When she’s in the upper-class world, she’s required to be more rigid. Then, at the end of the play, the question is, how do the two exist together? Can they? I guess we’ll find out!

Q:  What is your favorite musical number to perform as Eliza, and why? This is such a tough question!

A:  My first instinct is to say I Could Have Danced All Night because it’s so iconic. However, I think Without You might be my favorite! She really takes back her power in the moment.

Q:  Eliza challenges the rigid class and gender expectations of her time - how do you feel that resonates with current conversations about power and equality?

A:  I feel like this is something that resonates with most generations - that’s why this piece has stood the test of time. We’re all looking to stand in our power and we watch Eliza do that. She really is an inspirational character.

Q:  What is it like to perform this role in Theater Latté Da’s more intimate setting compared to a larger-scale production?

A:  I love an intimate space as an actor - you can play more subtleties, which is fun for me.

Q:  What do you hope audiences notice about Eliza’s agency in this story?

A:  I hope they notice her strength throughout the show. I think this story is more about her realizing how strong she’s always been, more so than a story of her becoming strong. I hope audiences resonate with that journey. 

Q:  How do you think My Fair Lady resonates differently with today’s audiences compared to when it was first written in 1956?

A:  This is a great question and I think musicals of this caliber are always growing and shifting with our culture. I definitely think characters like Professor Henry Higgins are seen very differently now than in the 1950s. I also want to believe how I see and portray Eliza is different with my modern lens. Not that I’m changing the essence of the character, but that I’m perhaps pulling out and highlighting certain parts of her that may not have been highlighted back then.

Q:  What’s next for you? How may we follow your news? 

A:  I will be doing a new musical at Open Eye called STRANGE HEART: The Dream Songs of John Berryman with Theater Latté Da favorite, Bradley Greenwald! And you can follow me on Instagram @annahashizume or TikTok @anna_hashizume.

Kolman & Reeb Gallery Announces Celebrate! 15th Anniversary Show

Spring Rain by Betsy Ruth Byers

Celebrate! 15th Anniversary Show runs November 14 – December 27 in Studio 395 at the Northrup King Building

The Kolman & Reeb Gallery proudly announces its Celebrate! 15th Anniversary Show, honoring fifteen years of contemporary art, visionary curation, and community. It will feature new works by gallery artists whose creativity and vision reflect the Gallery’s evolution and the enduring relationships at its core.

The opening reception is Friday, November 14, from 6:00pm-8:00pm during Art Attack weekend, and will feature DJ Holly Wayzata, anniversary cake, light refreshments, surprise giveaways, and 15% off all artwork throughout the weekend.

The Gallery has become a cornerstone of Minnesota’s visual arts scene - celebrating the abstract, the experimental, and the ever-changing nature of creative expression. Over the past fifteen years, Kolman & Reeb has connected local artists and collectors through exhibitions and its recognized Project Space Grant Program, while fostering dialogue that deepens the public’s appreciation of art.

Founded by Anita Sue Kolman, art patron and advocate, the Gallery was first known as the Anita Sue Kolman Gallery and later as the Kolman & Pryor Gallery. Its name changed again to the Kolman & Reeb Gallery when Jodi Reeb, artist and curator, joined Anita as a partner in 2022. The Kolman & Reeb Gallery has become an integral part of the Twin Cities’ visual arts landscape.

Over the past 15 years, Kolman & Reeb Gallery has evolved into a hub of artistic discovery. The Gallery hosts and participates in open forums to advance the public’s understanding of the value of art and art collecting, and to advance artists’ professional development. It’s a community resource that invites everyone to discover the most singular artistic voices working in Minnesota today. The Gallery’s resilience through economic shifts and the pandemic underscores its commitment to adaptation and innovation, expanding online sales, social media storytelling, and video features to bring Minnesota art to a national audience.

Anita Sue Kolman“Kolman & Reeb Gallery is a gift I gave to myself in my 60s. When I opened the gallery, I wanted to create a space where artists could thrive, and audiences could fall in love with art. Fifteen years later, I’m grateful to see that this vision has come to life.

This gallery has been one of the greatest adventures of my life — not because it was easy, but because it was meaningful. Every exhibition, every artist, every visitor has become part of this story.”  Anita Sue Kolman

Jodi Reeb“As an artist who became the Gallery’s curator and partner, it’s been an incredible journey. This anniversary honors not just our longevity, but the community that has grown around us, from collectors, artists, and art lovers who all believe in the power of creativity.

To me, fifteen years is more than a number, in the life of an art gallery, it’s a milestone of endurance, evolution, and community trust.”  Jodi Reeb

The 15th Anniversary Exhibition celebrates this legacy of collaboration and creativity, featuring works that reflect the Gallery’s evolution and the enduring relationships at its core. Over these past fifteen years, the Gallery has grown from a single vision into a dynamic hub for abstract and contemporary expression. It reflects trust and belonging — a space that has connected thousands of visitors, artists, and collectors through art. 

RugLife at WAM: Rethinking the Rug

Article by Becky Fillinger, photos provided

Johannah Herr, War Rug III (El Paso Shooting), 2020, acrylic and wool, 28 x 48in. Image courtesy of the artist.

The exhibition RugLife at the Weisman Art Museum (WAM) is a contemporary art show that centers on the rug — an item that has been in use by humans since animal skins were first placed on the floor of caves.  The rugs in this exhibit move beyond decorative object to become the medium for cultural expression by 14 international artists. We talked to curator Judith Fox of curatorsquared about the traveling exhibition, who pointed out the artists cover major issues in their works – identity, politics, memory, environment, community, displacement, religion, gun violence, technology, home – taking the notion of a rug beyond the traditional role of item providing warmth and decoration. 

You can expect free admission, every day, at the Weisman and a warm welcome for the general public as well as campus visitors. RugLife is at the Weisman until December 28 – please open your calendars and pick a date to visit.

Things to know and look for as you plan your visit: 

• Featured Artists include Nevin Aladağ, Azra Aksamija, Ali Cha’aban, Sonya Clark, Liselot Cobelens, Johannah Herr, Oksana Levchenya, Noelle Mason, Wendy Plomp, Stéphanie Saadé, Slavs & Tatars, Ai Weiwei, and Andrea Zittel.
• On your tour, look for both familiar and unexpected use of color and design punctuated with the occasional pop culture trope and internet-famous meme, remixing form and function in wholly surprising ways.
• Among the rugs on view, be sure to see a tricksy rug made of painstakingly "woven" barbershop-black combs (from a distance, it looks like woven black velvet) and Pac Man chasing stylized Cossacks around a traditional Ukrainian folklore textile pattern.

Sonya Clark, Comb Carpet, 2008, combs, cable wire, 20 3/4  x 28 1/2 x 19in. Image courtesy of Taylor Dabney.

Oksana Levchenya, Pac Man and Cossacks, 2022, hemp thread and natural dyed wool, 80 x 140in. Image courtesy of the artist.

Outstanding Nonprofit: Better Futures Minnesota

Article by Becky Fillinger, photos provided

A Discussion with Alex Baldwin, Waste Diversion Manager

Better Futures Minnesota is a non-profit deserving of your attention. The organization works with men returning from incarceration – they build purpose, life plans and career paths for these individuals, all while operating at the intersection of racial, social, economic, and environmental justice. Sounds intriguing, right?  We spoke with Alex Baldwin, Waste Diversion Manager, about the mission and structure of the organization, focus on environmental sustainability and how you can help – hint – they need to purchase two new hybrid trucks – can you spare $20?

Alex Baldwin

Q:  Can you explain the mission of Better Futures Minnesota and what makes your approach unique?

A:  At Better Futures Minnesota, our mission is to provide men returning from incarceration a real chance at rebuilding their lives. We combine stable employment, training, and mentorship with accountability and support so that participants aren’t just surviving, they’re thriving. What makes us unique is the way we tie together social justice and environmental stewardship. We don’t just provide jobs; we connect men to meaningful work in green industries like deconstruction, recycling, and reuse - work that heals both people and the planet.

Q:  What kind of measurable impact has Better Futures had on the men you serve - and on the broader community?

A:  We primarily serve men of color because that’s where the biggest gaps exist when it comes to reentry and employment. Since 2007, we’ve helped thousands of men find stability through work, housing, and community. Many participants go on to steady employment in construction, recycling, and related industries. On the community side, our deconstruction and recycling efforts have kept thousands of tons of building materials and appliances out of Minnesota landfills. That means cleaner air, cleaner water, and less waste in our neighborhoods.

Deconstruction work breaking down a house.

Removing a roof at an exterior deconstruction site.

Appliance recycling for Hennepin County.

Q:  What types of programs or services do participants go through?

A:  Better Futures Minnesota is a four-phase model:

Phase 1: Stabilization (First 45 Days)
Every participant starts their journey with paid training. During this phase, they create an Individual Prosperity Plan, complete our Basics for Change Academy, and finish all 12 enterprise trainings and certifications. In their very first week, they earn industry-standard credentials in OSHA 10, Fall Protection, Bloodborne Pathogens, Warehouse Safety, and Hazard Training. This foundation sets them up with the skills and confidence they need to move forward.

Phase 2: Integration (4–6 Months)
Participants rotate through our four business lines: deconstruction, the ReUse Warehouse, waste diversion, and property services, all while continuing to follow their Prosperity Plan. They also begin job search activities and start setting longer-term career goals.

Phase 3: Transition (4–8 Months)
In this stage, participants work with management to determine which business line best fits their skills and interests. They continue updating their Prosperity Plan, refining their employment goals, and begin preparing for permanent job placement.

Phase 4: Mobilization (12 Months)
This is where everything comes together. Participants maintain their Prosperity Plan, secure outside employment, and continue to receive support as they step into independence and long-term stability.

Throughout every phase, each participant is paired with a life coach who provides one-on-one mentoring. Life coaches help set personal goals, whether it’s getting a driver’s license, finishing a GED, or developing everyday life skills. This blend of professional training and personal support is what makes our model unique: it’s not just about finding a job; it’s about building a foundation for a better future.

Certificate presentation!

Q: What do you think meaningful work represents in in a person’s reentry and recovery journey?

A: It’s everything. Having a paycheck matters, but having purpose matters more. Our men take pride in salvaging materials that would otherwise end up in the landfill, while helping a homeowner complete a project. That pride builds confidence, and confidence leads to stability. For many of our guys, this is the first time they’ve been trusted with responsibility, and they rise to the occasion. Work becomes not just a way to make ends meet, but a foundation for building a new life.

Q:  I noticed the words "innovative waste management and sustainability programs" on the Better Futures website. Please tell us more about these concepts in your organization.

A: That’s a big part of our identity. Instead of sending old building materials, appliances, and fixtures to the landfill, we carefully deconstruct buildings and salvage anything reusable. Those materials are resold at our ReUse Warehouse Store or recycled responsibly. It’s a win-win: fewer toxins in the environment and more affordable materials for the community. We’re one of the only organizations in Minnesota tying sustainability directly to second chances for people returning from incarceration. We also bring our ReUse Warehouse services to county transfer stations and run community programs like monthly bulky item pickups in Bloomington and organics collection in Columbia Heights.

Above and below - examples of items you will find at the ReUse Warehouse Store. 

Q:  What can the general public or private sector do to support your mission more effectively?

A:  There are so many ways to help. Homeowners and contractors can choose Better Futures deconstruction instead of demolition when remodeling. Shoppers can support us by visiting the ReUse Warehouse store and purchasing salvaged materials. We’re also launching a fundraiser to purchase two brand-new Ford Maverick Hybrid trucks. Our goal is simple: if 2,000 people each give $20, we’ll be able to replace aging vehicles with hybrids, reducing fuel use, cutting down on costly repairs, and helping us operate more sustainably.

Q:  Is there a success story that captures the essence of Better Futures’ mission?

A:  One story that always stands out is about a participant who came to us after years of incarceration. He started out in janitorial and property maintenance while in our program and discovered he had a real passion for the work. By the time he completed the program, he decided to take a leap and start his own janitorial company. Today, he’s running a successful business and building a life on his own terms.

And he’s not alone; we’ve seen so many similar stories. Our men are gaining custody of their children, becoming steady providers for their families, and finding stability through meaningful employment. These moments capture exactly what Better Futures is about: second chances that transform lives and ripple out into the community. We’re proud that some of our current managers first came to us as participants, proof that growth and leadership can come from within.

Q:  What’s next for Better Futures Minnesota? Are there any expansions, innovations, or advocacy efforts on the horizon? How may we follow your news?

A:  We’re always pushing forward. Right now, we’re looking at expanding our deconstruction services, building stronger partnerships in recycling, and advocating for policies that create real opportunities for people coming out of incarceration. We’re also excited about building more community awareness of the environmental benefits of Reuse and Deconstruction.

Folks can follow our work on our website, betterfuturesminnesota.com, or on our social media channels – Facebook, Instagram and YouTube. We post regular updates, stories and ways to get involved, and would love for your readers to be involved in our efforts.

Good News For Larry Millett Fans!

Local author Larry Millett will launch his newest collection of mystery novellas, Mysterious Tales of Old Minneapolis, on Thursday, November 13 at 6:00pm at Once Upon a Crime, 604 W 26th Street.

Millett presents three tales of intrigue and murder in historic Minneapolis, introducing three unlikely but talented new detectives: in-laws Sophia Westerly and Annie Nichols, and the incomparable Oscar Wilde. Shining light on the colorful characters and curious corners of Twin Cities history, Mysterious Tales of Old Minneapolis brings the nineteenth-century city to vibrant life - and dastardly death - in the spellbinding style that Millett’s legion of readers has come to love.

Larry Millett is author of ten mysteries that feature Sherlock Holmes and St. Paul detective Shadwell Rafferty, including the collection Mysterious Tales of Old St. Paul, and his nonfiction works include Once There Were Castles and Minnesota Modern, 2016 Minnesota Book Award winner  - all from the University of Minnesota Press.

Iconic Minneapolis Restaurant: Jax Cafe

Article by Becky Fillinger, photos provided

A Discussion with owner, Bill Kozlak, Jr.

Jax Cafe was established in 1933 and has been a mainstay of fine dining in Minneapolis for over 90 years. The Jax Cafe story is a rarity today – one family maintaining a business for generations. We talked to owner Bill Kozlak, Jr. about the challenges of maintaining an independent restaurant for decades, what’s delicious on the menu and reasons for you to become a regular. Make a reservation here and visit the glorious establishment at 1928 University Avenue NE. 

Bill Kozlak, Jr.Q:  Jax Cafe has been a Minneapolis staple since 1933 - how do you preserve its legacy while staying relevant today?

A:  It takes a lot of work and commitment to your mission and values. We have third and fourth generation customers who have different tastes, but many of the same memories and introduction to Jax. We listen to our guests and try our best to please them. 

Q:  What’s one piece of advice from a previous generation that you still follow today? 

A:  This formula works for us at Jax - Work hard, treat your staff and customers like family and stay true to what you do.

Q:  What do you think are the biggest challenges of maintaining a historic, independent restaurant in today’s dining climate?

A:  There are too many to list… The cost of doing business is sky high, the buying power for an independent is not favorable for sure. We concentrate on making every visit an “experience” and want to help our guests make memories, not just coming in for food and beverage.

Prime rib with hash browns and a bottle of cabernet

Q:  What dish best represents the spirit of Jax Cafe? 

A:  There are a few, but I think prime rib with crispy hash browns or au gratin potatoes with a nice cabernet and an ice cream drink for dessert.

Q:  Do you have a personal favorite item on the menu?  

A:  I love all of the beef and steak items, but my sleeper is our amazing Pork Chop. It is seasoned with Jax seasoning and a special molasses dry rub which really helps sear the pork.

Q:  How do you keep the dining experience special for both longtime regulars and first-time visitors?  

A:  We treat everyone like they are family and we want them to become regulars. Often it starts with their high school prom dinner. We create a special menu for the kids to help them navigate the choices and have a set price to make the night special. We do see families celebrate special events here, generation after generation.

Q:  Where do you see Jax Cafe in the next 5–10 years? How may we follow your news? 

A: Well, in nine years Jax will turn 100 and I will be 65 so it is lining up to be a great celebration!!! Our website or social media, Facebook, X and Instagram are great ways to follow our news.

Jax is home to one of the loveliest patios in the Twin Cities. Photo credit - The Minnesota Star Tribune

October 17 Bridge 9 Improvements Project Update

Bridge No. 9 was constructed in 1922 by the Northern Pacific Railroad to carry freight over the Mississippi. The City of Minneapolis acquired this bridge in 1986 and converted the bridge to a pedestrian use bridge in 1999. The bridge currently provides a Mississippi River crossing for the Dinkytown Greenway bike trail.

Beginning in April, 2025, the City of Minneapolis started making repairs and improvements to Bridge 9, Abutment 1 and the approach spans on both ends of the bridge

*  *  *  Latest project news  *  *  * 

NOTE: On October 23 West River Parkway and trail is scheduled to be closed to all traffic underneath the bridge to allow for the southern approach span deck to be poured. The closure will start at 8:00 am and the parkway is expected to be open by about 3:00 pm. The detour routes for those walking, biking and driving are shown on the image below and linked on the project website. Additional updates will be sent if the closure is changed.

Parkway detour routes

For the week following the concrete pour the deck will be curing, which involves keeping moisture on the surface of the concrete. During that time excess water may occasionally drip from the formwork, this is a normal part of the process to ensure bridge decks achieve their design strength and durability.

The bridge is still closed to people biking and walking. The Detour route for bridge 9 is below, and it is also posted to the project webpage

Traffic Impact

The bridge is closed to bicyclists and pedestrians this season. The Detour route is below, and it is also posted to the project webpage.

Stay Connected

For more details and to sign up for email updates please visit the project page. 

For concerns or questions about the Bridge 9 project please contact:

Contact the project engineer: Oscar Weber,
651-470-4790 or Oscar.Weber@minneapolismn.gov 

Contact the engineer: Petru Vizoli,
612-201-1905, or Petru.Vizoli@minneapolismn.gov.

Contact the design team project manager: Rich Revering,
612-718-8412 or Richard.Revering@Bolton-Menk.com

Marshall Jones III on Directing Primary Trust at Guthrie Theater

Article by Becky Fillinger, photo provided

Marshall Jones III is directing the Guthrie production of Primary Trust, on stage now through November 16. Primary Trust was written by American playwright Eboni Booth and won the Pulitzer Prize for Drama in 2024. Professor Jones is thrilled to be directing for the first time at the Guthrie – check out what he has to say about our magnificent local theater, the talent involved in the show, and why the play is important today. Get tickets here.

Marshall Jones IIIQ:  What does making your directorial debut at the Guthrie mean to you at this point in your career? 

A:  This means a lot. The Guthrie is the epitome of the regional theater model. I'm humbled and honored to work here.

Q:  What drew you to Primary Trust, and what do you think makes it such a powerful story for today’s audiences? 

A:  This play is about discovering the power of friendship. We're told you only need 1 best friend, and I interpret that as having 1 friend that you primarily trust.

Q:  How has your experience leading major venues like the Apollo Theater, Radio City Music Hall and Madison Square Garden shaped your approach to directing?  

A:  Wow, great question. I was producing at those venues, but I got to observe great theater directors - Susan Stroman, Robert (Bobby) Longbottom, Mike Ockrent, and the TV side people like Kenneth Ehrlich and Stan Lathan (Sanaa's pop). I also observed directors who refused to engage in promoting the show, so I developed strong opinions about that school of thought. Our job as directors is to bring the script to three-dimensional life in a compelling fashion in order to impact the audience. Well, if you have to wake up at the crack of dawn to do the TV morning show interview, then the reach of your impact increases. To me, that's a part of the director's job.

Q:  What conversations or choices have been most important in shaping this production with your cast and creative team?

A:  Another great question. Let's start with the Creative Team. I knew instantly I wanted Lindsay Jones, the Tony nominated composer/sound designer. There's no doubt Lindsay will create transitional music and underscoring that will greatly elevate the storytelling. He and I have done several shows together, so he gets me. When Joe Haj reached out about directing here, I was directing LADY DAY in Naples, Florida and we were in tech. Our lighting designer was Jason Lynch, who fortunately has worked at the Guthrie before. So, right at the start, we have half our Creative Team. Then working with the Guthrie's most capable line producer, Addie Gorlin-Han, we landed on 2 outstanding designers - Sara Ryung Clement and An-Lin Dauber. Sara is just an insightful visionary designer where her vision drives the story. An-Lin designed the show before but as a set designer. She's doing costumes for us and her familiarity with the story and characters has been helpful. With the cast, I was so impressed with the quality level of talent already here in the Twin Cities. We went to NYC to cast our lead, yet the chemistry between all four cast members is off the charts. I'm very pleased.

Catch Primary Trust at the Guthrie now thru November 16

Q:  What do you hope Guthrie audiences will carry with them after seeing Primary Trust?

A:  I hope they experience a truly intimate story in the McGuire Proscenium where they discover the power of friendship through the seemingly simple journey of Kenneth.

Q:  What excites you most about working with Minneapolis artists and audiences?  

A:  First of all, it's incredibly wonderful to have everything you need - I mean EVERYTHING - all under one roof. You walk through the halls (when I'm not getting lost) and you'll see the craftspeople who are building sets, costumes and props. Typically, in theaters around the country the shops are in totally separate facilities and many times they are separate entities. Then you jump in the elevator (while hoping you don't get lost) and you visit the Marketing, Community Engagement and Development departments. That is such a great feeling when you're bringing a show to life. As for the talent in the community - wow! I've been fortunate to see 4 shows here in the last few months. I heard so much positive news about CABARET, I booked a cheap July 4th flight to see it. The work is outstanding - just as good as the “Great White Way.” Now, a lot of regional theaters like to say that, and I'm sure they believe that, but it's not necessarily so. The work here is outstanding. As Joe Haj says when you work here, "Bring your A game,” and frankly, I don't know how NOT to bring my A-game, so I feel good.

Q:  How may we follow your news and encourage you to return to Minneapolis for other projects?

A:  Oh, jeez. I can hear my youngest daughter – “Daddy you need a website.” Um, I'm more on Facebook than Instagram. As a professor who has been teaching the next generation of artists since 2002, Facebook is great to keep up with my former students. So, check out my Facebook. I am an independent director so it's great to travel to other communities to bring stories to life. I served on the Theatre Communications Group (TCG) Board with both Sarah Bellamy and Mark Valdez so it's so pleasing to see the great work that both of them are doing.

Fall Street Sweeping Begins October 21

City crews are getting ready to sweep streets across Minneapolis!

Street sweeping helps keep leaves and debris out of the storm drains. That helps keep them out of our lakes and creeks and the Mississippi River. Minneapolis Public Works will begin the big task of curb-to-curb street sweeping throughout the city Tuesday, October 21.

During the four weeks in October and November, crews clean about 1,000 miles of city streets.

Stay informed

Temporary hot pink “No Parking” signs will be posted at least 24 hours before they start so the street will be clear of cars when they’re swept. The first signs will be posted Monday, October 20, and sweeping will begin the next day. Anyone who parks on the street will need to follow posted parking rules, or their cars may be ticketed and towed.

Stay informed about the parking rules through a web map showing when your street is scheduled for sweeping, “no parking” signs on the street, and email and text alerts.

Learn more about street sweeping on the City website, Facebook, Bluesky, Threads and X; and videos in English, Spanish, Somali and Hmong.

Owámni Falling Water Festival is Saturday, October 18

The 2025 Owámni Falling Water Festival will take place on Saturday, October 18, 11 am-4 pm. We are excited to share that this year’s festival will span both sides of the Mississippi River by the Stone Arch Bridge (near both Mill Ruins Park and Father Hennepin Bluff Park), offering a celebration of Indigenous culture, music, food and history.

11:00 am: Opening and Blessing
11:30 am: Jackie Bird
  1:00 pm: Laura Hugo 
  2:00 pm: Bear Runner and Twin Cities Intertribal Dancers
  2:30 pm: Bluedog
  3:30 pm: Round Dance
  4:00 pm: Closing Remarks

The festival will highlight the cultural and historical significance of Owámniyomni, the Dakota name for the falls, meaning “turbulent water.” The Minneapolis Park and Recreation Board (MPRB) is proud to partner with Owámniyomni Okhódayapi, the nonprofit organization that will begin transforming five acres along the riverfront in the coming years. The event is generously funded by a grant from the Saint Anthony Falls Heritage Board.

Attendees will find Indigenous-owned food vendors, arts and crafts vendors, nonprofit partner booths, and opportunities to participate in traditional games such as lacrosse and kaŋsú kutepi (plum stone games).

As visitors walk across the newly reopened Stone Arch Bridge, you'll also have the opportunity to listen to the newly installed Owámniyomni Audio Tour, offering stories and historical context about the falls and their importance.

Visit the Owámni Falling Water Festival page for more information. For inquiries or requests for accommodation, contact specialevents@minneapolisparks.org.

A Minneapolis Artist You Need to Know: Leslie Barlow

Article by Becky Fillinger, photos provided

Leslie Barlow is a visual artist based in Minneapolis – her work is included in the permanent collections of Mia, Weisman Art Museum, Minnesota Museum of American Art, Minnesota Historical Society and the Minnesota Vikings Fine Art Collection. She was recently awarded a 2025 McKnight Visual Art Fellowship. We talked to her about how Minneapolis has shaped her outlook as an artist, healing through art, collaborations covering so many topics and even a children’s book coming out on November 4!  

Leslie BarlowQ:  How do you feel that living and working in Minneapolis has shaped your art?

A:  Minneapolis is where I came into myself as an artist, and this place continues to shape my practice in deep and complicated ways. Growing up and building a creative practice here means my neighborhoods and communities have impacted a lot of the work I make, as well as the social structures and systemic advantages and disadvantages of this particular place.

Q:  Your work often explores race, family, and belonging - what experiences in your life most shaped these interests?

A:  I come from a mixed-race background and was raised in Minnesota, where I didn’t always see myself or my family reflected in the visual or written media I was consuming. Questions about identity, proximity, visibility, and belonging were part of my life long before they became part of my studio practice. Art gave me a language to explore the complexities of love, family, and racialization. Over time, I’ve developed a portraiture-based practice that is a vehicle for storytelling - centering questions around the “how” we are in relationship with one another. I’m drawn to stories that resist flattening and over-simplification, and want my work to hold space for the full spectrum of who we are.

Q:  Since graduating from MCAD in 2016, your art pops up everywhere - public murals, book art, museum permanent installations - and you are also a 2025 McKnight Visual Art Fellowship recipient. Congratulations! Please tell us how the last 9 years have felt to you, as an artist and an engaged community member.

A:  Thank you so much! It honestly doesn’t feel real sometimes, and I’m truly grateful that art is such a driving force in my life. My journey has been full, overwhelming at times, and deeply rewarding. When I graduated in 2016, I was just trying to find steady ground as an artist. I was often juggling multiple jobs and commissioned projects to cover my bills and expenses, while also working in the studio towards something that felt truer to me. I’ve worn many hats - painter, muralist, organizer, mentor, educator, illustrator - and each role has helped expand the way I think about art as a tool for connection, healing, and transformation. I’ve gotten to support, and lead, some pretty inspiring projects and thank God every day that this is how I get to spend my time.

Heavenly 2025 Oil fabric acrylic on canvas from the Us Becoming project

Sierra and her family, on the Mississippi shore, 2021, was featured in the solo exhibition Leslie Barlow: Within, Between, and Beyond at Mia.

Q:  What does healing through art look like to you, especially in community spaces?

A:  Healing, for me, is relational. In community spaces, healing through art often looks like co-creating something that reflects our shared humanity. It might be a mural painted together in a time of deep pain, or a gathering that honors stories often left to the margins. It might be simply being witnessed. The act of the mutual gaze can be powerful. I believe in art that helps us process, remember, and imagine other possibilities. Healing isn't a linear process, and I think art can be one part of a healing journey - perhaps a catalyst for conversations and connections that make healing possible.

Q:  Can you share more about your work with Public Functionary and how that intersects with your art practice?

A:  Public Functionary has been one of my most meaningful creative homes. It’s where I had my first solo exhibition in Minneapolis, it’s where I’ve made so many friends. In 2019, I launched PF Studios with Tricia and Mike, a subsidized studio program for emerging BIPOC artists - the first of its kind in Minnesota. It started with just nine artists and has grown to support over two dozen each year. This work is directly tied to my belief that artists need not just visibility, but access, resources, and community that understands and reflects them. As someone who didn't see a clear path forward in the arts in my youth, it means a lot to help build the kind of structures I once needed. My own studio practice is nourished by this work - it's reciprocal. Mentorship, collaboration, and collective care are at the core of both.

Q:  What are you currently working on or excited about?

A:  Right now, I’m working on a multi-year painting and research project called Us Becoming, which explores possibility through the masked form, speculative fiction, comic/pop culture, and performance. I’m also producing the second year of ConFluence with a kickass team of artists and nerds: a BIPOC-centered sci-fi, fantasy, arts, and fandom convention that celebrates all the ways our stories and creativity matters. Both of these projects are joyful and collaborative - they push me to grow and stretch beyond the studio in exciting ways. Also, I’m about to release my first illustrated children’s book! Written by Sun Yung Shin and Mélina Mangal, Revolutions are Made of Love comes out on November 4th, and I created over 20 hand-painted images for the book. 

Q:  What themes or questions are you eager to explore in the future, and how may we follow your news?

A:  Questions that are on my mind right now are: 

• How can speculative art forms create new possibilities for self-representation and expansive visions of belonging?
• What does radical joy look like as a visual, embodied, and communal practice?

I’m really excited about the work I’m getting into now and pretty much dream about it every night. I can’t wait to share it with the world. 

You can follow me on Instagram or visit my website to stay updated on exhibitions, projects, and events. If you’re curious about ConFluence, you can find us at www.confluencemn.com. The studio program at Public Functionary can be followed at www.publicfunctionary.org.  

Artistic ReUse-A-Thon presented by Art To Change the World

Artistic ReUse-A-Thon presented by Art to Change the World

November 1st 10:00am-5:00pm

Art exhibit that runs October 24 to November 9

The Flux Arts Building, 2505 NE Howard Street

Join the community to learn how to make art with reused materials. Free make and take workshops all day long. Plus vote on your favorite piece of art made from trash in the Mystery Trash Remix. Bring your old art supplies to participate in the Art Supply Swap. All activities are free thanks to funding from Minneapolis Public Works' Innovative Waste Reduction Grant. Find out more here.

This event has three parts:

1) The Mystery Trash Remix - 20 Art to Change the World artists have transformed single use items into Art! Exhibited October 24th to November 9th. Come and vote for your favorite piece. The winner gets $500. Contact Liisa Le at liisaleart@gmail.com for a full list of the artists.

2) Make and Take Workshops - Teachers design and lead workshops with single-use and reused materials. Classes and schedule are posted on the Art to Change the World website.

3) Art Supply Swap - Clean out your closets and refresh your tool kit. You can drop off art supplies anytime before November 1st at the Flux Arts Building, or bring them on November 1st where you can also pick out some new-to-you supplies to take home and create with! It's Free!

Questions? Email Layl McDill at layl@claysquared.com.

Spooky Fun! The Nightmare Bar at Hyatt Centric Hotel

Article by Becky Fillinger

(End date has been extened to November 2.)

The Nightmare Bar at Hyatt Centric Hotel, 615 2nd Avenue S, is open now through November 2nd. What exactly happens at the Nightmare Bar? We spoke to the Breanna Fay, Site Manager, about what we can expect during the 90-minute immersive, Halloween-themed pop-up sessions.

When you enter the space, you’ll be transported into a Tim Burton–inspired world where some beloved undead characters will guide you through a night of spooky fun. During your visit, you’ll get to take part in:

• Spooky Storytelling – Atmospheric tales that bring the eerie vibes to life. Jack Skellington might read a story or two to set the mood!
• Trivia with a Twist - Test your spooky knowledge. If you’re a fan of Beetlejuice, The Nightmare Before Christmas and The Addams Family, you’ll be ahead of the curve in trivia. 
• Nightmare Karaoke - Belt out creepy classics and unexpected favorites headed by one of our talented ghosts.
• I-Spy Challenge - Keep your eyes peeled for surprises hidden throughout the bar.

On top of that, there’s a special surprise for the guest deemed the "best dressed of the night." Choose from a menu with themed cocktails, mocktails, and snacks, each designed to enhance the eerie yet playful atmosphere.

The Nightmare Bar is truly the perfect night out for anyone looking to step into a Halloween fantasy world filled with immersive activities, unique drinks, and plenty of spooky surprises. Tag your photos on these socials: Instagram and TikTok.

Breanna welcomes everyone 21+ to reserve a time to visit The Nightmare Bar from 5 to 9:30pm – get tickets here. 

SPECIAL OFFER FOR MILL CITY TIMES READERS!

Enter to win 2 FREE tickets to this spooky, Halloween-themed bar inspired by Tim Burton and your favorite horror classics!

How to Enter:

1️. Follow @nightmarebeforebar + @millcitytimes

2️. Tag your favorite ghosts & ghouls in the comments – Each tag = 1 entry (no limit).

3️. Share this post to your stories for BONUS entries!

Winners get access to a 90-minute experience packed with spooky fun and games. Themed food and cocktails will be available for purchase.

Meet the New Board President of The Downtown Minneapolis Neighborhood Association

Article by Becky Fillinger, photos provided

Dan BrophyA Discussion with Dan Brophy

Dan Brophy recently took on the role as Board President of the Downtown Minneapolis Neighborhood Association (DMNA). He has been a board member since 2023 and an active and engaged downtown resident for 19 years. We talked to him about downtown’s biggest opportunities, strengthening community safety, connecting with all residents and how to participate in the organization.  

Q:  Congratulations on being selected as President of the DMNA. You’ve been involved in DMNA for a few years in other roles – what do you see as the biggest opportunities for downtown’s growth and revitalization? 

A:  I think the biggest opportunity is tapping into the stakeholders of downtown Minneapolis. Everyone I speak to has a thought or idea of how to grow and revitalize downtown Minneapolis. Getting these people involved with community organizations to give them a platform to share and work with organizations and other stakeholders is important. Getting everyone involved will help make downtown a downtown that we all love.

Q:  What excites you the most about the future of downtown Minneapolis?

A:  What excites me the most is the unknown and the chance to make a difference. Who knows what downtown Minneapolis will look like 5-10 years from now. We know that the downtown of 5-10 years ago is not coming back, but that doesn’t mean the downtown of 5-10 years from now can’t be even better.

Q:  How does DMNA balance the needs of residents, businesses and visitors downtown?

A:  The DMNA makes it a priority to listen to everyone - residents, businesses, and visitors alike. No matter who comes to us, we take the time to hear their thoughts and give them the same attention, effort and energy.

Q:  What role do you see DMNA playing in strengthening community safety and livability?

A:  The DMNA has a Safety and Security Committee that is always looking for ways to make downtown safer and more livable. The committee activities range from hosting public safety forums throughout the year to working on “one-off” projects. For example, in early 2025 the committee distributed 1,000 safety whistles to residents and employees living and working downtown.

Q:  How do you plan to engage more residents - especially renters, who make up a large part of downtown?

A:  Engaging renters has been a challenge, and we’re honest about that. One of the biggest hurdles is simply getting information to them. With frequent turnover of managers and staff in rental buildings, reliable contact points change quickly. Still, we’re focused on finding better ways to connect and are constantly working to strengthen our engagement with renters. We are always looking to host pop-up outreach meetings at rental properties to engage and share information about the DMNA. If your building is interested in hosting such an event, please email info@thedmna.org and we’ll be pleased to set up a meeting.

Q: Downtown Minneapolis is home to many stakeholders - businesses, arts organizations, city officials and nonprofits. How does DMNA collaborate with them?

A:  The first step is engagement. It’s letting the stakeholders know who we are and that we are here for them. DMNA board members are very active in the community attending events to help accomplish that.  Personally, I love networking, and I know the other board members do as well. I have met so many great people that care about our community since joining the DMNA. 

Q:  What ideas do you have for building stronger connections among residents?

A:  We’re focused on creating more opportunities for people to come together – through events such as Neighborhood Day (May), Earth Day Clean Up (April), National Night Out (August) and my personal favorite “Take a Kid Fishing Day” in June. We want to connect with all residents in all housing types to explore both in-person and digital ways for neighbors to connect to make downtown an engaged community where people know and support each other.

At the Mill City Farmers Market

Neighborhood Day

Earth Day Clean Up

National Night Out 

Take a Kid Fishing Day

Public Safety Forum

Q:  Are there plans to make DMNA a welcoming space for new members and underrepresented voices? 

A:  Yes! The DMNA has always welcomed anyone who lives, works, or owns property downtown. But beyond that, we’re working to make sure new members, and underrepresented voices feel not just included - but heard.

Q:  How may we stay current with DMNA news?

A:  So many ways - People can stay updated on DMNA news by joining our e-newsletter. Please send an email to info@thedmna.org to join the email list. They can also follow us on Facebook. We also post our events, activities and news on our website. Finally, they can join a committee. Committee meeting information is on our calendar.

October 2 Bridge 9 Improvements Project Update

Bridge No. 9 was constructed in 1922 by the Northern Pacific Railroad to carry freight over the Mississippi. The City of Minneapolis acquired this bridge in 1986 and converted the bridge to a pedestrian use bridge in 1999. The bridge currently provides a Mississippi River crossing for the Dinkytown Greenway bike trail.

Beginning in April, 2025, the City of Minneapolis started making repairs and improvements to Bridge 9, Abutment 1 and the approach spans on both ends of the bridge

*  *  *  Latest project news  *  *  * 

2025 Construction Phase

Public Works has been working on this bridge in phases over the past few years, starting with the substructure work (piers and abutments).

In 2025, the scope of work will focus on the superstructure, which includes removing and replacing the approach span decks, replacing the existing railing with a high-safety railing and rehabilitating the east side abutment.

Rehabilitation work on the abutment consists of the removal of degraded concrete, then repairing and strengthening the concrete to remain with new reinforced concrete. The work on the approach spans consists of the removal of the old ballast slab, aggregate and bituminous pavement, then constructing a new reinforced concrete deck.

Reinforcement installation on the north approach span

The abutment work takes place within Bridge 9 right of way through University of Minnesota property.  It is occurring adjacent to the U of M Main Energy Plant. Access and staging for the work were closely coordinated with University officials.

Southern approach spans with forms being installed.

Schedule

Construction activities this season started on April 7, 2025. The scheduled completion date is the end of December 2025. The contractor is currently anticipating substantial completion by mid December 2025.

Traffic Impact

The bridge is closed to bicyclists and pedestrians this season. The Detour route is below, and it is also posted to the project webpage.

Current Work

For the month of September, the following construction operations were performed: Abutment 1 construction, setting reinforcement on the north approach span, removing the southern bridge end block and setting formwork on the southern approach span.

Abutment 1 prior to backfilling.

Coming Up

Backfilling at Abutment 1, finishing setting forms on the southern approach spans, setting reinforcement on the southern approach spans and pouring the deck on the northern and southern approach spans.

Stay Connected

For more details and to sign up for email updates please visit the project page. 

For concerns or questions about the Bridge 9 project please contact:

Contact the project engineer: Oscar Weber,
651-470-4790 or Oscar.Weber@minneapolismn.gov 

Contact the engineer: Petru Vizoli,
612-201-1905, or Petru.Vizoli@minneapolismn.gov.

Contact the design team project manager: Rich Revering,
612-718-8412 or Richard.Revering@Bolton-Menk.com

Washburn Lofts Announces October 16 Art Exhibit Opening Reception

Artists William Greer and Mitchell Williams live and work at the Pillsbury A-Mill Artist Lofts. Their works are a celebration of color, form, and person. 

William Greer holds a BFA and BA degrees in Art & Art History and Communication, respectively, from the University of Colorado, Boulder (with early studies at MCAD). His work is exhibited in galleries, public spaces, and in private collections in the US and Europe. Greer says of his art, "My imagery is sparked by time-distorted memories. Each piece distills an interaction with a person or place that changed me. Collectively, they form a sort of life-journal."

Mitchell Williams was born and raised on the northside of Minneapolis. A screenwriter and fine artist, he says that "painting has become my most cathartic and stress-free outlet — a way to tell stories not with words, but through color, texture, and form. With each piece, I hope to share that same sense of release and imagination with the viewer."

Hosted by Washburn Lofts, 700 S 2nd Street. Free and open to the public. Refreshments will be served. Metered street parking or nearby pay-garages. Entrance on 2nd Street. 

Ten Thousand Things Theater Presents Shakespeare’s Two Gents as Season Opener

Article by Becky Fillinger, photos provided

A Discussion with Caitlin Lowans, Artistic Director

Ten Thousand Things (TTT) opens their season with William Shakespeare’s comedy Two Gents on tour September 24 - November 2. We talked to TTT’s new artistic director, Caitlin Lowans, about why she chose the play as season opener, what she will bring to the legendary theater company and the importance of TTT continuing to tour at correctional facilities, schools, low-income senior centers, workplaces for people with disabilities, and also paid public performances at Open Book, Hennepin Avenue United Methodist Church, Capri Theater, and 825 Arts. The play promises to make you laugh heartily and we could all use more of that – get tickets here. Full performance schedule follows Lowans’ interview.

Q:  Two Gents is your first production as artistic director - what drew you to this play as the season opener and as your debut?

A:  What I love about your question is that it draws attention to Two Gents as a production of firsts: it will be my first time directing for Ten Thousand Things, it's the first time TTT has ever performed Two Gents in our long relationship with Shakespeare; and scholars speculate Two Gents is the first play, and certainly the first comedy, the Shakespeare wrote. The play itself has the energy of a first: we can see Shakespeare trying out so many ideas that he'll develop in his later plays, it bursts with jokes, plots and ideas, as if the playwright couldn't wait to get all everything out of his mind and onto the stage. As I think about the riotous joy of moments in our rehearsal process, I empathize with him! When I think of firsts, I think of the energy that comes from discovery, like a first kiss or a first step; maybe a first isn't the product of a perfect technique, but it goes beyond form into a meaning or a memory that is singular and magical. What more could we want from a play experience?

Caitlin Lowans

It's worth noting that we often think of firsts as something that only happens to young people at the beginning of life. But our relationship with self alters so much across time! As someone who picked up their life and their family and moved to this community in the middle of their 40s, I can firmly attest that it's never too late for firsts!

Q:  The ending of Two Gentlemen of Verona - with its sudden forgiveness and reconciliation - has puzzled directors for centuries. How are you approaching it in this production?

A:  Ooh, I'm also so excited about this question! I approach the ending of the play with a healthy love of Shakespeare's text - and his guiding spirit of uplifting friendship and forgiveness. At the same time, I'm very conscious of the stories that we want to embody in the world right now: how can fault be faced and forgiveness be earned? So, I have reshaped Shakespeare's text to open up slightly different questions of what actions need forgiving and who has the power to grant forgiveness, while uplifting a more expensive version of friendship then the world of the 1580s might have allowed.

Our ending is all Shakespeare's text - just not quite in the order in which he wrote it and with one thought borrowed from another play - but also relying on creative, actor-driven magic and audience imagination in a way that twins the simplicity of Shakespearean stagecraft with the magic of TTT's creativity. I'm really excited for both who will be experiencing Two Gents for the first time, as well as those who have pre-conceived opinions about Two Gents to engage with the work together.

For me, the work of Ten Thousand Things Things harnesses the power of the audience's and artists' imaginations together to create magic. Creativity is our birthright as individuals, and yet contemporary life sometimes feels as if it's taking away our very creative capacities. The style of TTT in which we gather with each other, with the story at the center, and then use the simplest possible tools - actors bodies, voices, the story of the play, the soundscape created by a live musician, the power of the audience members own presence and deep listening - to create something bigger than ourselves is central to how I want to live as a person and create as an artist.

Q:  What new directions or priorities do you hope to bring to the company in your role as artistic director?

A:  As an artist, I believe in building on the legacy of what has come before - the inherited artistic leadership of Marcela Lorca and founder Michelle Hensley - and to lead the organization in partnership with Stephanie Thompson. We have to look towards the world as it is now: a world in which gathering together in physical space and time is less frequent and therefore more precious. I'm excited to rehabilitate our own capacity for presence, including deep listening and deep watching, as well as strengthening our capacity to imagine together new, complex, and joyous futures.

Q:  How do you see Ten Thousand Things continuing to serve both traditional theater audiences and the broader community, including nontraditional spaces?

A:  I think of our audiences in terms of performances in which we are hosted and performances in which we are hosting. When we are hosted in the community, we are lucky enough to enter into spaces important to people and into the lives that they are living. When we gather for shows with traditional theater audiences, we are hosting them and creating a unique community just for that evening. While those two experiences are different, I'm excited to create more pathways for our hosting audiences to join at our hosted public performances. I'm also excited for our public theater audiences to understand the wealth of artistry and depth of life knowledge of our hosting community audiences, and find ways for them to know each other directly, bridging across difference and bonding through shared experiences.

Q:  What excites you most about the Twin Cities theater scene, and how do you envision TTT’s place within it under your leadership?

A:  The depth and breadth of the Twin Cities theater scene, not only in its scale but also in its diversity of voices and aesthetics, is so exciting to me. Bold work is happening at the largest level, and bold work is happening in the neighborhood experimental theaters.

I also see the Twin Cities has such a commitment to homegrown, homemade, accessible art. I'm thinking of the community choirs, the May Day parade, the neighborhood gatherings that I've gotten to witness over my eight months here. When I think of TTT, I think of an overlap in the Venn diagram between the excellence of our largest scale theaters, the accessibility of our mission-centered service organizations, and the communal creativity of our experimental, maker-centered art. 

Q:  How may we follow your news?

A:  Our social media on Facebook and Instagram are great ways to follow our news at Ten Thousand Things, as well as signing up for our email list. We provide sneak peeks behind the scenes and into our unique process, both in the rehearsal room and as we take the production on the road.

* * * * PERFORMANCE SCHEDULE * * * *

Paid Performances: 

• Thursday & Friday shows at 7:30pm
• Saturday shows at 2pm and 7:30pm
• Sunday shows at 2pm
• Tickets are $40 suggested and Pay What You Can starting at $15.
• Pre-show readings on Thursdays with authors from Cow Tipping Press 

Open Book, 1011 Washington Avenue S 

• Thursday, Oct 9 (preview, all tickets $15, pre-show reading)
• Friday, Oct 10 (post-show reception)
• Saturday, Oct 11
• Sunday, Oct 12 

Hennepin Avenue United Methodist Church, 511 Groveland Avenue 

• Thursday, Oct 18 (pre-show reading)
• Friday, Oct 17 (post-show talk)
• Saturday, Oct 18
• Thursday, Oct 23 (pre-show reading)
• Friday, Oct 24 (post-show talk)
• Saturday, Oct 25
• Sunday, Oct 26
• Capri Theater, 2027 W Broadway
• Sunday, Oct 19 

825 Arts, 825 University Avenue W, St. Paul 

• Thursday, Oct 30 (pre-show reading)
• Friday, Oct 31 (special pre-show activities)
• Saturday, Nov 1
• Sunday, Nov 2 

Free Public Performances (Reservations Required) 

• Wed, Sept 24, 2:30pm, Episcopal Homes – The Gardens (1860 University Ave W, St Paul)
• Thu, Sept 25, 10:30am, Touchstone Mental Health (2312 Snelling Ave, Minneapolis)
• Tue, Sept 30, 9:10am & 11:25am, Harmony Learning Center (1961 County Rd C East, Maplewood)
• Wed, Oct 1, 6:30pm, Metro State University – Student Center (690 E 7th St, St Paul)
• Thu, Oct 2, 10am, MSS (900 Ocean St, St Paul) (Audio-Described)
• Tue, Oct 7, 1pm, St Paul Conservatory for Performing Artists (16 W 5th St, St Paul)
• Wed, Oct 8, 1:30pm, Dellwood Gardens (753 E 7th St, St Paul)
• Tue, Oct 14, 1pm, Sabathani Senior Center (310 E 38th St, Minneapolis)
• Tue, Oct 28, St Paul Opportunity Center (422 Dorothy Day Pl, St Paul)
• TBD Interact Center (1860 Minnehaha Ave, St Paul) 

Closed Performances (Not open to public)

Ramsey County Correctional Facility, St Peter Regional Treatment Center, Minnesota, St. Peter Forensic Mental Health, Federal Correctional Institute – Sandstone

Book a Prince Legacy Tour with Experience the Twin Cities in October or November

Experience the Twin Cities is celebrating 15 years of experiencing Twin Cities sights and spots and they're marking the milestone than by bringing back one of their all-time favorite tours - The Prince Legacy Tour! This October and November, step into the world of one of the greatest musical legends to emerge from the Twin Cities during this carefully curated small-group tour experience. 

Book this one early, it will be popular and it's only here for a limited time! If you'd like information on a private booking, email tours@experiencethetwincities.com.

MSP Film Presents the 13th Annual Cine Latino Film Festival, October 8-12

MSP Film Society presents the 13th Annual Cine Latino Film Festival October 8-12 at The Main Cinema, featuring five days and nights of screenings, visiting filmmakers, fiestas, food trucks, and more. Join them in celebrating the very best in US Latine, Latin American, and Ibero films that exemplify the powerful storytelling coming from these communities.

Highlights of this year's festival include PEDRO PÁRAMO, the directorial debut of acclaimed cinematographer Rodrigo Prieto (Barbie, Brokeback Mountain, Killers of the Flower Moon), which is based on the beloved novel by Juan Rulfo, widely considered one of the most important works of Mexican and Latin American literature.

Several films are making big waves on the film festival circuit, including DEAF, Directed by Eva Libertad, which won six awards at Málaga Film Festival and Berlin Film Festival’s Arthouse Cinema Award, and A POET, Directed by Simón Mesa Soto, which won the Jury Prize in Un Certain Regard at the 2025 Cannes Film Festival.

Full details are available here - plan your schedule now!