A Discussion with Local Artist Alison Hiltner, Recipient of the 2024 International Sculpture Center Innovator Award

Article by Becky Fillinger, photos provided

We Have Merely Been Detected

Minneapolis sculptor Alison Hiltner describes herself as an archeologist of science fiction. For the past ten years, her work has had the underlying theme of connection—how we communicate, feel, exist in harmony, and what causes discord. She was recently bestowed with the 2024 International Sculpture Center’s Innovator Award. The Center noted that “through her work, Hiltner invites audiences into imaginary worlds to discover their own forms of comfort.” We talked to her about how she defines innovation, her creative process and what’s on the horizon for her.

Alison Hiltner  Photo Credit Trina Fernandez, Brian Matthew Hart

Q:  Congratulations on winning the 2024 International Sculpture Center (ISC) Innovator Award. Did you submit an individual sculpture, or was your overall body of work considered for the award?

A:  I submitted three work samples of different pieces and a link to my website, so I’d guess, in this instance, my larger body of work was taken under consideration.

Q:  How do you define innovation in the context of your art? 

A:  That is an excellent question and a very complex one. I can give my answer, but there are many more answers out there, especially since, in a very real way, the most effective art is all about pushing boundaries and innovating. For me, innovation means constantly striving to realize the images, instances, and experiences you want others to experience. Innovation is a way of sharing your dreams with others in a way they, too, can understand. 

Q:  Please describe your creative process and how you approach developing a sculpture.

A:  I love these questions; they make me think. I've been doing this for a long time, and it’s fascinating to realize how much of the process becomes second nature. However, it is important to reflect not only on what you are doing but also on everyone else around you so you don’t miss the essential questions other people are asking, the unique gifts they have, and how you can do that justice or translate this knowledge into an experience that tiptoes around the universal but feels profoundly personal. Aside from that, research and experimentation are my guiding light, plus the genuine joy of making the impossible possible; nothing is ever finished; it's always in process.

Q:  How do you think technology and new media are shaping the field of sculpture?

A:  Art, regardless of discipline or medium, reflects our culture. Technology can be utilized in its creation or a focus in the conceptual conversation. We live in a world where the norm is rapidly evolving technology. Whether adopting technological tools as part of your process or actively avoiding their influence, cultivating new ways of sharing experiences is constantly reshaping our world. This has happened since humans realized they could affect their reality using tools.

Above and below - photos from the 2024 installment of Part of Our Lives Once Removed

Q:  You’re a multimedia artist - how do you select the materials and techniques for your pieces?

A:  I want everything I include in a piece to have a story and a purpose. Still, it can be simple and concrete. I use material to bring someone into a setting, mindset, or experience. Sometimes, though, we are very simply drawn to certain things with no rhyme or reason; that is why repetition is so common in nature and human behavior. We repeat what feels right, at times so instinctual that the only truthful answer can be summed up by it literally feels like something I should use.

Q:  How do you see your work contributing to social change or community engagement? Can you share an example of how your art has sparked dialogue or impacted a community?

A:  Knowing if you are contributing or not is truly a unicorn I will always chase; in other words, it is hard to know - especially when most artists rarely get feedback from a community. IF we are very lucky, individuals will share their experiences, and that has happened to me a few times, primarily with children, to be honest, and I would not want it any other way. One of the best was a little boy telling me he wants to think like me when he grows up, and I can’t think of a better impact than that - passing on how you see the world to new generations.

Q:  What advice would you give other sculptors looking to push boundaries in their work?

A:  Remember that you are limitless. Barriers will always exist, but it is your job to push past them, to deny them, and to prove them wrong. And none of this is easy; it’s probably one of the hardest things you will ever do.

Q:  What’s next for you? Are there any upcoming projects or directions you’re excited about? How may we follow your news?

A:  I have some ideas cooking in my head, but they still need to finish baking. My subsequent work will continue my most recent body of work, Our Lives Once Removed. To sum up, I am actively pursuing conversations with plants. My next scheduled exhibition is in the fall of 2025 at The Practice Gallery in Philadelphia. And people can follow me @alisonhiltner on Instagram, or my website, www.alisonhiltner.com.