Pangea World Theater presents Hecuba at The Southern Theater, April 5 - 21
Pangea World Theater presents Hecuba
Pangea World Theater presents Hecuba by Marina Carr, a compelling reimagining of the aftermath of the Fall of Troy, on stage at The Southern Theater in Minneapolis, April 5 – 21, 2024. Ticket info
Hecuba follows Agamemnon, the victor, as he locks horns with Hecuba, the vanquished queen. Both have suffered intimate loss — the sacrifice of a daughter and the murder of a son. In Marina Carr’s bold engagement with Euripides’ play of the same name written c. 424 BC ("the most intensely tragic of all poets" — Aristotle) there’s a demand for further bloodshed. In a brilliant display of ventriloquism, the drama weaves threads of inconsolable rage and grief with fate, revenge, and inevitable carnage. The show explores the shreds of duty and honor as well as the terrible deeds hatred breeds as it touches bravely on Hecuba’s heroic nature and “the endless tears of women.”
The Hecuba ensemble includes Suzanne Victoria Cross, Ankita Ashrit, Anne Guadagnino, Matthew Saxe, Ernest Briggs, Tyler Stamm, J. Antonio Teodro, Nathan Berglund, and Neel Shah.
Director Dipankar Mukherjee’s artistic team features lighting design by Mike Grogan, set design by Orin Herfindal, costume design by Mary Ann Kelling, composition, live music and sound design by Bethany Lacktorin, assistant direction by Sir Curtis Kirby III, with stage management by Cassi Henning.
“As artists in Pangea, we are in search of understanding the complexity of the time we live in,” said Pangea’s Artistic Director Dipankar Mukherjee. “Marina Carr’s adaptation of Hecuba opens one portal to our current truth. Mythology holds many answers and many secrets. Myth is the repository of truths, both spoken and unspoken. It is up to us to learn from them. In our search for collective accountability, moments are marked when our conscience is put on trial, as during the current moment. This can be covered up with the dust of rhetoric, but the truth never fails to stare at our face. Hecuba asks us, "Can we salvage our humanity when women and children’s bodies are weaponized in the name of war anywhere in the world?”
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
About the Playwright
Marina Carr is an Irish playwright who has written nearly 30 plays. She came to notoriety in the 1990s and is known for writing intense and often dark plays, and for being a particularly prolific and skillful voice in Irish drama. She often writes about human tragedy, and her work often takes its inspiration from classical texts.
Carr was born in County Offaly to an artistic family and was educated at University College Dublin. In addition to Hecuba, her works include a take on Lorca's Blood Wedding, an adaptation of Anna Karenina, By the Bog of Cats, The Map of Argentina, Phaedra Backwards, Portia Coughlan, The Mai, Ullaloo, This Love Thing, and The Deer Surrender.
Carr often writes about disturbing situations and unsympathetic characters. When a revival of her play On Raftery's Hill received backlash for depicting a scene of incestuous rape, Carr told The Guardian, "The moral police will be the death of art. Political correctness is destroying our literature and our poetry. There is a place for the moral high ground, but it is not art. You can't have the thought police looking over your shoulder when you are writing a play. You have to let the characters have their say. Plays are written with the imagination, not with the head."
She has been Writer-in-Residence at Trinity College, the Abbey Theatre, Princeton University and was the first John McGahern Writer-in-Residence in St. Patrick’s College, Drumcondra/DCU. Marina Carr is a member of Aosdána and lives with her family in Dublin.